{"id":24889,"date":"2016-06-13T11:06:47","date_gmt":"2016-06-13T09:06:47","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=24889"},"modified":"2018-05-05T20:45:03","modified_gmt":"2018-05-05T18:45:03","slug":"ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054-podcast\/","title":{"rendered":"Ella Fitzgerald (III). La Odisea de la M\u00fasica Afroamericana (054) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">En la entrega n\u00famero 54 de <em>La Odisea de la M\u00fasica Afroamericana<\/em>\u00a0<strong>Luis Escalante Ozalla<\/strong> sigue repasando\u00a0la carrera de\u00a0<strong>Ella Fitzgerald<\/strong>. A lo largo de casi una hora se escucha la magn\u00edfica voz de Ella Fitzgerald y se realiza un acercamiento a figuras importantes como <strong>Andre Previn<\/strong>, <strong>Benny<\/strong> <strong>Carter<\/strong>, y <strong>Toots<\/strong> <strong>Camarata<\/strong>; tambi\u00e9n se vuelve a escuchar a <strong>Count<\/strong> <strong>Basie<\/strong> y <strong>Louis<\/strong> <strong>Armstrong<\/strong>. <b>Clare Teal\u00a0<\/b> y\u00a0<strong>George Benson<\/strong> suenan en el inicio y final del programa.<\/p>\n<p><iframe id='audio_11872555' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_11872555_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n<center><br \/>\n<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ella_Fitzgerald_1968.jpg\" target=\"_blank\" rel=\"noopener\"><figure id=\"attachment_24890\" aria-describedby=\"caption-attachment-24890\" style=\"width: 459px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-24890 size-large\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968-459x600.jpg\" alt=\"Courtesy the Fraser MacPherson estate c\/o Guy MacPherson\" width=\"459\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968-459x600.jpg 459w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968-115x150.jpg 115w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968-200x261.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968-42x55.jpg 42w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg 739w\" sizes=\"auto, (max-width: 459px) 100vw, 459px\" \/><figcaption id=\"caption-attachment-24890\" class=\"wp-caption-text\">Ella Fitzgerald 1968. Courtesy the Fraser MacPherson estate c\/o Guy MacPherson<\/figcaption><\/figure><\/a><br \/>\n<\/center><br \/>\nEn el cap\u00edtulo 54 suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cLove Is A State Of Mind\u201d Clare Teal<\/li>\n<li style=\"text-align: justify;\">\u201cI Can\u00b4t Get Started\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cThanks For The Memory\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cThat Old Black Magic\u201d Ella Fitzgerald &amp; Benny Carter<\/li>\n<li style=\"text-align: justify;\">\u201cBetween The Devil And The Deep Blue Sea\u201d Ella Fitzgerald &amp; Benny Carter<\/li>\n<li style=\"text-align: justify;\">\u201cMy One And Only Love\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cTender Trap\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cI\u00b4ve Got My Love To Keep Me Warm\u201d Ella Fitzgerald &amp; Louis Armstrong<\/li>\n<li style=\"text-align: justify;\">\u201cGee Baby Ain\u00b4t I Good To You\u201d Ella Fitzgerald &amp; Louis Armstrong<\/li>\n<li style=\"text-align: justify;\">\u201cTea For Two\u201d Ella Fitzgerald &amp; Count Basie<\/li>\n<li style=\"text-align: justify;\">\u201cShiny Stockings\u201d Ella Fitzgerald &amp; Count Basie<\/li>\n<li style=\"text-align: justify;\">\u201cAfter You\u00b4ve Gone\u201d Ella Fitzgerald &amp; Count Basie<\/li>\n<li style=\"text-align: justify;\">\u201c \u2018Round Midnight\u201d Ella Fitzgerald &amp; Count Basie<\/li>\n<li style=\"text-align: justify;\">\u201cSack O\u00b4Woe\u201d George Benson<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 54 de La Odisea de la M\u00fasica Afroamericana\u00a0Luis Escalante Ozalla sigue repasando\u00a0la carrera de\u00a0Ella Fitzgerald. A<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":24890,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[6792,13370,11048,16487,6639,735,16490,13304,16488,16489,15120,16581,16579,16569,731,16491,5360,13,15375,12415,15295,15278,15710,12817,16580,13072,8161,15469,12905,12816,12818,15310,15470,15709,15711,16578,12665,16568,16099,77,16100,16486],"class_list":["entry","author-pachi","post-24889","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-andre-previn","tag-audioblog","tag-benny-carter","tag-clare-teal","tag-count-basie","tag-ella-fitzgerald","tag-ella-fitzgerald-benny-carter","tag-ella-fitzgerald-louis-armstrong","tag-ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054","tag-ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054-podcast","tag-ella-fitzgerald-count-basie","tag-ella-fitzgerald-lady-ella","tag-ella-fitzgerald-queen-of-jazz","tag-ella-fitzgerald-the-first-lady-of-song","tag-george-benson","tag-guy-macpherson","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lady-ella","tag-lodlma","tag-louis-armstrong","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-queen-of-jazz","tag-swing","tag-the-first-lady-of-song","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-toots-camarata"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24758,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-i-la-odisea-de-la-musica-afroamericana-052-podcast\/","url_meta":{"origin":24889,"position":0},"title":"Ella Fitzgerald (I). La Odisea de la M\u00fasica Afroamericana (052) [Podcast]","author":"Tomajazz","date":"30 mayo, 2016","format":false,"excerpt":"En la entrega n\u00famero 52 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla comienza un repaso a la carrera de Ella Fitzgerald, una de las voces imprescindibles de la historia del jazz.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Ella Fitzgerald por Carl van Vetchen (1940)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Ella-Fitzgerald-by-Carl-van-Vetchen.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25005,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast\/","url_meta":{"origin":24889,"position":1},"title":"Ella Fitzgerald (IV). La Odisea de la M\u00fasica Afroamericana (055) [Podcast]","author":"Tomajazz","date":"20 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana llega al cuarto cap\u00edtulo dedicado a Ella Fitzgerald, The First Lady of Song. Con la cantante y su m\u00fasica como eje central, Luis Escalante va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como Kurt Weill, Joe Pass, Oscar Peterson o Antonio Carlos\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":22450,"url":"https:\/\/tomajazz.com\/web\/los-gigantes-del-swing-iv-count-basie-la-odisea-de-la-musica-afroamericana-039-podcast\/","url_meta":{"origin":24889,"position":2},"title":"Los gigantes del Swing (IV): Count Basie y las\/los vocalistas. La Odisea de la M\u00fasica Afroamericana (039) [Podcast]","author":"Tomajazz","date":"29 febrero, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Count Basie es el protagonista central de la entrega n\u00famero 39\u00a0de La Odisea de la M\u00fasica Afroamericana, tras aparecen en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24586,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-iii-teatro-apollo-connies-inn-harlem-opera-house-la-odisea-de-la-musica-afroamericana-051-podcast\/","url_meta":{"origin":24889,"position":3},"title":"Lugares m\u00edticos en la historia del jazz (III): Teatro Apollo, Connie&#8217;s Inn, Harlem Opera House&#8230; La Odisea de la M\u00fasica Afroamericana (051) [Podcast]","author":"Tomajazz","date":"23 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 51 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a lugares m\u00edticos del jazz tras los programas dedicados al Savoy y al Cotton Club y Harlem. El Teatro Apollo, Connie\u2019s Inn, Harlem Opera House, Barron Wilkin\u2019s, Mexico\u2019s o Monette Moore\u2019s Place son\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":19093,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-011-podcast\/","url_meta":{"origin":24889,"position":4},"title":"Irving Berlin. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 011) [Podcast]","author":"Tomajazz","date":"20 julio, 2015","format":"imagen","excerpt":"Jerome Kern dijo de \u00e9l: \u201cNo hay lugar para Irving Berlin en la m\u00fasica norteamericana, \u00e9l es la m\u00fasica norteamericana\u201d. Luis Escalante dedica el und\u00e9cimo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana al compositor Irving Berlin.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/BerlinPortrait1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24835,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-ii-la-odisea-de-la-musica-afroamericana-053-podcast\/","url_meta":{"origin":24889,"position":5},"title":"Ella Fitzgerald (II). La Odisea de la M\u00fasica Afroamericana (053) [Podcast]","author":"Tomajazz","date":"6 junio, 2016","format":false,"excerpt":"En la entrega n\u00famero 53 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla sigue con el repaso a la carrera de Ella Fitzgerald, que comenz\u00f3 en el cap\u00edtulo anterior. Esta fase de la carrera de la Fitzgerald sirve para escuchar m\u00fasica y para conocer a figuras importantes como\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=24889"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24889\/revisions"}],"predecessor-version":[{"id":24893,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24889\/revisions\/24893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/24890"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=24889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=24889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=24889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}