{"id":2512,"date":"2011-10-05T22:58:00","date_gmt":"2011-10-05T20:58:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2512"},"modified":"2016-11-13T17:21:31","modified_gmt":"2016-11-13T16:21:31","slug":"billy-bangs-survival-ensemble-black-mans-blues-new-york-collage-nobusiness-records-reed-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/billy-bangs-survival-ensemble-black-mans-blues-new-york-collage-nobusiness-records-reed-2011\/","title":{"rendered":"Billy Bang\u2019s Survival Ensemble: Black Man\u2019s Blues \/ New York Collage<\/i> (NoBusiness Records, reed.2011)"},"content":{"rendered":"
<\/div>\n
\"billyEl sello lituano NoBusiness Records vuelve a anotarse un tanto con la reedici\u00f3n de material de inter\u00e9s hist\u00f3rico. Aunque es posible que haya quien no est\u00e9 de acuerdo en esto \u00faltimo, tal es el calificativo que merece la publicaci\u00f3n de la primera grabaci\u00f3n como l\u00edder del violinista Billy Bang<\/b>, junto a una sesi\u00f3n in\u00e9dita hasta el momento registrada un a\u00f1o antes por el mismo grupo.<\/div>\n
<\/div>\n
Bang <\/b>fue una de las figuras punteras del viol\u00edn en el free jazz<\/i>. En estas grabaciones de 1977 y 1978 le acompa\u00f1aron algunos m\u00fasicos que todav\u00eda siguen en activo y a gran nivel como el contrabajista William Parker<\/b> y el baterista Rashid Bakr<\/b>. Junto a ellos estaban otros menos conocidos como los saxofonistas Bilal Abdul Raman<\/b> y Henry Warner<\/b>, o el percusionista Khuwana Fuller<\/b>.<\/div>\n
<\/div>\n
Lo que suena en estas dos grabaciones es free jazz<\/i> de primera. Una d\u00e9cada y media despu\u00e9s de su irrupci\u00f3n, la m\u00fasica aparece articulada en forma de composiciones que se reconocen en los cl\u00e1sicos del g\u00e9nero no s\u00f3lo en las formas, ya que los nombres de Albert Ayler<\/b> y John Coltrane<\/b> est\u00e1n en los t\u00edtulos de dos de los temas. La m\u00fasica, como es natural, no olvida el compromiso pol\u00edtico y social por medio de su propia inmediatez, y tambi\u00e9n en forma del recitado de poemas de Bang<\/b>. En ella tambi\u00e9n aparecen otros elementos propios de su tiempo como un cierto acercamiento a lo que se podr\u00eda denominar World Music<\/i>, o incluso tambi\u00e9n por momentos al funk<\/i>.<\/div>\n

\u00a9 Pachi Tapiz, 2011<\/p>\n

Billy Bang\u2019s Survival Ensemble: Black Man\u2019s Blues \/ New York Collage<\/i>
\nCD1: Black Man\u2019s Blues<\/i>
\n\u201cSpoken Introduction\u201d, \u201cAlbert Ayler \/ Know Your Enemy\u201d (Billy Bang), \u201cGanges \/ Enchantment \/ Tapestry\u201d (William Parker), \u201cBlack Man Blues\u201d (Bilal Abdul Rahman)<\/p>\n

CD2: New York Collage<\/i>
\n\u201cNobody Hear the Music the Same Way (Dedicated to John Coltrane)\u201d (Billy Bang), \u201cFor Josie Part II\u201d (Billy Bang), \u201cIllustration\u201d (Poes\u00eda Billy Bang, m\u00fasica Bilal Abdul Rahman), \u201cSubhanallah (Bilal Abdul Rahman)<\/p>\n

Billy Bang (viol\u00edn, declamaci\u00f3n, percusi\u00f3n), Bilal Abdul Rahman (saxos tenor y soprano, percusiones), William Parker (contrabajo), Rashid Bakr (bater\u00eda).
\nEn el CD2 tambi\u00e9n participan: Henry Warner (saxo alto, percusiones), Khuwana Fuller (congas)<\/p>\n

CD1 grabado el 29 de mayo de 1977 en \u201cA Day in Solidarity with Soweto:; A Fund Raiser\u201d, Harlem Fight-Back, 1 East 125th St., Nueva York. No publicado anteriormente. CD2 grabado en directo en Columbia University Radio WKCR 89.9 FM, el 16 de mayo de 1978. Publicado originalmente en Amina Records. en 1978. Reeditado en 2011 por NoBusiness Records. NBCD 30-31. www.nobusinessrecords.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

El sello lituano NoBusiness Records vuelve a anotarse un tanto con la reedici\u00f3n de material de inter\u00e9s hist\u00f3rico. Aunque es posible que haya quien no est\u00e9 de acuerdo en esto \u00faltimo, tal es el calificativo que merece la publicaci\u00f3n de la primera grabaci\u00f3n como l\u00edder del violinista Billy Bang, juntoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11685,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[1338,1339,8995,7423,12651,12696,8997,13,12415,15295,8998,2054,31,8996,16099,77,16100,5130],"class_list":["entry","author-pachi","post-2512","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-1338","tag-1339","tag-bilal-abdul-rahman","tag-billy-bang","tag-cd","tag-grabaciones","tag-henry-warner","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-khuwana-fuller","tag-nobusiness-records","tag-pachi-tapiz","tag-rashid-bakr","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-william-parker"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/billy-bang-survival-ensemble.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2077,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-grupo-the-group\/","url_meta":{"origin":2512,"position":0},"title":"Tomajazz recomienda… un grupo: The Group","author":"Adolphus van Tenzing","date":"24 diciembre, 2012","format":false,"excerpt":"El negocio discogr\u00e1fico es como es. En cu\u00e1ntas ocasiones se documentan proyectos con un inter\u00e9s nulo o limitado, siendo generoso, mientras que otros pasan sin dejar evidencias grabadas de su existencia. Un buen ejemplo es el grupo The Group, que estuvo en activo en Nueva York entre 1986 y 1987.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"The Group - Live","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2012\/12\/The-Group-Live-150x150.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8263,"url":"https:\/\/tomajazz.com\/web\/billy-bang-da-bang-tum-records-2013\/","url_meta":{"origin":2512,"position":1},"title":"Billy Bang: Da Bang! (Tum Records, 2013)","author":"Tomajazz","date":"25 septiembre, 2013","format":false,"excerpt":"Da Bang!, grabado por Billy Bang apenas dos meses antes de fallecer debido al c\u00e1ncer en 2011, tiene como raz\u00f3n de ser bastante m\u00e1s que su car\u00e1cter de obra p\u00f3stuma del gran violinista. El disco fue grabado en Finlandia en compa\u00f1\u00eda de su grupo habitual en la \u00faltima fase de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/Billy-Bang-Da-Bang1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2493,"url":"https:\/\/tomajazz.com\/web\/fab-trio-history-of-jazz-in-reverse-tum-records-2011\/","url_meta":{"origin":2512,"position":2},"title":"FAB Trio: History Of Jazz In Reverse (TUM Records, 2011)","author":"Tomajazz","date":"3 noviembre, 2011","format":false,"excerpt":"History Of Jazz In Reverse es la sexta grabaci\u00f3n del FAB Trio, publicada pocos meses despu\u00e9s del fallecimiento de Billy Bang, la \u201cB\u201d del nombre del grupo, que completaban Joe Fonda (contrabajo) y Barry Altschul (bater\u00eda). Grabada en estudio en 2005, incluye seis improvisaciones, un tema de Billy Bang en\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-8tzHblZDhXI\/TrMUQx1oggI\/AAAAAAAADnM\/IEq5lz-Gg78\/s200\/fab%2Btrio_history%2Bof%2Bjazz%2Bin%2Breverse.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2639,"url":"https:\/\/tomajazz.com\/web\/de-olvidos-involuntarios-e-imperdonables-billy-bang-in-memoriam\/","url_meta":{"origin":2512,"position":3},"title":"De olvidos (in)voluntarios e imperdonables (Billy Bang in memoriam)","author":"Tomajazz","date":"18 abril, 2011","format":false,"excerpt":"Billy Bang In Memoriam\u00a9 Naiel Ibarrola, 2011Haz click en la imagen paraagrandarla. Tal y como me sucede casi siempre que me toca preparar alguna charla o conferencia, mi proceso de selecci\u00f3n del material a utilizar pasa por distintas fases. La primera es la recopilaci\u00f3n del material en bruto, y que\u2026","rel":"","context":"En \u00ab*_Naiel Ibarrola\u00bb","block_context":{"text":"*_Naiel Ibarrola","link":"https:\/\/tomajazz.com\/web\/category\/naiel-ibarrola\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-Ju74gHtRJaU\/TayhrPwSFyI\/AAAAAAAACqU\/rmDPB7TB9qY\/s200\/Billy%2BBang.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":100071,"url":"https:\/\/tomajazz.com\/web\/dave-stryker-with-strings-goes-to-the-movies-2025\/","url_meta":{"origin":2512,"position":4},"title":"Dave Stryker: Stryker with Strings Goes to the Movies (Strikezone Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"6 octubre, 2025","format":false,"excerpt":"Stryker with Strings Goes to the Movies (Strikezone Records; 2025) es la nueva grabaci\u00f3n del guitarrista Dave Stryker. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Dave Stryker: Stryker with Strings Goes to the Movies (Strikezone Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Stryker with Strings Goes to the Movies (Strikezone Records; 2025) es la nueva grabaci\u00f3n del guitarrista Dave Stryker. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":2512,"position":5},"title":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2512"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2512\/revisions"}],"predecessor-version":[{"id":11686,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2512\/revisions\/11686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11685"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}