{"id":2533,"date":"2011-09-08T08:00:00","date_gmt":"2011-09-08T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2533"},"modified":"2016-05-21T20:31:26","modified_gmt":"2016-05-21T18:31:26","slug":"bob-dylan-sobre-miles-davis","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/bob-dylan-sobre-miles-davis\/","title":{"rendered":"Bob Dylan sobre Miles Davis"},"content":{"rendered":"<div><a href=\"http:\/\/2.bp.blogspot.com\/-xNgiybApYAQ\/TmEqSGHWn_I\/AAAAAAAADVQ\/NzpQ0BAvI4s\/s1600\/kahn_miles_kob.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"1\" height=\"200\" src=\"http:\/\/2.bp.blogspot.com\/-xNgiybApYAQ\/TmEqSGHWn_I\/AAAAAAAADVQ\/NzpQ0BAvI4s\/s200\/kahn_miles_kob.jpg\" width=\"134\" alt=\"\" title=\"\"><\/a><\/div>\n<blockquote><p>\u00abMiles Davis representa lo que yo entiendo por <i>cool<\/i>\u00ab. \u00abMe gustaba verlo tocar en peque\u00f1os clubs; cuando hac\u00eda el solo daba la espalda al p\u00fablico, y despu\u00e9s sal\u00eda del escenario con la trompeta, dejaba al grupo tocando, y volv\u00eda al final para cerrar el tema\u00bb.<\/p><\/blockquote>\n<div>\n<b>Bob Dylan<\/b> sobre <b>Miles Davis<\/b>. Publicado en el libro <i>Miles Davis y Kind of Blue<\/i> de <b>Ashley Kahn<\/b>. Alba Editorial, 2002. Reeditado en 2011 en la colecci\u00f3n <a href=\"http:\/\/www.albaeditorial.es\/php\/sl.php?shop.showprod&#038;numusr=7455%2F798320&#038;lang=1&#038;m=Eur&#038;ref=97884-84286370&#038;fldr=337\" target=\"_blank\" rel=\"noopener\">Albaminus<\/a>.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00abMiles Davis representa lo que yo entiendo por cool\u00ab. \u00abMe gustaba verlo tocar en peque\u00f1os clubs; cuando hac\u00eda el solo daba la espalda al p\u00fablico, y despu\u00e9s sal\u00eda del escenario con la trompeta, dejaba al grupo tocando, y volv\u00eda al final para cerrar el tema\u00bb. Bob Dylan sobre Miles Davis.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/bob-dylan-sobre-miles-davis\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2533","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24961,"url":"https:\/\/tomajazz.com\/web\/brad-mehldau-trio-miles-davis-robert-glasper-absolutely-sweet-marie-del-jazz-al-pop-y-el-rock-y-viceversa\/","url_meta":{"origin":2533,"position":0},"title":"HDO 132. 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Carlos Lara repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Kris Davis & Lutos\u0142awski Quartet: The Solastalgia Suite (Pyroclastic Records, 2026) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - The Solastalgia Suite (Pyroclastic Records, 2026) es la nueva grabaci\u00f3n de Kris Davis con Lutos\u0142awski Quartet","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Kris-Davis-Lutoslawski-Quartet-The-Solastalgia-Suite-Pyroclastic-Records-2026.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Kris-Davis-Lutoslawski-Quartet-The-Solastalgia-Suite-Pyroclastic-Records-2026.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Kris-Davis-Lutoslawski-Quartet-The-Solastalgia-Suite-Pyroclastic-Records-2026.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Kris-Davis-Lutoslawski-Quartet-The-Solastalgia-Suite-Pyroclastic-Records-2026.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2049,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-nefertiti-miles-davis-1967\/","url_meta":{"origin":2533,"position":2},"title":"Tomajazz recomienda&#8230; un CD: Nefertiti (Miles Davis, 1967)","author":"Adolphus van Tenzing","date":"5 marzo, 2012","format":false,"excerpt":"El segundo gran quinteto de Miles Davis, el de los a\u00f1os sesenta, marc\u00f3 un punto de inflexi\u00f3n crucial en la m\u00fasica del trompetista y en la historia del jazz: los enfoques basados en el swing, be-bop, hard-bop y jazz modal dieron paso al crossover el\u00e9ctrico de In A Silent Way\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Miles_Davis_-_Nefertiti.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":9903,"url":"https:\/\/tomajazz.com\/web\/miles-davis-jazz-en-ruta-66-i\/","url_meta":{"origin":2533,"position":3},"title":"Miles Davis: Jazz en Ruta 66 (I)","author":"Tomajazz","date":"14 enero, 2014","format":false,"excerpt":"Richard Cook: \u00bfTe sientes a gusto grabando discos a estas alturas de tu carrera? Miles Davis: Cuando me escucho a m\u00ed mismo, las cosas parecen ser m\u00e1s cortas de lo que eran. Yo sigo tocando y grabando, tocando y grabando... A veces intento detenerme en un punto \u00e1lgido para dejar\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"Ruta 22_1985_10_Num_000","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Ruta-22_1985_10_Num_0001-200x279.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10410,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-miles-davis-the-complete-concert-1964-my-funny-valentine-four-more\/","url_meta":{"origin":2533,"position":4},"title":"Tomajazz recupera&#8230; Miles Davis: The Complete Concert, 1964: My Funny Valentine &#8211; Four &#038; More","author":"Tomajazz","date":"12 febrero, 2014","format":false,"excerpt":"En Tomajazz recupera... Miles Davis: The Complete Concert, 1964: My Funny Valentine - Four & More. Por Lorenzo Juan Llabr\u00e9s.","rel":"","context":"En \u00ab*_Lorenzo Juan Llabr\u00e9s\u00bb","block_context":{"text":"*_Lorenzo Juan Llabr\u00e9s","link":"https:\/\/tomajazz.com\/web\/category\/lorenzo-juan-llabres\/"},"img":{"alt_text":"Miles Davis: The Complete Concert, 1964: My Funny Valentine - Four & More","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/davis_complete1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":104313,"url":"https:\/\/tomajazz.com\/web\/duos-with-myself-trevor-coleman-2026-news\/","url_meta":{"origin":2533,"position":5},"title":"Duos with Myself nueva grabaci\u00f3n de Trevor Coleman [Noticias de jazz]","author":"Tomajazz","date":"6 marzo, 2026","format":false,"excerpt":"Duos with myself es el t\u00edtulo de la nueva grabaci\u00f3n - proyecto del trompetista residente en Sevilla, Trevor Coleman #Noticiasdejazz","rel":"","context":"En \u00abNoticias\u00bb","block_context":{"text":"Noticias","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/"},"img":{"alt_text":"Duos with Myself nueva grabaci\u00f3n de Trevor Coleman [Noticias de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/Trevor-Coleman-Duos-With-Myself-Tomajazz-noticias.webp?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2533"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2533\/revisions"}],"predecessor-version":[{"id":24475,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2533\/revisions\/24475"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}