{"id":2539,"date":"2011-08-31T08:00:00","date_gmt":"2011-08-31T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2539"},"modified":"2016-05-21T20:31:28","modified_gmt":"2016-05-21T18:31:28","slug":"who-the-fuck-this-is-the-day-this-is-the-hour-this-is-this-pop-will-eat-itself-especial-agosto-2011-el-retorno","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/who-the-fuck-this-is-the-day-this-is-the-hour-this-is-this-pop-will-eat-itself-especial-agosto-2011-el-retorno\/","title":{"rendered":"Who the fuck?: This Is the Day&#8230;This Is the Hour&#8230;This Is This! (Pop Will Eat Itself) [Especial agosto 2011. El retorno]"},"content":{"rendered":"<div><a href=\"http:\/\/3.bp.blogspot.com\/-H4v6AGj3jmI\/TlwADtWqxaI\/AAAAAAAADUo\/4dafibAgnzM\/s1600\/220px-Pop_Will_Eat_Itself_-_This_Is_The_Day%252C_This_is_The_Hour%252C_This_is_This%2521.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"1\" height=\"200\" src=\"http:\/\/3.bp.blogspot.com\/-H4v6AGj3jmI\/TlwADtWqxaI\/AAAAAAAADUo\/4dafibAgnzM\/s200\/220px-Pop_Will_Eat_Itself_-_This_Is_The_Day%252C_This_is_The_Hour%252C_This_is_This%2521.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<p><i>This Is the Day&#8230;This Is the Hour&#8230;This Is This!<\/i><br \/>Pop Will Eat Itself<br \/>RCA (1989)<br \/>Seleccionado por Crist\u00f3bal Cuenca\u00a0<a href=\"http:\/\/arcoirisdegravedad.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/arcoirisdegravedad.blogspot.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This Is the Day&#8230;This Is the Hour&#8230;This Is This!Pop Will Eat ItselfRCA (1989)Seleccionado por Crist\u00f3bal Cuenca\u00a0http:\/\/arcoirisdegravedad.blogspot.com\/<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/who-the-fuck-this-is-the-day-this-is-the-hour-this-is-this-pop-will-eat-itself-especial-agosto-2011-el-retorno\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,1038,2386,3541,4758],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2539","post","type-post","status-publish","format-standard","category-bun","category-contenidos","category-who-the-fuck","category-who-the-fuck-especial-agosto-2011","category-blogs","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2525,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-walk-this-way-run-dmc-aerosmith-1986-0085-19092011\/","url_meta":{"origin":2539,"position":0},"title":"Who The Fuck?: &quot;Walk This Way&quot; (Run DMC &amp; Aerosmith, 1986) [0085, 19\/09\/2011]","author":"Tomajazz","date":"19 septiembre, 2011","format":false,"excerpt":"\"Walk This Way\"Run DMC & AerosmithRaising HellArista Records (1986)","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-x8eqcpHmL-M\/TnY_1czbWOI\/AAAAAAAADaE\/OaXn-Rz26yE\/s200\/0579.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2546,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-in-the-colors-say-you-will-ben-harper-and-the-innocent-criminals-especial-agosto-2011-el-retorno\/","url_meta":{"origin":2539,"position":1},"title":"Who the fuck?: \u201cIn the Colors\u201d \/ &quot;Say You Will&quot; (Ben Harper and The Innocent Criminals) [Especial agosto 2011. El retorno]","author":"Tomajazz","date":"22 agosto, 2011","format":false,"excerpt":"\"In the Colors\" \/ \"Say You Will\"Ben Harper and The Innocent CriminalsLifelineVirgin (2007)Seleccionado por Sera Mart\u00edn","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-gc1Ga8nUwJE\/TkrWS2u9YFI\/AAAAAAAADTA\/FVKw69Q2XAY\/s200\/Benharperlifeline.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2589,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-how-can-you-leave-a-man-like-this-lavern-baker-1953-0077-27062011\/","url_meta":{"origin":2539,"position":2},"title":"Who The Fuck?: \u201cHow Can You Leave a Man Like This?\u201d (LaVern Baker, 1953) [0077, 27\/06\/2011]","author":"Tomajazz","date":"27 junio, 2011","format":false,"excerpt":"\u201cHow Can You Leave a Man Like This?\u201d (L. Baker, J. Wexler)LaVern BakerThe Big Apple Blues Scene 1951-1954Saga Blues (1953, rec.2005)","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/--5yZM8loIRY\/TgYaG_LgecI\/AAAAAAAAC-M\/F1vztIVqv2k\/s200\/lavern_baker_sagablues_ny.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2143,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-the-revolution-will-not-be-televised-lady-day-and-john-coltrane-gil-scott-heron-1974-0168-12012013\/","url_meta":{"origin":2539,"position":3},"title":"Who the Fuck?: \u201cThe Revolution Will Not Be Televised\u00bb \/ \u00abLady Day and John Coltrane\u00bb (Gil Scott Heron, 1974) [0168, 12\/01\/2013]","author":"Tomajazz","date":"12 enero, 2013","format":false,"excerpt":"\u201cThe Revolution Will Not Be Televised\" \/ \"Lady Day and John Coltrane\" Gil Scott-Heron The Revolution Will Not Be Televised Flying Dutchman (1974)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-s_lXkcFOW4I\/UPEryAAVd7I\/AAAAAAAAGW8\/IpmQl1QjJmI\/s200\/220px-TRWNBT_album.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12954,"url":"https:\/\/tomajazz.com\/web\/antonio-porcar-from-castellon-to-new-york-from-new-york-to-heaven-by-sergio-cabanillas\/","url_meta":{"origin":2539,"position":4},"title":"Antonio Porcar: from Castell\u00f3n to New York, from New York to heaven, by Sergio Cabanillas","author":"Sergio Cabanillas","date":"15 julio, 2014","format":false,"excerpt":"Last June 11th, a historic moment happened at the iconic Blue Note of New York in the annual Jazz Journalists Association Awards. For the first time this prestigious institution rewarded a Spanish artist with the Jazz Photo Of The Year award. Castell\u00f3n-based photographer Antonio Porcar portrayed a magical scene where\u2026","rel":"","context":"En \u00ab*_Sergio Cabanillas\u00bb","block_context":{"text":"*_Sergio Cabanillas","link":"https:\/\/tomajazz.com\/web\/category\/sergio-cabanillas\/"},"img":{"alt_text":"Antonio Porcar & Joan Monn\u00e9, Pe\u00f1\u00edscola, 2013 \u00a9 Sergio Cabanillas, 2013","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/TONI_MONNE_3255_20x30_PENISCOLA_2013_CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10485,"url":"https:\/\/tomajazz.com\/web\/tomajazz-interviews-anthony-braxton-i\/","url_meta":{"origin":2539,"position":5},"title":"Tomajazz interviews Anthony Braxton (I)","author":"Sergio Cabanillas","date":"1 diciembre, 2007","format":false,"excerpt":"After an intense concert last October at \"el Johnny\" \u2013 the almost mythical jazz club at the San Juan Evangelista students' halls of residence in Madrid \u2013 Anthony Braxton was kind enough to meet Diego S\u00e1nchez Cascado, Pachi Tapiz and Fernando Ortiz de Urbina for a (very) early chat the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"From right to left: Anthony Braxton, Fernando Ortiz de Urbina, Pachi Tapiz, Diego S\u00e1nchez Cascado, Arturo Mora and Lalo Lofoco \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ENTREVISTA_7608_ENG.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2539"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2539\/revisions"}],"predecessor-version":[{"id":3339,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2539\/revisions\/3339"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}