{"id":25136,"date":"2016-06-26T18:49:09","date_gmt":"2016-06-26T16:49:09","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=25136"},"modified":"2018-05-05T20:45:02","modified_gmt":"2018-05-05T18:45:02","slug":"ella-fitzgerald-v-benny-goodman-i-la-odisea-de-la-musica-afroamericana-056-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-v-benny-goodman-i-la-odisea-de-la-musica-afroamericana-056-podcast\/","title":{"rendered":"Ella Fitzgerald (V) \/ Benny Goodman (I). La Odisea de la M\u00fasica Afroamericana (056) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">La Odisea de la M\u00fasica Afroamericana llega en su cap\u00edtulo n\u00famero 56 al final del repaso a la trayectoria de <strong>Ella Fitzgerald<\/strong>, para dar paso a\u00a0<strong>Benny Goodman<\/strong>\u00a0<em>The King Of Swing. <\/em>Estos dos ejes art\u00edsticos permiten que nos encontremos nuevamente con <strong>Antonio Carlos Jobim<\/strong> y con\u00a0<strong>Nelson Riddle<\/strong> por parte de la cantante. En cuanto al clarinetista y director de orquesta (que naci\u00f3 en el mismo d\u00eda que el director de\u00a0<em>La Odisea de la M\u00fasica Afroamericana<\/em>, aunque\u00a0<strong>Luis Escalante\u00a0<\/strong>no lo hizo el 30 de mayo de 1909), su figura sirve para tratar acerca de otras figuras del jazz como <strong>Joe Harris<\/strong>, <strong>Jelly<\/strong> <strong>Roll<\/strong> <strong>Morton<\/strong>, volver a escuchar a <strong>Billie<\/strong> <strong>Holiday<\/strong> o rememorar que el 21 de agosto de 1935 es la fecha en que se da por inaugurada la era del Swing gracias a los conciertos de <strong>Goodman<\/strong> en el <strong>Palomar Ballroom<\/strong> de Los Angeles. Tambi\u00e9n se trata acerca de la integraci\u00f3n racial en las formaciones de <strong>Goodman<\/strong>, por medio de la escucha de \u00abAfter You&#8217;ve Gone\u00bb junto a <strong>Teddy Wilson<\/strong> y <strong>Gene Krupa<\/strong>.\u00a0<strong>Holly<\/strong> <strong>Cole<\/strong> y <strong>Eliane<\/strong> <strong>Elias<\/strong> son las encargadas de abrir y cerrar el programa.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_12029875\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_12029875_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-25137\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Benny_Goodman_1942-489x600.jpg\" alt=\"Benny_Goodman_1942\" width=\"489\" height=\"600\" title=\"\"><\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 56 suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cHum Drum Blues\u201d Holly Cole<\/li>\n<li style=\"text-align: justify;\">\u201cHow Insensitive\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cThe Best Is Yet To Come\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cDeep Purple\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cSing Sing Sing\u201d Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cWhispering\u201d Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cYour Mother\u2019s Son In Law\u201d Benny Goodman &amp; Billie Holiday<\/li>\n<li style=\"text-align: justify;\">\u201cKing Porter Stomp\u201d Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cBasin Street Blues\u201d Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cAfter You\u00b4ve Gone\u201d Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cLooks Like December\u201d Eliane Elias<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana llega en su cap\u00edtulo n\u00famero 56 al final del repaso a la trayectoria de Ella Fitzgerald, para dar paso a Benny Goodman The King Of Swing. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ella-fitzgerald-v-benny-goodman-i-la-odisea-de-la-musica-afroamericana-056-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":25137,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[13370,8530,16707,4784,13808,16704,14630,5360,16705,13,15375,12415,15295,15278,10447,16706,15710,12817,13072,15469,12905,12816,12818,15310,15470,15709,15711,12665,7018,16099,77,16100],"class_list":["entry","author-pachi","has-excerpt","post-25136","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-benny-goodman","tag-benny-goodman-billie-holiday","tag-billie-holiday","tag-eliane-elias","tag-ella-fitztgerald","tag-gene-krupa","tag-historia-del-jazz","tag-holly-cole","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jelly-roll-morton","tag-joe-harris","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lodlma","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-swing","tag-teddy-wilson","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Benny_Goodman_1942-e1466945388386.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29161,"url":"https:\/\/tomajazz.com\/web\/louis-prima-ii-teddy-wilson-i-la-odisea-de-la-musica-afroamericana-084-podcast\/","url_meta":{"origin":25136,"position":0},"title":"Louis Prima (II) &#8211; Teddy Wilson (I). La Odisea de la M\u00fasica Afroamericana (084) [Podcast]","author":"Tomajazz","date":"6 febrero, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Louis Prima y el pianista Teddy Wilson son los protagonistas de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Louis_Prima_1947_por_William_P._Gottlieb-e1486329173641.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Louis_Prima_1947_por_William_P._Gottlieb-e1486329173641.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Louis_Prima_1947_por_William_P._Gottlieb-e1486329173641.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30710,"url":"https:\/\/tomajazz.com\/web\/especial-la-odisea-de-la-musica-afroamericana-numero-100-podcast\/","url_meta":{"origin":25136,"position":1},"title":"Especial La Odisea de la M\u00fasica Afroamericana n\u00famero 100 [Podcast]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La Odisea de la M\u00fasica Afroamericana\u00a0de\u00a0Luis Escalante Ozalla realiza un par\u00f3n\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":28290,"url":"https:\/\/tomajazz.com\/web\/helen-ward-ii-hot-lips-page-la-odisea-de-la-musica-afroamericana-078-podcast\/","url_meta":{"origin":25136,"position":2},"title":"Helen Ward (II) &#8211; Hot Lips Page. La Odisea de la M\u00fasica Afroamericana (078) [Podcast]","author":"Tomajazz","date":"26 diciembre, 2016","format":false,"excerpt":"El cap\u00edtulo 78 de La Odisea de la M\u00fasica Afroamericana, est\u00e1 dedicado a la cantante Helen Ward (nuevamente), y al cantante y trompetista Hot Lips Page.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Hot-Lips-Page-Apollo-Theater-New-York-N.Y.-ca.-October-1946.-Photography-by-William-P.-Gottlieb..jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Hot-Lips-Page-Apollo-Theater-New-York-N.Y.-ca.-October-1946.-Photography-by-William-P.-Gottlieb..jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Hot-Lips-Page-Apollo-Theater-New-York-N.Y.-ca.-October-1946.-Photography-by-William-P.-Gottlieb..jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Hot-Lips-Page-Apollo-Theater-New-York-N.Y.-ca.-October-1946.-Photography-by-William-P.-Gottlieb..jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22985,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-iii-la-odisea-de-la-musica-afroamericana-045-podcast\/","url_meta":{"origin":25136,"position":3},"title":"Billie Holiday, una gigante del Jazz (III). La Odisea de la M\u00fasica Afroamericana (045) [Podcast]","author":"Tomajazz","date":"11 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El cap\u00edtulo n\u00famero 45 de La Odisea de la M\u00fasica Afroamericana es a su vez la tercera entrega dedicada a\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Billie_Holiday_and_Mister_New_York_N.Y._ca._June_1946_William_P._Gottlieb_04271-e1460133282727.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":37091,"url":"https:\/\/tomajazz.com\/web\/el-jazz-en-los-anos-40-i-prologo-o-de-las-decadas-anteriores-la-odisea-de-la-musica-afroamericana-149-podcast\/","url_meta":{"origin":25136,"position":4},"title":"El jazz en los a\u00f1os 40 (I): pr\u00f3logo (o de las d\u00e9cadas anteriores). La Odisea de la M\u00fasica Afroamericana (149) [Podcast]","author":"Tomajazz","date":"4 junio, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Ir a descargar Tras el repaso al blues en los a\u00f1os\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25269,"url":"https:\/\/tomajazz.com\/web\/benny-goodman-ii-la-odisea-de-la-musica-afroamericana-057-podcast\/","url_meta":{"origin":25136,"position":5},"title":"Benny Goodman (II). La Odisea de la M\u00fasica Afroamericana (057) [Podcast]","author":"Tomajazz","date":"4 julio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El cap\u00edtulo n\u00famero de 57 de La Odisea de la M\u00fasica Afroamericana es la segunda entrega dedicada al clarinetista y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=25136"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25136\/revisions"}],"predecessor-version":[{"id":25177,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25136\/revisions\/25177"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/25137"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=25136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=25136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=25136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}