{"id":26047,"date":"2016-08-29T11:12:26","date_gmt":"2016-08-29T09:12:26","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=26047"},"modified":"2018-05-04T11:44:19","modified_gmt":"2018-05-04T09:44:19","slug":"paal-nilssen-love-large-unit-jazz-em-agosto-anfiteatro-ao-ar-livre-fundacao-calouste-gulbenkian-lisboa-2016-08-14-concierto","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/paal-nilssen-love-large-unit-jazz-em-agosto-anfiteatro-ao-ar-livre-fundacao-calouste-gulbenkian-lisboa-2016-08-14-concierto\/","title":{"rendered":"Paal Nilssen-Love Large Unit (Jazz Em Agosto. Anfiteatro ao Ar Livre, Funda\u00e7ao Calouste Gulbenkian, Lisboa. 2016-08-14) [Concierto]"},"content":{"rendered":"<ul>\n<li>Festival: <strong>Jazz Em Agosto 2016<\/strong><\/li>\n<li>Fecha: domingo 14 de agosto de 2016<\/li>\n<li>Lugar: Anfiteatro ao Ar Livre, Funda\u00e7ao Calouste Gulbenkian Lisboa, Portugal<\/li>\n<li>Componentes:<br \/>\n<strong>Large Unit<br \/>\n<\/strong>Thomas Johansson: trompeta<br \/>\nMats \u00c4leklint: tromb\u00f3n<br \/>\nJulie Kjaer: saxo alto y flauta<br \/>\nKlaus Holm: saxo alto y bar\u00edtono<br \/>\nKristoffer Alberts: saxo tenor y alto<br \/>\nPer \u00c5ke Holmlander: tuba<br \/>\nKetil Gutvik: guitarra el\u00e9ctrica<br \/>\nTommi Keranen: eletr\u00f3nica<br \/>\nPaulinho Bicolor: percusi\u00f3n<br \/>\nC\u00e9lio De Carvalho: percusi\u00f3n<br \/>\nJon Rune Str\u00f8m: contrabajo y bajo el\u00e9ctrico<br \/>\nChristian Meaas Svendsen: contrabajo y bajo el\u00e9ctrico<br \/>\nAndreas Wildhagen: bater\u00eda y percusi\u00f3n<br \/>\nPaal Nilssen-Love: bater\u00eda y percusi\u00f3n<br \/>\nChristian Obermayer: dise\u00f1o de sonido<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-26048\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2949.JPG-Unit-Largewm-600x400.jpg\" alt=\"IMG_2949.JPG-Unit Largewm\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2949.JPG-Unit-Largewm.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2949.JPG-Unit-Largewm-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2949.JPG-Unit-Largewm-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2949.JPG-Unit-Largewm-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2949.JPG-Unit-Largewm-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2949.JPG-Unit-Largewm-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">La trig\u00e9simo tercera edici\u00f3n del festival <strong>Jazz Em Agosto<\/strong>, que coincidi\u00f3 con el 60\u00ba Aniversario de la Fundaci\u00f3n Calouste Gulbenkian, concluy\u00f3 con la actuaci\u00f3n de\u00a0<strong>Large Unit<\/strong>. La formaci\u00f3n liderada por el baterista y percusionista (y en esta formaci\u00f3n\u00a0tambi\u00e9n compositor)\u00a0<strong>Paal Nilssen-Love<\/strong>, ha recogido el testigo del\u00a0<strong>Peter Br\u00f6tzmann Octet \/ Tentet<\/strong>, como la mejor\u00a0<em>big-band\u00a0<\/em>de\u00a0<em>free-jazz\u00a0<\/em>de la actualidad. Puede, quiz\u00e1s, resultar parad\u00f3jico que si hablamos de\u00a0jazz libre\u00a0tambi\u00e9n hablemos de composiciones, pero no hay problema alguno puesto que la cuesti\u00f3n esencial es que el grupo sepa c\u00f3mo jugar con la forma y la libertad&#8230; cuesti\u00f3n aparte es que el gran Ornette Coleman, uno de los pilares de este estilo, fue autor de algunos temas intemporales&#8230; pero esa es una historia para otra ocasi\u00f3n.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-26049\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2960.JPG-Unit-LargeMWM-600x400.jpg\" alt=\"IMG_2960.JPG- Unit LargeMWM\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2960.JPG-Unit-LargeMWM.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2960.JPG-Unit-LargeMWM-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2960.JPG-Unit-LargeMWM-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2960.JPG-Unit-LargeMWM-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2960.JPG-Unit-LargeMWM-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2960.JPG-Unit-LargeMWM-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>Large Unit<\/strong> ya ha sabido demostrar que es una formaci\u00f3n m\u00e1s que recomendable en sus dos grabaciones de larga duraci\u00f3n:\u00a0<em>Erta Ale <\/em>(que cual lanzamiento de gran estrella del pop ha aparecido publicada en multitud de formatos:\u00a0triple CD, qu\u00edntuple LP, cu\u00e1druple cassette&#8230; a lo que se a\u00f1adi\u00f3 un libro m\u00e1s doble CD con m\u00fasica de su gira de presentaci\u00f3n); y el CD aparecido este a\u00f1o de t\u00edtulo\u00a0<em><a href=\"http:\/\/www.tomajazz.com\/web\/?p=23554\" target=\"_blank\" rel=\"noopener\">Ana<\/a><\/em>. Si se revisa la alineaci\u00f3n del concierto, se podr\u00e1 observar la presencia de una doble r\u00edtmica -lo que no resulta especialmente llamativo-. Posiblemente llame la atenci\u00f3n la presencia de los percusionistas de ascendencia brasile\u00f1a\u00a0<strong>Paulinho Bicolor<\/strong> y <strong>C\u00e9lio<\/strong> <strong>De<\/strong> <strong>Carvalho<\/strong>. A ellos se unen guitarra el\u00e9ctrica, electr\u00f3nica, tuba, tromb\u00f3n y trompeta, as\u00ed como tres saxofonistas. Un material humano m\u00e1s que suficiente como para organizar el trabajo de la orquesta en dos agrupaciones de\u00a0menor\u00a0tama\u00f1o.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-26050\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3135.JPG-Unit-Largewm-400x600.jpg\" alt=\"IMG_3135.JPG- Unit Largewm\" width=\"400\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3135.JPG-Unit-Largewm.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3135.JPG-Unit-Largewm-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3135.JPG-Unit-Largewm-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3135.JPG-Unit-Largewm-37x55.jpg 37w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: justify;\">Las referencias a lo brasile\u00f1o son, posiblemente,\u00a0los elementos que m\u00e1s diferencien a esta propuesta de la de otras grandes formaciones del <em>free<\/em>. El sabio papel otorgado a los\u00a0m\u00fasicos brasile\u00f1os mencionados consigue -tanto en grabaci\u00f3n como en directo-,\u00a0que sus intervenciones marcando\u00a0el ritmo en las partes iniciales de los temas, sirvan como una plataforma perfecta para lanzar -\u00abhasta el infinito y m\u00e1s all\u00e1\u00bb- las intervenciones de sus compa\u00f1eros. En este aspecto tambi\u00e9n hay que destacar un par de enfoques distintos, complementarios y sumamente satisfactorios en lo relativo al desarrollo de los temas. En una parte, estos se desarrollaron en torno a la habitual estructura de\u00a0<em>tuttis\u00a0<\/em>energ\u00e9ticos, solos potentes e interacciones que buscaron conseguir llegar al\u00a0excitante paroxismo que se consigue en el <em>free<\/em>. La otra forma de desarrollar la m\u00fasica tuvo que ver con la organizaci\u00f3n del grupo como uni\u00f3n de las dos formaciones ya comentadas. Estas estuvieron lideradas por <strong>Julie Kjaer<\/strong> y <strong>Thomas<\/strong> <strong>Johansson<\/strong>. Estos m\u00fasicos no s\u00f3lo dirigieron las entradas, salidas, e intervenciones de los m\u00fasicos a su cargo, sino que por gestos fueron indicando las melod\u00edas con que ten\u00edan que intervenir. De ese modo, y cual flota inglesa en la batalla de Trafalgar, los espectadores nos vimos abordados por dos columnas\u00a0sonoras -a veces en acometidas individuales, a veces conjuntamente-, cada una de las cuales fue\u00a0interpretando una melod\u00eda independiente, entrando y saliendo seg\u00fan las decisiones de sus respectivos l\u00edderes. De un modo sorprendente, las\u00a0melod\u00edas encajaron a la perfecci\u00f3n, con lo que consiguieron conquistar a un auditorio que respondi\u00f3\u00a0entusiasmado aplaudiendo, jaleando a los m\u00fasicos, y c\u00f3mo no, pidiendo unos bises m\u00e1s que merecidos.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-26051\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3147.JPG-Unit-Largewm-600x400.jpg\" alt=\"IMG_3147.JPG-Unit Largewm\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3147.JPG-Unit-Largewm.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3147.JPG-Unit-Largewm-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3147.JPG-Unit-Largewm-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3147.JPG-Unit-Largewm-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3147.JPG-Unit-Largewm-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_3147.JPG-Unit-Largewm-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Si <a href=\"http:\/\/www.tomajazz.com\/web\/?p=25841\" target=\"_blank\" rel=\"noopener\">en su concierto en solitario del d\u00eda anterior\u00a0<strong>Paal Nilssen-Love\u00a0<\/strong>demostr\u00f3 su enorme capacidad para improvisar en solitario<\/a>, con sus\u00a0<strong>Large\u00a0Unit<\/strong>\u00a0mostr\u00f3 su gran habilidad\u00a0para componer y organizar una de las grandes formaciones\u00a0m\u00e1s excitante\u00a0que ahora mismo se puede ver en directo. Si a\u00a0esto se une <a href=\"http:\/\/www.tomajazz.com\/web\/?tag=paal-nilssen-love\" target=\"_blank\" rel=\"noopener\">su gran actividad junto a distintos m\u00fasicos y formaciones<\/a>, con resultados que no por diversos resultan menos notables, el resultado consigue que se tenga que considerar al noruego -que ha trasladado su residencia a Lisboa-, como\u00a0uno de los mejores m\u00fasicos del jazz m\u00e1s interesante que hay en el panorama actual.<\/p>\n<p style=\"text-align: right;\">Fotograf\u00edas: \u00a9 Sera Mart\u00edn, 2016<br \/>\nTexto: \u00a9 Pachi Tapiz, 2016<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Large Unit de Paal Nilssen-Love cerr\u00f3 la edici\u00f3n de 2016 de Jazz Em Agosto. Sera Mart\u00edn (fotos) y Pachi Tapiz (texto) realizan un repaso a la actuaci\u00f3n de \u00abuna de las grandes formaciones m\u00e1s excitante que ahora mismo se puede ver en directo\u00bb.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/paal-nilssen-love-large-unit-jazz-em-agosto-anfiteatro-ao-ar-livre-fundacao-calouste-gulbenkian-lisboa-2016-08-14-concierto\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":26051,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17847,17852,4,15517,1038],"tags":[15399,15397,15398,17132,12836,15314,15607,15608,13571,15609,12748,1713,15316,15400,13,15312,12415,15295,15313,15773,14191,15391,15394,15392,17131,15710,15385,12513,7226,5138,31,15396,452,209,15390,16099,77,16100,15395],"class_list":["entry","author-pachi","has-excerpt","post-26047","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-sera-martin","category-conciertos","category-textos","category-contenidos","tag-andreas-wildhagen","tag-celio-de-carvalho","tag-christian-meaas-svendsen","tag-christian-obermayer","tag-concierto","tag-concierto-de-jazz","tag-festival-de-jazz","tag-festival-de-jazz-en-espana","tag-festivales-de-jazz","tag-festivales-de-jazz-en-espana","tag-free-improvisation","tag-free-jazz","tag-improvisacion","tag-improvisacion-libre","tag-jazz","tag-jazz-en-directo","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-en-vivo","tag-jazz-libre","tag-jon-rune-strom","tag-julie-kjaer","tag-ketil-gutvik","tag-klaus-holm","tag-kristoffer-alberts","tag-la-actualidad-del-jazz-en-espana","tag-large-unit","tag-libre-improvisacion","tag-mats-aleklint","tag-paal-nilssen-love","tag-pachi-tapiz","tag-paulinho-bicolor","tag-per-ake-holmlander","tag-sera-martin","tag-thomas-johansson","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tommi-keranen"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26220,"url":"https:\/\/tomajazz.com\/web\/instantzz-paal-nilssen-love-large-unit-jazz-em-agosto-2016-08-14-galeria-fotografica\/","url_meta":{"origin":26047,"position":0},"title":"INSTANTZZ: Paal Nilssen-Love Large Unit (Jazz Em Agosto. 2016-08-14) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"6 septiembre, 2016","format":false,"excerpt":"Sera Mart\u00edn repasa en la galer\u00eda fotogr\u00e1fica en Instantzz la actuaci\u00f3n de Large Unit del baterista y percusionista Paal Nilssen-Love en Jazz Em Agosto 2016, en Lisboa.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_IMG_2992.JPG-Unit-Large-Annawm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_IMG_2992.JPG-Unit-Large-Annawm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_IMG_2992.JPG-Unit-Large-Annawm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":25841,"url":"https:\/\/tomajazz.com\/web\/paal-nilssen-love-jazz-em-agosto-2016-sala-polivalente-fundacao-calouste-gulbenkian-lisboa-portugal-2016-08-13\/","url_meta":{"origin":26047,"position":1},"title":"Paal Nilssen-Love (Jazz Em Agosto 2016. Sala Polivalente, Funda\u00e7ao Calouste Gulbenkian, Lisboa, Portugal. 2016-08-13) [Concierto]","author":"Tomajazz","date":"22 agosto, 2016","format":false,"excerpt":"Repaso de la actuaci\u00f3n en solitario de Paal Nilssen-Love en Jazz Em Agosto 2016. Fotograf\u00edas de Sera Mart\u00edn, texto de Pachi Tapiz.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2496.JPG-Paalwm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2496.JPG-Paalwm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/IMG_2496.JPG-Paalwm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23706,"url":"https:\/\/tomajazz.com\/web\/hdo-paal-nilssen-love-his-voice-and-his-music-0100-podcast\/","url_meta":{"origin":26047,"position":2},"title":"HDO 100. Paal Nilssen-Love: his voice and his music [Podcast]","author":"Tomajazz","date":"21 abril, 2016","format":false,"excerpt":"Drummer Paal Nilssen-Love introduces three of his last recordings --Ana, Soul Stream, and Angular Mass-- in the HDO Tomajazz podcast. And after his voice, his music: we will listen to some pieces from each of these albums. Text: \u00a9 Pachi Tapiz, 2016 Photography:\u00a0\u00a9 Sera Mart\u00edn, 2016 \u00a0 Today in HDO:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":27401,"url":"https:\/\/tomajazz.com\/web\/all-jazz-sera-paal-nilssen-love-fotografia\/","url_meta":{"origin":26047,"position":3},"title":"All Jazz Sera: Paal Nilssen-Love [Fotograf\u00eda]","author":"Tomajazz","date":"9 noviembre, 2016","format":false,"excerpt":"All Jazz Sera retrat\u00f3 a Paal Nilssen-Love en su concierto en solitario en Jazz Em Agosto 2016.","rel":"","context":"En \u00ab*_Sera Mart\u00edn\u00bb","block_context":{"text":"*_Sera Mart\u00edn","link":"https:\/\/tomajazz.com\/web\/category\/sera-martin\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/IMG_2521.JPG-PAAL-N-Lwm.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":23554,"url":"https:\/\/tomajazz.com\/web\/paal-nilssen-love-ana-angular-mass-soul-stream-pnl-records-20156-cd\/","url_meta":{"origin":26047,"position":4},"title":"Paal Nilssen-Love: Ana \/ Angular Mass \/ Soul Stream (PNL Records, 2015\/6; CD)","author":"Tomajazz","date":"15 abril, 2016","format":false,"excerpt":"Ana (Large Unit), Angular Mass (Michiyo Yagi, Lasse Marhaug, Paal Nilssen-Love) y Soul Stream (los tres m\u00fasicos anteriores m\u00e1s Joe McPhee) son tres obras publicadas durante los \u00faltimos meses por el baterista Paal Nilssen-Love en su sello PNL Recordings, que sirven para mostrar los distintos derroteros por los que se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23990,"url":"https:\/\/tomajazz.com\/web\/peter-brotzmann-en-buena-compania-por-triplicado-en-not-two-cd\/","url_meta":{"origin":26047,"position":5},"title":"Peter Br\u00f6tzmann: en buena compa\u00f1\u00eda por triplicado en Not Two [CD]","author":"Tomajazz","date":"4 mayo, 2016","format":false,"excerpt":"A sus 75 primaveras, el tremendo soplador alem\u00e1n Peter Br\u00f6tzmann sigue mostrando una m\u00e1s que notable actividad tanto en directo como en forma de grabaciones discogr\u00e1ficas. 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