{"id":2600,"date":"2011-06-09T19:40:00","date_gmt":"2011-06-09T17:40:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2600"},"modified":"2016-05-21T20:31:38","modified_gmt":"2016-05-21T18:31:38","slug":"gilad-atzmon-and-the-orient-house-ensemble-the-tide-has-changed-world-village-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/gilad-atzmon-and-the-orient-house-ensemble-the-tide-has-changed-world-village-2011\/","title":{"rendered":"Gilad Atzmon and The Orient House Ensemble: The Tide Has Changed (World Village, 2011)"},"content":{"rendered":"<div><a href=\"http:\/\/4.bp.blogspot.com\/-5hYW7nznLAQ\/TfIT4s6X38I\/AAAAAAAAC5E\/sar3NA30c8s\/s1600\/atzmon_tide.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"1\" height=\"132\" src=\"http:\/\/4.bp.blogspot.com\/-5hYW7nznLAQ\/TfIT4s6X38I\/AAAAAAAAC5E\/sar3NA30c8s\/s200\/atzmon_tide.jpg\" width=\"150\" alt=\"\" title=\"\"><\/a><\/div>\n<div>\n<b>Gilad Atzmon<\/b> siempre tiene algo que reivindicar con sus grabaciones. En el caso de <i>The Thide Has Changed<\/i>\u00a0es la ausencia de\u00a0memoria (\u00ab<i>amnesia is freedom<\/i>\u00bb indica en las notas del CD). Un caso curioso el suyo, puesto que en discos anteriores ha recurrido a sus recuerdos e imaginaciones de Am\u00e9rica, a repasar con un cierto toque humor\u00edstico cl\u00e1sicos de la historia del jazz, otro est\u00e1 dedicado al exilio y en otro repasaba m\u00fasica el siglo XX. Por fortuna ni a \u00e9l ni a los integrantes de <b>The Orient House Ensemble<\/b> se les ha olvidado ni componer ni tocar como ellos saben acoplando elementos del jazz con influencias orientales, o recurriendo al bolero de <b>Ravel <\/b>en esta ocasi\u00f3n para deleitarnos con otro bocado delicioso para nuestros o\u00eddos.<\/div>\n<p>\u00a9 Pachi Tapiz, 2011<br \/><a name=\"more\"><\/a><\/p>\n<p>Gilad Atzmon and The Orient House Ensemble:\u00a0<i>The Tide Has Changed \u00a0 <\/i><\/p>\n<p>Gilad Atzmon (saxo alto, soprano, clarinete, acorde\u00f3n y voces),\u00a0Frank Harrison (piano, <i>wurlitzer<\/i>, xil\u00f3fono y voces),\u00a0Yaron Stavi (contrabajo y voces),\u00a0Eddie Hick (bater\u00eda y voces),\u00a0Tali Atzmon (voces en 1,2,3,8 y 9),\u00a0Derek \u00abThe Draw\u00bb Hussey (\u00abMaestro de ceremonias\u00bb en 1)<\/p>\n<p>1 \u00abDry Fear\u00bb, 2 \u00abThe tide has changed\u00bb, 3 \u00abAnd so have we\u00bb, 4 \u00abBolero at Sunrise\u00bb (Maurice Ravel), 5 \u00abLondon to Gaza\u00bb, 6 \u00abWe lament\u00bb, 7 \u00abIn the back sea of a yellow cab\u00bb, 8 \u00abAll the way to Montenegro\u00bb, 9 \u00abWe laugh\u00bb<br \/>Todos los temas por Gilad Atzmon salvo el indicado.<\/p>\n<p>Grabado en Londres entre el 24 y el 26 de febrero de 2010. Publicado en 2011 por World Village. WV 450015. Distribuido por <a href=\"http:\/\/www.hmtienda.es\/\" target=\"_blank\" rel=\"noopener\">Harmonia Mundi Espa\u00f1a<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gilad Atzmon siempre tiene algo que reivindicar con sus grabaciones. En el caso de The Thide Has Changed\u00a0es la ausencia de\u00a0memoria (\u00abamnesia is freedom\u00bb indica en las notas del CD). Un caso curioso el suyo, puesto que en discos anteriores ha recurrido a sus recuerdos e imaginaciones de Am\u00e9rica, a<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/gilad-atzmon-and-the-orient-house-ensemble-the-tide-has-changed-world-village-2011\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2600","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2600"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2600\/revisions"}],"predecessor-version":[{"id":24495,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2600\/revisions\/24495"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}