{"id":2591,"date":"2011-06-23T08:00:00","date_gmt":"2011-06-23T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2591"},"modified":"2016-05-21T20:31:34","modified_gmt":"2016-05-21T18:31:34","slug":"pitom-blasphemy-and-other-serious-crimes-tzadik-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/pitom-blasphemy-and-other-serious-crimes-tzadik-2011\/","title":{"rendered":"Pitom: Blasphemy and Other Serious Crimes (Tzadik, 2011)"},"content":{"rendered":"<div>\n<div><a href=\"http:\/\/1.bp.blogspot.com\/-qbngaGbdOMY\/TgHn1rLjkwI\/AAAAAAAAC9A\/azZSD0oWKtk\/s1600\/pitom_blasphemy.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"1\" height=\"150\" src=\"http:\/\/1.bp.blogspot.com\/-qbngaGbdOMY\/TgHn1rLjkwI\/AAAAAAAAC9A\/azZSD0oWKtk\/s200\/pitom_blasphemy.jpg\" width=\"150\" alt=\"\" title=\"\"><\/a><\/div>\n<p>Aunque ellos mismos califican su m\u00fasica como \u201cpunkassjewjazz\u201d, <i>Blasphemy and Other Serious Crimes<\/i>, segundo disco del cuarteto <b>Pitom<\/b>, suena a un disco de <i>heavy<\/i>. Metal con influencias del <i>grunge<\/i>\u00a0y del <i>punk<\/i>, de la m\u00fasica jud\u00eda y de la de <b>John Zorn<\/b>, del jazz y de grupos cl\u00e1sicos del g\u00e9nero, pero esencialmente a <i>heavy <\/i>obviando la multitud de etiquetas del g\u00e9nero que \u00fanicamente deben dominar tres o cuatro expertos en todo el Orbe. Dado lo iconoclasta de su propuesta -a a\u00f1adir a la parte puramente musical-, no son de extra\u00f1ar las palabras de elogio de <b>John Zorn<\/b>, cabeza ejecutante de Tzadik, sobre este cuarteto.<\/div>\n<div><\/div>\n<div>\u00a9 Pachi Tapiz, 2011<br \/><a name=\"more\"><\/a>\n<\/div>\n<div><\/div>\n<div>Pitom: <i>Blasphemy and Other Serious Crimes<\/i>\n<\/div>\n<div><\/div>\n<div>1.\u00bbIn the Merit of\u2026\u00bb 2.\u00bbBlasphemy and Other Serious Crimes\u00bb 3.\u00bbHead in the Ground\u00bb 4.\u00bbResentful Repentance\u00bb 5.\u00bbStumbling Block\u00bb 6.\u00bbConfusion of the Heart\u00bb 7.\u00bbA Crisis of Faith\u00bb 8.\u00bbNeilah\u00bb 9.\u00bbAn Epic Encounter\u00bb 10.\u00bbVos Zogt Ir\u00bb 11.\u00bbAzazel\u00bb <\/div>\n<div><\/div>\n<div>Pitom. Shanir Ezra Blumenkranz (bajo), Yoshie Fruchter (guitarra), Kevin Zubek (bater\u00eda), Jeremy Brown (viol\u00edn, Viola) <\/div>\n<div><\/div>\n<div>Publicado en 2011 por Tzadik. Radical Jewish Culture. TZA-CD-8158.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Aunque ellos mismos califican su m\u00fasica como \u201cpunkassjewjazz\u201d, Blasphemy and Other Serious Crimes, segundo disco del cuarteto Pitom, suena a un disco de heavy. Metal con influencias del grunge\u00a0y del punk, de la m\u00fasica jud\u00eda y de la de John Zorn, del jazz y de grupos cl\u00e1sicos del g\u00e9nero, pero<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/pitom-blasphemy-and-other-serious-crimes-tzadik-2011\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,16099,77,16100],"class_list":["entry","author-pachi","post-2591","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6337,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-grupo-painkiller\/","url_meta":{"origin":2591,"position":0},"title":"Tomajazz recomienda&#8230; un grupo: Painkiller","author":"Adolphus van Tenzing","date":"13 mayo, 2013","format":false,"excerpt":"Painkiller estuvo en activo\u00a0\u00a0entre 1991 y 1995 con la formaci\u00f3n original de John Zorn (saxo), Bill Laswell (bajo) y Mick Harris (bater\u00eda e integrante de los grupos de grindcore Napalm Death y Scorn). 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Su objetivo era continuar trabajando con la m\u00fasica del cuarteto que tantas grabaciones y buenos momentos dej\u00f3 en su camino. Esta formaci\u00f3n era un super\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/Electric-Masada-At-The-Mountain-Of-Madness.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101263,"url":"https:\/\/tomajazz.com\/web\/napalm-death-scum-1987\/","url_meta":{"origin":2591,"position":3},"title":"Napalm Death: Scum (Earache Records, 1987) y un repaso por la trayectoria de Mick Harris. 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