{"id":25005,"date":"2016-06-20T11:15:39","date_gmt":"2016-06-20T09:15:39","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=25005"},"modified":"2018-05-05T20:45:03","modified_gmt":"2018-05-05T18:45:03","slug":"ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast\/","title":{"rendered":"Ella Fitzgerald (IV). La Odisea de la M\u00fasica Afroamericana (055) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">La Odisea de la M\u00fasica Afroamericana llega al cuarto cap\u00edtulo dedicado a <strong>Ella Fitzgerald<\/strong>, <em>The First Lady of Song<\/em>. Con la cantante y su m\u00fasica como eje central, <strong>Luis<\/strong> <strong>Escalante<\/strong> va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como <strong>Kurt Weill<\/strong>, <strong>Joe Pass<\/strong>, <strong>Oscar Peterson<\/strong> o <strong>Antonio Carlos Jobim<\/strong>, as\u00ed como a citas m\u00edticas como el Festival de Jazz de Antibes. <strong>Shirley Eikhard<\/strong> y <strong>Luis Salinas<\/strong> son los encargados de abrir y cerrar el programa n\u00famero 55 de <strong>La Odisea de la M\u00fasica Afroamericana<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_11951803\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_11951803_4_1.html?c1=948c87\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_25007\" aria-describedby=\"caption-attachment-25007\" style=\"width: 420px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25007 size-large\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-420x600.jpg\" alt=\"Ella Fitzgerald and Joe Pass in concert 1974. Fotograf\u00eda por Hans Bernhard. Utilizado con la licencia Creative Commons Attribution-Share Alike 3.0 Unported.\" width=\"420\" height=\"600\" title=\"\"><figcaption id=\"caption-attachment-25007\" class=\"wp-caption-text\">Ella Fitzgerald and Joe Pass in concert 1974. Fotograf\u00eda por Hans Bernhard. Utilizado con la licencia Creative Commons Attribution-Share Alike 3.0 Unported.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>En el cap\u00edtulo 55 suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cAbout Last Night\u201d Shirley Eikhard<\/li>\n<li style=\"text-align: justify;\">\u201cMack The Knife\u201d Ella Fitzgerald &amp; Duke Ellington<\/li>\n<li style=\"text-align: justify;\">\u201cJust Squeeze Me\u201d Ella Fitzgerald &amp; Duke Ellington<\/li>\n<li style=\"text-align: justify;\">\u201cYou Go To My Head\u201d Ella Fitzgerald &amp; Joe Pass<\/li>\n<li style=\"text-align: justify;\">\u201cApril In Paris\u201d Ella Fitzgerald &amp; Oscar Peterson<\/li>\n<li style=\"text-align: justify;\">\u201cDesafinado\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cCorcovado\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cDindi\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cFor Ivan\u201d Luis Salinas<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana llega al cuarto cap\u00edtulo dedicado a Ella Fitzgerald, The First Lady of Song. Con la cantante y su m\u00fasica como eje central, Luis Escalante va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como Kurt Weill, Joe Pass, Oscar Peterson o Antonio Carlos Jobim&#8230;<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":25007,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,17847,13297,12814,15518,1038],"tags":[8416,8889,6637,735,16565,16561,16566,16562,16581,16563,16579,16569,16564,13300,10495,13299,15712,15713,15714,5360,13,15375,12415,15295,1867,960,16567,15710,12817,16580,13072,8161,15469,12905,12816,7031,31,15470,16578,16560,12665,16568,16099,77,16100],"class_list":["entry","author-pachi","has-excerpt","post-25005","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-pachi-tapiz","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-antonio-carlos-jobim","tag-ben-webster","tag-duke-ellington","tag-ella-fitzgerald","tag-ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055","tag-ella-fitzgerald-duke-ellington","tag-ella-fitzgerald-en-la-odisea-de-la-musica-afroamericana","tag-ella-fitzgerald-joe-pass","tag-ella-fitzgerald-lady-ella","tag-ella-fitzgerald-oscar-peterson","tag-ella-fitzgerald-queen-of-jazz","tag-ella-fitzgerald-the-first-lady-of-song","tag-festival-de-antibes","tag-hablando-de-oidas","tag-hans-bernhard","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joe-pass","tag-jose-francisco-tapiz","tag-kurt-weill","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lady-ella","tag-lodlma","tag-louis-armstrong","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-oscar-peterson","tag-pachi-tapiz","tag-podcast-de-jazz-clasico","tag-queen-of-jazz","tag-shirley-eikhard","tag-swing","tag-the-first-lady-of-song","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":27013,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-vi-la-odisea-de-la-musica-afroamericana-069-podcast\/","url_meta":{"origin":25005,"position":0},"title":"Duke Ellington (VI). La Odisea de la M\u00fasica Afroamericana (069) [Podcast]","author":"Tomajazz","date":"24 octubre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana dedica el cap\u00edtulo n\u00famero 69 a Duke Ellington. En el sexto cap\u00edtulo dedicado a este inmenso compositor, pianista y director de orquesta, finaliza el repaso a los grandes int\u00e9rpretes con Ben Webster. Los siguientes protagonistas son algunos cantantes \"que tuvieron la suerte de cantar\u2026","rel":"","context":"En \u00ab*_Diego Ortega Alonso\u00bb","block_context":{"text":"*_Diego Ortega Alonso","link":"https:\/\/tomajazz.com\/web\/category\/diego-ortega-alonso\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/de3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24181,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-ii-cotton-club-y-harlem-la-odisea-de-la-musica-afroamericana-050-podcast\/","url_meta":{"origin":25005,"position":1},"title":"Lugares m\u00edticos en la historia del jazz (II): Cotton Club y Harlem. La Odisea de la M\u00fasica Afroamericana (050) [Podcast]","author":"Tomajazz","date":"16 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 50 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a la historia del Cotton Club, uno de los locales m\u00edticos en la historia del jazz. En este local se interpretaron revistas de las que surgieron algunos cl\u00e1sicos del jazz, que suenan en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20566,"url":"https:\/\/tomajazz.com\/web\/louis-armstrong-v-jazz-xi-la-odisea-de-la-musica-afroamericana-022-podcast\/","url_meta":{"origin":25005,"position":2},"title":"Louis Armstrong V. Jazz XI. La Odisea de la M\u00fasica Afroamericana (022) [Podcast]","author":"Tomajazz","date":"2 noviembre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Quinto\u00a0programa de\u00a0La Odisea de la M\u00fasica Afroamericana (LODLMA) dedicado a\u00a0Louis Armstrong.\u00a0Luis Escalante repasa la carrera del trompetista\u00a0durante el final de la d\u00e9cada\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30636,"url":"https:\/\/tomajazz.com\/web\/george-gershwin-iv-porgy-and-bess-los-compositores-del-tin-pan-alley-vii-la-odisea-de-la-musica-afroamericana-099-podcast\/","url_meta":{"origin":25005,"position":3},"title":"George Gershwin (IV): Porgy And Bess. Los compositores del Tin Pan Alley (VII). La Odisea de la M\u00fasica Afroamericana (099) [Podcast]","author":"Tomajazz","date":"22 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. S\u00e9ptima entrega dedicada a la m\u00fasica y los compositores del Tin\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Porgy-And-Bess.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Porgy-And-Bess.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Porgy-And-Bess.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":44182,"url":"https:\/\/tomajazz.com\/web\/oscar-peterson-iii-la-odisea-de-la-musica-afroamericana-199-podcast\/","url_meta":{"origin":25005,"position":4},"title":"Oscar Peterson (III). La Odisea de la M\u00fasica Afroamericana (199) [Podcast]","author":"Tomajazz","date":"8 julio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. 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El Teatro Apollo, Connie\u2019s Inn, Harlem Opera House, Barron Wilkin\u2019s, Mexico\u2019s o Monette Moore\u2019s Place son\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=25005"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25005\/revisions"}],"predecessor-version":[{"id":25056,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25005\/revisions\/25056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/25007"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=25005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=25005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=25005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}