{"id":24803,"date":"2016-06-03T11:09:12","date_gmt":"2016-06-03T09:09:12","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=24803"},"modified":"2016-11-13T22:23:39","modified_gmt":"2016-11-13T21:23:39","slug":"alexis-alonso-the-birth-of-time-piano-melodies-for-adrian-vol-two-autoeditado-2016-cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/alexis-alonso-the-birth-of-time-piano-melodies-for-adrian-vol-two-autoeditado-2016-cd\/","title":{"rendered":"Alexis Alonso: The Birth Of Time. Piano Melodies For Adrian. Vol Two (Autoeditado, 2016; CD)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-24804\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016-200x200.jpg\" alt=\"alexis Alonso_The Birth Of Time_autoeditado_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016.jpg 714w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El disco que hoy nos ocupa tiene un valor sentimental muy especial para m\u00ed, lo digo porque mi primera rese\u00f1a para un medio dedicado al mundo del jazz fue la primera parte del proyecto a piano solo del m\u00fasico <strong>Alexis Alonso<\/strong>, concretamente <em>El Paisaje. Piano Melodies For Adrian vol. One <\/em>(Autoedici\u00f3n, 2014), rese\u00f1a que se public\u00f3 en la tristemente desaparecida <strong>Zona de Jazz<\/strong> (aprovechamos para mandar un fuerte abrazo a <strong>Gustavo Lecha<\/strong>). Hoy publicamos la segunda, y en principio \u00faltima, parte de este proyecto que nace desde la peor desgracia que puede sufrir un padre, es decir, la p\u00e9rdida de un hijo.<\/p>\n<p style=\"text-align: justify;\">Adri\u00e1n Alonso muri\u00f3 a los tres a\u00f1os de vida a causa de un desgraciado accidente quir\u00fargico. Su padre, <strong>Alexis Alonso<\/strong>, aparte de apoyarse en pilares tan importantes como su familia y amigos, encontr\u00f3 en la m\u00fasica la fuente m\u00e1xima de expresi\u00f3n para poder ofrecer, a trav\u00e9s de notas musicales, el torrente de sensaciones que sufri\u00f3. Un proyecto enorme en el que el autor ha invertido incontables horas para ofrecer los diferentes estados de \u00e1nimos por los que pas\u00f3 tras la p\u00e9rdida, pero tambi\u00e9n momentos felices en los que Adri\u00e1n, por lo que se puede intuir, hizo inmensamente feliz a su padre.<\/p>\n<p style=\"text-align: justify;\"><em>The Birth Of Time. Piano Melodies For Adrian. Vol Two <\/em>(Autoedici\u00f3n, 2016) comprende quince composiciones en las que <strong>Alexis Alonso<\/strong> introduce una novedad en relaci\u00f3n a la primera referencia, y es que cuenta con tres temas a d\u00fao, concretamente tiene como invitados a <strong>Kike Perdomo<\/strong> (saxo alto) en \u201cCrossing Point\u201d, a <strong>Ciro Hern\u00e1ndez<\/strong> (violonchelo) en \u201cToy Store Girl\u201d y a <strong>Tom\u00e1s LP Cruz<\/strong> (contrabajo) en \u201cLa Orilla\u201d. Un cambio que otorga un aire renovado y evolutivo, as\u00ed como tambi\u00e9n podr\u00edamos hablar de superaci\u00f3n a trav\u00e9s de la amistad\u2026 Las tres aportaciones puede que nos den una pista de hacia d\u00f3nde se dirigir\u00e1 la carrera del pianista desde este momento.<\/p>\n<p style=\"text-align: justify;\">Algunos creen que la m\u00fasica es un pasatiempo, que no sirve para nada y muchas m\u00e1s sandeces\u2026 proyectos como este son la prueba de que la m\u00fasica trasciende mucho m\u00e1s all\u00e1 de lo imaginable. La m\u00fasica dignifica, purifica, remueve, emociona, provoca, alegra\u2026 En principio se cierra un c\u00edrculo. Dos referencias dedicadas a la memoria de Adri\u00e1n. Un ejemplo de creaci\u00f3n terap\u00e9utica y sincera. Escuchad m\u00fasica amigos.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0<a href=\"http:\/\/1984cronicas.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener\">Jes\u00fas Mateu Rossell\u00f3<\/a>, 2016<\/p>\n<p style=\"text-align: justify;\">Alexis Alonso: <em>The Birth Of Time. Piano Melodies For Adrian. Vol Two<\/em><\/p>\n<p style=\"text-align: justify;\">M\u00fasicos: Alexis Alonso (piano) Kike Perdomo (saxo alto) en \u201cCrossing Point\u201d, Ciro Hern\u00e1ndez (violonchelo) en \u201cToy Store Girl\u201d y a Tom\u00e1s LP Cruz (contrabajo) en \u201cLa Orilla\u201d<\/p>\n<p style=\"text-align: justify;\">Composiciones: \u201cThe Bird Of Time\u201d, \u201cIn The Air\u201d, \u201cCrossing In G Point\u201d, \u201cOn Music\u201d, \u201cDunes\u201d, \u201cRay So Finner Sun\u201d, \u201cThe Wanderer Song\u201d, \u201cToy Store Girl\u201d, \u201cPost Cards From Madrid Sky\u201d, \u201cDinner In Al-Andalus\u201d, \u201cDawn\u201d, \u201cMemory\u201d, \u201c20 Minutes\u201d, \u201cEn la Orilla\u201d y \u201cGood Night Day Light\u201d.<\/p>\n<p style=\"text-align: justify;\">Todas las composiciones son de Alexis Alonso.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El disco que hoy nos ocupa tiene un valor sentimental muy especial para m\u00ed, lo digo porque mi primera rese\u00f1a para un medio dedicado al mundo del jazz fue la primera parte del proyecto a piano solo del m\u00fasico Alexis Alonso, concretamente El Paisaje. Piano Melodies For Adrian vol. One<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/alexis-alonso-the-birth-of-time-piano-melodies-for-adrian-vol-two-autoeditado-2016-cd\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1003599,"featured_media":24804,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17851,5,15517,1038],"tags":[12651,15698,12676,16331,12696,16012,16334,13,15699,12415,15295,9830,1074,15710,15307,15308,15309,15306,16099,77,16100,16332,16333],"class_list":["entry","author-jesusmateurossello","post-24803","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jesus-mateu-rossello","category-grabaciones","category-textos","category-contenidos","tag-cd","tag-cd-de-jazz","tag-critica","tag-etiquetas-alexis-alonso","tag-grabaciones","tag-grabaciones-de-jazz","tag-gustavo-lecha","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jesus-mateu-rossello","tag-kike-perdomo","tag-la-actualidad-del-jazz-en-espana","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-resenas","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tomas-lp-cruz","tag-zona-de-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/alexis-Alonso_The-Birth-Of-Time_autoeditado_2016.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100192,"url":"https:\/\/tomajazz.com\/web\/fredis-jazz-band-vol-2-temps-record-2024-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":24803,"position":0},"title":"Fredi&#8217;s Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 octubre, 2025","format":false,"excerpt":"Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band. 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Con C\u00e8sar Joaniquet, Artur Tu\u017anik), Brice Soniano, Kasper Tom Christiansen","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cesar-Joaniquet-Live-at-Jazz-Cava-UnderPool-Records-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29235,"url":"https:\/\/tomajazz.com\/web\/toni-vaquer-nonino-underpool-2017-cd\/","url_meta":{"origin":24803,"position":5},"title":"Toni Vaquer: Nonin\u00f3 (Underpool, 2017) [CD]","author":"Jes\u00fas Mateu Rossell\u00f3","date":"10 febrero, 2017","format":false,"excerpt":"Era el a\u00f1o 2014 cuando publicamos una rese\u00f1a en relaci\u00f3n al concierto a d\u00fao de Toni Vaquer y F\u00e8lix Rossy en Palma de Mallorca. 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