{"id":2573,"date":"2011-07-21T08:00:00","date_gmt":"2011-07-21T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2573"},"modified":"2016-05-21T20:31:27","modified_gmt":"2016-05-21T18:31:27","slug":"no-puedo-dejar-de-escuchar-that-devilin-tune-a-jazz-history-volumenes-1-al-4","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/no-puedo-dejar-de-escuchar-that-devilin-tune-a-jazz-history-volumenes-1-al-4\/","title":{"rendered":"No puedo dejar de escuchar… That Devilin’ Tune. A Jazz History (Vol\u00famenes 1 al 4)"},"content":{"rendered":"
\"\"<\/a><\/div>\n

That Devilin’ Tune. A Jazz History [1895-1950]<\/i>.
Repartido en cuatro vol\u00famenes, para un total de 36 CD:
That Devilin’ Tune. A Jazz History. Volume 1 (of 4) [1895-1927] <\/i>(9CD)
That Devilin’ Tune. A Jazz History. Volume 2 (of 4) [1927-1934]<\/i>\u00a0(9CD)
That Devilin’ Tune. A Jazz History. Volume 3 (of 4) [1934-1945]<\/i>\u00a0(9CD)
That Devilin’ Tune. A Jazz History. Volume 4 (of 4) [1945-1951]<\/i>\u00a0(9CD)<\/p>\n

\nLiner notes<\/i>\u00a0(m\u00e1s de 250 p\u00e1ginas de texto en total, a las que hay que sumar las dedicadas exclusivamente a los los cr\u00e9ditos), y recopilaci\u00f3n realizadas por Allen Lowe. Publicado en 2006 por WHRA.<\/div>\n

<\/p>\n

\n\"\"\"\"\"\"\n<\/div>\n","protected":false},"excerpt":{"rendered":"

That Devilin’ Tune. A Jazz History [1895-1950].Repartido en cuatro vol\u00famenes, para un total de 36 CD:That Devilin’ Tune. A Jazz History. Volume 1 (of 4) [1895-1927] (9CD)That Devilin’ Tune. A Jazz History. Volume 2 (of 4) [1927-1934]\u00a0(9CD)That Devilin’ Tune. A Jazz History. Volume 3 (of 4) [1934-1945]\u00a0(9CD)That Devilin’ Tune. AContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2573","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10368,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-snakefingers-history-of-the-blues-live-in-europe-snakefinger-0269-10022014\/","url_meta":{"origin":2573,"position":0},"title":"Who the Fuck?: Snakefinger’s History Of The Blues Live In Europe (Snakefinger) [0269, 10\/02\/2014]","author":"Tomajazz","date":"10 febrero, 2014","format":false,"excerpt":"Snakefinger's History Of The Blues Live In Europe Snakefinger Promising Music (1984 Reed. 2013)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Snakefinger's History Of The Blues In Europe","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Snakefingers-History-Of-The-Blues-In-Europe.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2493,"url":"https:\/\/tomajazz.com\/web\/fab-trio-history-of-jazz-in-reverse-tum-records-2011\/","url_meta":{"origin":2573,"position":1},"title":"FAB Trio: History Of Jazz In Reverse (TUM Records, 2011)","author":"Tomajazz","date":"3 noviembre, 2011","format":false,"excerpt":"History Of Jazz In Reverse es la sexta grabaci\u00f3n del FAB Trio, publicada pocos meses despu\u00e9s del fallecimiento de Billy Bang, la \u201cB\u201d del nombre del grupo, que completaban Joe Fonda (contrabajo) y Barry Altschul (bater\u00eda). Grabada en estudio en 2005, incluye seis improvisaciones, un tema de Billy Bang en\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-8tzHblZDhXI\/TrMUQx1oggI\/AAAAAAAADnM\/IEq5lz-Gg78\/s200\/fab%2Btrio_history%2Bof%2Bjazz%2Bin%2Breverse.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":60369,"url":"https:\/\/tomajazz.com\/web\/jazzx5399-carn-davidson-9-suite-1985-iii-wisely-if-sincerely-the-history-of-us-three-pines-records-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2573,"position":2},"title":"JazzX5#399. Carn Davidson 9: \u201cSuite 1985: III Wisely If Sincerely\u00bb [The History Of Us (Three Pines Records, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"19 enero, 2022","format":false,"excerpt":"En JazzX5#399 suena \u201cWisely If Sincerely\" de la \"Suite 1985\" del grupo Carn Davidson 9 y que aparece publicado en The History Of Us (Three Pines Records, 2021) JazzX5 es un Minipodcast de jazz de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_399.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_399.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_399.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_399.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2224,"url":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-orrin-keepnews-acerca-de-ornette-coleman-y-el-jazz\/","url_meta":{"origin":2573,"position":3},"title":"Le\u00eddo, visto o escuchado: Orrin Keepnews acerca de Ornette Coleman y el jazz","author":"Tomajazz","date":"14 septiembre, 2012","format":false,"excerpt":"\"There can be no neat summing-up at this point, for which one should be thankful. If there could be, it would have to mean that jazz was complete; or, in other words, dead. But that is far from the case...\" Those words opened the final paragraph of the first (1955)\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-r1kuxNU5ZyU\/UE8PjRPsAcI\/AAAAAAAAFYg\/eRwhUn7_ALo\/s200\/keepnews-grauer-a-pictorial-history-of-jazz.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":38491,"url":"https:\/\/tomajazz.com\/web\/randy-weston-in-memoriam\/","url_meta":{"origin":2573,"position":4},"title":"Randy Weston In Memoriam","author":"Tomajazz","date":"2 septiembre, 2018","format":false,"excerpt":"Music is free. There is so many directions to go in music. You can be an entertainer or whatever. For me, my music is African rhythms. That is what I call my music. I have been trying to project the history of our music, which is Africa. But as far\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Ob_13_Rnd-Wston-%C2%A9Joan-Cort%C3%A8s_19abr08_Trtr-dl-Jrd_16Fstval-d-Jzz_Fgrs.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Ob_13_Rnd-Wston-%C2%A9Joan-Cort%C3%A8s_19abr08_Trtr-dl-Jrd_16Fstval-d-Jzz_Fgrs.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Ob_13_Rnd-Wston-%C2%A9Joan-Cort%C3%A8s_19abr08_Trtr-dl-Jrd_16Fstval-d-Jzz_Fgrs.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":12653,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-chris-potter-the-challenge-seeker-by-arturo-mora\/","url_meta":{"origin":2573,"position":5},"title":"Tomajazz recupera… Chris Potter: the challenge seeker, by Arturo Mora","author":"Tomajazz","date":"9 junio, 2014","format":false,"excerpt":"ARTURO MORA: Does the use of odd meters influence you when composing for the band? CHRIS POTTER: Yes, that was an area that I was beginning to explore before I joined the band. I think it\u2019s a sort of a process from where we\u2019re evolving, growing. Someone would bring in\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Chris Potter \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/potter1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2573"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2573\/revisions"}],"predecessor-version":[{"id":24477,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2573\/revisions\/24477"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}