{"id":2514,"date":"2011-10-04T21:09:00","date_gmt":"2011-10-04T19:09:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2514"},"modified":"2016-11-13T17:21:32","modified_gmt":"2016-11-13T16:21:32","slug":"eke-live-at-the-bim-red-note-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/eke-live-at-the-bim-red-note-2011\/","title":{"rendered":"EKE: live at the BIM (Red Note, 2011)"},"content":{"rendered":"<div style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-11282\" alt=\"eke-live-at-the-bim\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/eke-live-at-the-bim.png\" width=\"200\" height=\"182\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/eke-live-at-the-bim.png 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/eke-live-at-the-bim-150x136.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/eke-live-at-the-bim-60x55.png 60w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El tr\u00edo <b>EKE <\/b>se dedica a lo largo de<i> live at the BIM<\/i> a experimentar con sus sonidos. Estos toman distintas formas: libre improvisaci\u00f3n y\u00a0<i>free jazz<\/i> aunque tambi\u00e9n por momentos blueseros o remiten a grupos de rock pesado (por la mente puede llegar a sobrevolar aunque sea levemente el recuerdo de los Iron Butterfly).<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">En un formato de tr\u00edo muy poco habitual de clavicordio el\u00e9ctrico y percusiones, saxos y clarinete, y bater\u00eda, <b>Oscar Jan Hoogland<\/b>, <b>Gerri J\u00e4ger<\/b> y <b>Yedo Gibson<\/b> no paran de investigar un momento. Estas pesquisas no van referidas especialmente a las formas, sino al contenido, especialmente a los sonidos que surgen de sus instrumentos. Lo obtenido de la bater\u00eda, saxos y clarinete permanece dentro de una cierta ortodoxia de las paletas sonora propias de la libre improvisaci\u00f3n: a los recursos habituales se unen el trabajar con el sonido de las llaves del saxo o rascar los platos o parches. M\u00e1s sorprendente resulta el sonido del clavicordio el\u00e9ctrico, que se erige en una m\u00e1quina de crear distintos efectos sonoros que inciden en la originalidad de la propuesta global.<\/div>\n<p style=\"text-align: right;\">\n\u00a9 Pachi Tapiz, 2011<\/p>\n<p style=\"text-align: justify;\">EKE: <i>live at the BIM<\/i><\/p>\n<p>EKE: Oscar Jan Hoogland (clavicordio el\u00e9ctrico y percusi\u00f3n, Gerri J\u00e4ger (bater\u00eda), Yedo Gibson (saxofones tenor y soprano, clarinete)<\/p>\n<p>\u00abBlok\u00bb 3:57, \u00abCone\u00bb 9:15, \u00abLeap\u00bb 6:28, \u00abGangster&#8217;s Funeral March\u00bb 14:57, \u00abRamp\u00bb 5:00<br \/>\nImprovisaciones por EKE<\/p>\n<p>Grabado el 19 de diciembre de 2008 en Doek Festival #7, Bimhuis, Amsterdam. Publicado en 2011 por Red Note. Red Note 16<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El tr\u00edo EKE se dedica a lo largo de live at the BIM a experimentar con sus sonidos. Estos toman distintas formas: libre improvisaci\u00f3n y\u00a0free jazz aunque tambi\u00e9n por momentos blueseros o remiten a grupos de rock pesado (por la mente puede llegar a sobrevolar aunque sea levemente el recuerdo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/eke-live-at-the-bim-red-note-2011\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11282,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17847,5,1038],"tags":[12651,8742,8740,12696,13,12415,15295,6274,31,8743,16099,77,16100,8741],"class_list":["entry","author-pachi","post-2514","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-eke","tag-gerri-jager","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-oscar-jan-hoogland","tag-pachi-tapiz","tag-red-note","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-yedo-gibson"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/eke-live-at-the-bim.png","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2514"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2514\/revisions"}],"predecessor-version":[{"id":11283,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2514\/revisions\/11283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11282"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}