{"id":25716,"date":"2016-07-25T11:00:15","date_gmt":"2016-07-25T09:00:15","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=25716"},"modified":"2018-05-05T20:44:59","modified_gmt":"2018-05-05T18:44:59","slug":"dos-vocalistas-billy-eckstine-y-mildred-bailey-la-odisea-de-la-musica-afroamericana-060-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/dos-vocalistas-billy-eckstine-y-mildred-bailey-la-odisea-de-la-musica-afroamericana-060-podcast\/","title":{"rendered":"Dos vocalistas: Billy Eckstine y Mildred Bailey. La Odisea de la M\u00fasica Afroamericana (060) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">El cap\u00edtulo 60 de <em>La Odisea de la M\u00fasica Afroamericana<\/em> de <strong>Luis Escalante<\/strong> est\u00e1 dedicada a sendos vocalistas: <strong>Billy Eckstine<\/strong> con su voz de bar\u00edtono, y la cantante\u00a0<strong>Mildred Bailey<\/strong>, <em>Mrs. Rockin&#8217; Chair<\/em>,\u00a0que debido a sus problemas de salud disfrut\u00f3 de una carrera demasiado corta. Si habitualmente suenan temas muy conocidos, en esta ocasi\u00f3n la ratio de standards reconocid\u00edsimos por minuto es especialmente alta. <strong>Stacey Kent<\/strong> y <strong>David Grusin<\/strong> son quienes suenan en la apertura y cierre del programa.<\/p>\n<p><iframe id='audio_12316395' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_12316395_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-25718\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Portrait_of_Billy_Eckstine_New_York_N.Y._between_1946_and_1948_LOC-489x600.jpg\" alt=\"Portrait_of_Billy_Eckstine,_New_York,_N.Y.,_between_1946_and_1948_(LOC)\" width=\"489\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Portrait_of_Billy_Eckstine_New_York_N.Y._between_1946_and_1948_LOC-489x600.jpg 489w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Portrait_of_Billy_Eckstine_New_York_N.Y._between_1946_and_1948_LOC-122x150.jpg 122w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Portrait_of_Billy_Eckstine_New_York_N.Y._between_1946_and_1948_LOC-200x245.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Portrait_of_Billy_Eckstine_New_York_N.Y._between_1946_and_1948_LOC-45x55.jpg 45w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Portrait_of_Billy_Eckstine_New_York_N.Y._between_1946_and_1948_LOC.jpg 737w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 60\u00a0suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cShall We Dance\u201d Stacey Kent<\/li>\n<li style=\"text-align: justify;\">\u201cApril In Paris\u201d Billy Eckstine<\/li>\n<li style=\"text-align: justify;\">\u201cTaking A Change Of Love\u201d Billy Eckstine\u201d<\/li>\n<li style=\"text-align: justify;\">\u201cWhat A Little Moonlight Can Do\u201d Billy Eckstin<\/li>\n<li style=\"text-align: justify;\">\u201cLaura\u201d Billy Eckstine<\/li>\n<li style=\"text-align: justify;\">\u201cBlue Moon\u201d Billy Eckstine<\/li>\n<li style=\"text-align: justify;\">\u201cLullaby Of Leaves\u201d Billy Eckstine<\/li>\n<li style=\"text-align: justify;\">\u201cPassing Strangers\u201d Billy Eckstine<\/li>\n<li style=\"text-align: justify;\">\u201cRocking Chair\u201d Mildred Bailey<\/li>\n<li style=\"text-align: justify;\">\u201cDon\u00b4T Be That Way\u201d Mildred Bailey<\/li>\n<li style=\"text-align: justify;\">\u201cI\u00b4Ve Got My Love To Keep Me Warm\u201d Mildred Bailey<\/li>\n<li style=\"text-align: justify;\">\u201cDarn That Dream\u201d Mildred Bailey<\/li>\n<li style=\"text-align: justify;\">\u201cLover Come Back To Me\u201d Mildred Bailey<\/li>\n<li style=\"text-align: justify;\">\u201cThere\u00b4ll Be Some Changes Made\u201d Mildred Bailey<\/li>\n<li style=\"text-align: justify;\">\u201cLove Is Here To Stay\u201d David Grusin<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cap\u00edtulo 60 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante est\u00e1 dedicada a sendos vocalistas: Billy Eckstine con su voz de bar\u00edtono, y la cantante Mildred Bailey. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/dos-vocalistas-billy-eckstine-y-mildred-bailey-la-odisea-de-la-musica-afroamericana-060-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":25717,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[13370,16985,16986,5360,13,15375,12415,15295,15278,15565,15710,12817,13072,15469,12905,12816,1437,12818,15310,15470,15709,15711,14975,12665,16099,77,16100],"class_list":["entry","author-pachi","has-excerpt","post-25716","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-billy-eckstine","tag-david-grusin","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jazz-vocal","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lodlma","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-bailey-mildred","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-stacey-kent","tag-swing","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Mildred_Bailey_Gottlieb_00411.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":27474,"url":"https:\/\/tomajazz.com\/web\/coleman-hawkins-la-odisea-de-la-musica-afroamericana-072-podcast\/","url_meta":{"origin":25716,"position":0},"title":"Coleman Hawkins (I). La Odisea de la M\u00fasica Afroamericana (072) [Podcast]","author":"Tomajazz","date":"14 noviembre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. 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La Odisea de la M\u00fasica Afroamericana (085) [Podcast]","author":"Tomajazz","date":"13 febrero, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. 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La Odisea de la M\u00fasica Afroamericana (213) [Podcast]","author":"Tomajazz","date":"11 noviembre, 2019","format":false,"excerpt":"Contin\u00faa el repaso de Luis Escalante Ozalla en La Odisea de la M\u00fasica Afroamericana del movimiento Cool Jazz. Los protagonistas del programa de la semana del 11 de noviembre son Paul Desmond y Shorty Rogers.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/Shorty-Rogers.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":23607,"url":"https:\/\/tomajazz.com\/web\/especial-billie-holiday-en-la-odisea-de-la-musica-afroamericana-podcast\/","url_meta":{"origin":25716,"position":4},"title":"Especial Billie Holiday en La Odisea de la M\u00fasica Afroamericana [Podcast]","author":"Tomajazz","date":"12 junio, 2016","format":false,"excerpt":"\u00a0 Recopilamos en una \u00fanica entrada las cinco entregas que Luis Escalante Ozalla dedic\u00f3 a\u00a0Billie Holiday en el\u00a0podcast La Odisea de la Musica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2008\/09\/Portrait_of_Billie_Holiday_Downbeat_New_York_N.Y._ca._Feb._1947_LOC_4843765564.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31626,"url":"https:\/\/tomajazz.com\/web\/ahlert-fain-los-compositores-del-tin-pan-alley-xv-la-odisea-de-la-musica-afroamericana-108-podcast\/","url_meta":{"origin":25716,"position":5},"title":"Ahlert &#8211; Fain. Los compositores del Tin Pan Alley (XV). La Odisea de la M\u00fasica Afroamericana (108) [Podcast]","author":"Tomajazz","date":"24 julio, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa en La Odisea de la M\u00fasica Afroamericana de Luis Escalante\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Sammy_Fain.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=25716"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25716\/revisions"}],"predecessor-version":[{"id":25721,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/25716\/revisions\/25721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/25717"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=25716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=25716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=25716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}