{"id":25582,"date":"2016-07-20T20:50:35","date_gmt":"2016-07-20T18:50:35","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=25582"},"modified":"2016-11-13T21:48:31","modified_gmt":"2016-11-13T20:48:31","slug":"hdo-147-emanem-musicas-del-pasado-y-del-presente-que-miran-hacia-el-futuro-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-147-emanem-musicas-del-pasado-y-del-presente-que-miran-hacia-el-futuro-podcast\/","title":{"rendered":"HDO 147. Emanem: m\u00fasicas del pasado y del presente que miran hacia el futuro [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-25583\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-200x200.jpeg\" alt=\"Duck Baker_Outside_Emanem_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-200x200.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-50x50.jpeg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016.jpeg 236w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-25584\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kent-Carter_Oratorios-And-Songs_Emanem_2016-200x201.jpeg\" alt=\"Kent Carter_Oratorios And Songs_Emanem_2016\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kent-Carter_Oratorios-And-Songs_Emanem_2016-200x201.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kent-Carter_Oratorios-And-Songs_Emanem_2016-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kent-Carter_Oratorios-And-Songs_Emanem_2016-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kent-Carter_Oratorios-And-Songs_Emanem_2016-50x50.jpeg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kent-Carter_Oratorios-And-Songs_Emanem_2016.jpeg 236w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-25585\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Spontaneous-Music-Ensemble_Withdrawal_Emanem_2016-200x201.jpeg\" alt=\"Spontaneous Music Ensemble_Withdrawal_Emanem_2016\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Spontaneous-Music-Ensemble_Withdrawal_Emanem_2016-200x201.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Spontaneous-Music-Ensemble_Withdrawal_Emanem_2016-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Spontaneous-Music-Ensemble_Withdrawal_Emanem_2016-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Spontaneous-Music-Ensemble_Withdrawal_Emanem_2016-50x50.jpeg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Spontaneous-Music-Ensemble_Withdrawal_Emanem_2016.jpeg 236w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-25586\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Tony-Marsh-Chefa-Alonso_Goodbye-Red-Rose_Emanem_2016-200x201.jpeg\" alt=\"Tony Marsh - Chefa Alonso_Goodbye Red Rose_Emanem_2016\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Tony-Marsh-Chefa-Alonso_Goodbye-Red-Rose_Emanem_2016-200x201.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Tony-Marsh-Chefa-Alonso_Goodbye-Red-Rose_Emanem_2016-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Tony-Marsh-Chefa-Alonso_Goodbye-Red-Rose_Emanem_2016-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Tony-Marsh-Chefa-Alonso_Goodbye-Red-Rose_Emanem_2016-50x50.jpeg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Tony-Marsh-Chefa-Alonso_Goodbye-Red-Rose_Emanem_2016.jpeg 236w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>Emanem<\/strong> es un sello, que dirigido desde hace m\u00e1s de 40 a\u00f1os por el ahora conciudadano espa\u00f1ol <strong>Martin<\/strong> <strong>Davidson<\/strong>, sirve para documentar la escena brit\u00e1nica de la improvisaci\u00f3n. Su foco no est\u00e1 puesto \u00fanicamente en el pasado (del que ya se sabe que se dice que siempre fue mejor: una enorme mentira), sino que no pierde ojo al presente, y con ello lo proyecta hacia el futuro. Un buen ejemplo son las \u00faltimas referencias publicadas: <em>Oratorios And Songs<\/em> (del contrabajista<strong> Kent Carter<\/strong>), que es una deliciosa amalgama de improvisaci\u00f3n y bel-canto; <em>Goodbye Red Rose<\/em> (de nuestra <strong>Chefa<\/strong> <strong>Alonso<\/strong> y <strong>Tony<\/strong> <strong>Marsh<\/strong>), con grabaciones del grupo en el m\u00edtico local londinense&#8230; y tambi\u00e9n en el m\u00edtico Matadero de Huesca; <em>Witdrawal<\/em> del <strong>Spontaneous Music Ensemble<\/strong>, que incluye una banda sonora del a\u00f1o 1967 con una formaci\u00f3n&#8230; <strong>Evan<\/strong> <strong>Parker<\/strong>, <strong>Barry<\/strong> <strong>Guy<\/strong>, <strong>Kenny<\/strong> <strong>Wheeler<\/strong>, <strong>Derek<\/strong> <strong>Bailey<\/strong>, <strong>Trevor<\/strong> <strong>Watts<\/strong>, <strong>Paul<\/strong> <strong>Rutherford<\/strong> y <strong>John<\/strong> <strong>Stevens<\/strong> (obviamente)&#8230; \u00bfhace falta a\u00f1adir algo m\u00e1s?; <em>Outside<\/em> del guitarrista <strong>Duck Baker<\/strong> con su peculiar visi\u00f3n de la improvisaci\u00f3n y el jazz libre, en solitario (mayoritariamente), y tambi\u00e9n a d\u00fao con ese francotirador de la guitarra que es <strong>Eugene Chadbourne<\/strong>. Lo dicho, un sello imprescindible.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2016<\/p>\n<p style=\"text-align: justify;\"><strong>HDO\u00a0<\/strong>es un\u00a0<em>podcast\u00a0<\/em>editado, producido y presentado por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_12282528\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_12282528_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>En HDO 147 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\"><strong>Kent Carter<\/strong>: <em>Oratorios and Songs. The Rivi\u00e8re Ensemble plays Music of Kent Carter featuring Laura Tejeda Martin (2010)<\/em> (Emanem, 2016)<br \/>\nKent Carter, Laura Tejeda Martin, Christiane Bopp, Albrecht Maurer, Katrin Mickiewicz<\/li>\n<li><strong>Tony Marsh &amp; Chefa Alonso<\/strong>: <em>Goodbye Red Rose (2008\/9)<\/em> (Emanem, 2016)<br \/>\nTony Marsh, Chefa Alonso<\/li>\n<li><strong>Spontaneous Music Ensemble<\/strong>: <em>Withdrawal (1966-7)<\/em> (Emanem, 2016)<br \/>\nSpontaneous Music Ensemble: John Stevens, Trevor Watts, Derek Bailey, Barry Guy, Evan Parker, Paul Rutherford, Kenny Wheeler<\/li>\n<li><strong>Duck Baker<\/strong>: <em>Outside (1977-83)<\/em> (Emanem, 2016)<br \/>\nDuck Baker, Eugene Chadbourne<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Pachi Tapiz repasa brevemente y lleva al podcast HDO cuatro referencias publicadas por el sello Emanem de Kent Carter, Tony Marsh &#8211; Chefa Alonso, Duck Baker y el Spontaneous Music Ensemble de John Stevens con Evan Parker, Barry Guy, Derek Bailey, Trevor Watts, Kenny Wheeler&#8230; <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-147-emanem-musicas-del-pasado-y-del-presente-que-miran-hacia-el-futuro-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":25584,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,17149,12814,15518,1038],"tags":[1248,13370,12651,15698,6681,16005,12676,16938,1675,16939,12748,12696,16012,13300,13299,15712,15713,15714,15316,15400,13,15699,12415,15295,15278,960,16935,8970,15710,16934,12513,6912,15307,15308,15309,31,12818,15310,15709,15711,15306,6911,16936,16099,77,16100,10611,16937],"class_list":["entry","author-pachi","has-excerpt","post-25582","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t02-2015-16","category-podcast","category-sonidos","category-contenidos","tag-albrecht-maurer","tag-audioblog","tag-cd","tag-cd-de-jazz","tag-chefa-alonso","tag-christiane-bopp","tag-critica","tag-duck-baker","tag-emanem","tag-eugene-chadbourne","tag-free-improvisation","tag-grabaciones","tag-grabaciones-de-jazz","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-improvisacion","tag-improvisacion-libre","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jose-francisco-tapiz","tag-katrin-mickiewicz","tag-kent-carter","tag-la-actualidad-del-jazz-en-espana","tag-laura-tejeda-martin","tag-libre-improvisacion","tag-martin-davidson","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-resenas","tag-spontaneous-music-ensemble","tag-the-riviere-ensemble","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-marsh","tag-tony-marsh-chefa-alonso"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kent-Carter_Oratorios-And-Songs_Emanem_2016.jpeg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32260,"url":"https:\/\/tomajazz.com\/web\/hdo-309-una-hora-con-steve-lacy-podcast\/","url_meta":{"origin":25582,"position":0},"title":"HDO 309. Una hora con&#8230; Steve Lacy [Podcast]","author":"Tomajazz","date":"14 septiembre, 2017","format":false,"excerpt":"Martin Davidson, al frente de Emanem, contin\u00faa realizando una labor tit\u00e1nica documentando discogr\u00e1ficamente la escena brit\u00e1nica de la improvisaci\u00f3n. En septiembre de 2017 ha publicado el doble CD titulado\u00a0free for a minute\u00a0que recoge material in\u00e9dito, mejorado o no disponible al completo, del saxofonista\u00a0Steve Lacy. A lo largo de m\u00e1s de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Steve-Lacy_Free-For-A-Minute_Emanem_2CD_Rec_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Steve-Lacy_Free-For-A-Minute_Emanem_2CD_Rec_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Steve-Lacy_Free-For-A-Minute_Emanem_2CD_Rec_2017.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":22460,"url":"https:\/\/tomajazz.com\/web\/al-habla-con-chefa-alonso-sus-palabras-y-sus-musicas-hdo-0080-podcast\/","url_meta":{"origin":25582,"position":1},"title":"Al habla con Chefa Alonso: sus palabras y sus m\u00fasicas. HDO 0080 [Podcast]","author":"Tomajazz","date":"1 marzo, 2016","format":false,"excerpt":"Chefa Alonso es una figura esencial en la libre improvisaci\u00f3n en Espa\u00f1a. Por un lado est\u00e1 su labor como m\u00fasico en m\u00faltiples proyectos, y por otra su labor pedag\u00f3gica. Esta faceta tiene un aspecto pr\u00e1ctico mediante la impartici\u00f3n de talleres multidisciplinares, como uno te\u00f3rico que ha dado lugar a los\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/chefa-alonso-por-Dilyan-Ca%CC%81tara.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/chefa-alonso-por-Dilyan-Ca%CC%81tara.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/chefa-alonso-por-Dilyan-Ca%CC%81tara.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/chefa-alonso-por-Dilyan-Ca%CC%81tara.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/chefa-alonso-por-Dilyan-Ca%CC%81tara.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":23530,"url":"https:\/\/tomajazz.com\/web\/hdo-en-concierto-con-molimo-0095-podcast-noticias\/","url_meta":{"origin":25582,"position":2},"title":"HDO: en concierto con\u2026 MOLIMO (0095) [Podcast] [Noticias]","author":"Tomajazz","date":"13 abril, 2016","format":false,"excerpt":"El tr\u00edo MOLIMO, formado por Chefa Alonso, Cova Villegas y Barbara Meyer, presenta en directo su grabaci\u00f3n hom\u00f3nima publicada en 2015 por Vector Sounds en una gira que las llevar\u00e1 a La Coru\u00f1a, Le\u00f3n, Salamanca y Madrid. En HDO escuchamos tres temas de la grabaci\u00f3n. MOLIMO presenta MOLIMO Chefa Alonso,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Molimo-Cartel-presentaciones-e1460563372490.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Molimo-Cartel-presentaciones-e1460563372490.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Molimo-Cartel-presentaciones-e1460563372490.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":25759,"url":"https:\/\/tomajazz.com\/web\/hdo-150-tony-malaby-rotozaza-kthxbye-formas-de-improvisar-podcast\/","url_meta":{"origin":25582,"position":3},"title":"HDO 150. Tony Malaby &#8211; Rotozaza &#8211; KTHXBYE. Formas de improvisar [Podcast]","author":"Tomajazz","date":"27 julio, 2016","format":false,"excerpt":"Tres propuestas en HDO 150: Incantations (Clean Feed) de Tony Malaby (a quien acompa\u00f1an Ben Monder, Eivind Opsvik y Nasheet Waits); Zero (Leo Records) del cuarteto de improvisadores alemanes Rotozaza (con Rudi Mahall, Nicola L. Hein, Adam Pultz Melbye y Christian Lillinger); details (Raw Tonk) de KTHXBYE (con Stian Larsen,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Rotozaza_Zero_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29320,"url":"https:\/\/tomajazz.com\/web\/hdo-238-leo-records-las-dimensiones-de-la-improvisacion-con-loz-speyer-gratkowski-nabatov-ensemble-5-stuart-popejoy-podcast\/","url_meta":{"origin":25582,"position":4},"title":"HDO 238. Leo Records: las dimensiones de la improvisaci\u00f3n con Loz Speyer, Gratkowski &#8211; Nabatov, Ensemble 5, Stuart Popejoy [Podcast]","author":"Tomajazz","date":"15 febrero, 2017","format":false,"excerpt":"En HDO 238 (15 de febrero de 2017), catamos las cuatro \u00faltimas novedades del cat\u00e1logo de\u00a0Leo Records, en las que aparecen distintas visiones de la improvisaci\u00f3n, a saber, las de\u00a0Loz Speyer's Inner Space en Life On the Edge\u00a0(Chris Biscoe, Rachel Musson, Olie Brice, Gary Willcox, Loz Speyer);\u00a0Ensemble 5 en Live\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Loz-Speyers-Inner-Space_Life-On-the-Edge_Leo-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24786,"url":"https:\/\/tomajazz.com\/web\/hdo-0123-konvoj-records-improvisando-libremente-podcast\/","url_meta":{"origin":25582,"position":5},"title":"HDO 0123: Konvoj Records, improvisando libremente [Podcast]","author":"Tomajazz","date":"2 junio, 2016","format":false,"excerpt":"Konvoj Records es un peque\u00f1o sello que con base en Suecia, lleva unos cuantos a\u00f1os publicando referencias (no demasiadas), que sirven para ilustrar las diferentes formas y maneras que la improvisaci\u00f3n y el jazz m\u00e1s libre pueden tomar, incluyendo nuevas formas de interpretaci\u00f3n como son las partituras gr\u00e1ficas. En la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"01_Konvoj Ensemble_Mira_Konvoj Records_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/01_Konvoj-Ensemble_Mira_Konvoj-Records_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=25582"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25582\/revisions"}],"predecessor-version":[{"id":25597,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25582\/revisions\/25597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/25584"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=25582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=25582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=25582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}