{"id":26192,"date":"2016-09-05T11:47:13","date_gmt":"2016-09-05T09:47:13","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=26192"},"modified":"2018-05-05T20:44:58","modified_gmt":"2018-05-05T18:44:58","slug":"peggy-lee-la-odisea-de-la-musica-afroamericana-062","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/peggy-lee-la-odisea-de-la-musica-afroamericana-062\/","title":{"rendered":"Peggy Lee (I). La Odisea de la M\u00fasica Afroamericana (062) [Podcast]"},"content":{"rendered":"<p><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">De ella <strong>Duke Ellington<\/strong>, dijo: \u00absi yo soy el Duke, ella deber\u00eda ser la reina\u00bb.\u00a0La cantante y compositora\u00a0<strong>Peggy Lee<\/strong>, una de las artistas que suena en la sinton\u00eda del programa,\u00a0es la protagonista de la entrega n\u00famero 62 de <em>La Odisea de la M\u00fasica Afroamericana<\/em>. Esta artista, nacida en 1920, fue la encargada de sustituir a <strong>Helen Forrest<\/strong> en la orquesta de\u00a0<strong>Benny Goodman<\/strong>. Su importancia no est\u00e1 \u00fanicamente en lo vocal, sino que con su marido el guitarrista <strong>Dave Barbour<\/strong>, y en solitario, fue autora de un buen n\u00famero de composiciones. En el programa tambi\u00e9n hay un hueco para que <strong>Luis Escalante<\/strong> se detenga en\u00a0la artista <strong>Lil Green<\/strong>, que interpret\u00f3 por primera vez con cierto \u00e9xito el tema \u00abWhy don&#8217;t you do right\u00bb, que en la voz de Peggy Lee se conviri\u00f3 en un gran \u00e9xito, con m\u00e1s de un mill\u00f3n de copias vendidas. <strong>Quincy Jones<\/strong> y <strong>Joe Henderson<\/strong> interpretan los temas que dan comienzo y finalizan el programa.<br \/>\n<iframe id='audio_12774267' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_12774267_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>&nbsp;<br \/>\n<center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-26193\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_1950-488x600.jpg\" alt=\"Peggy_Lee_1950\" width=\"488\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_1950-488x600.jpg 488w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_1950-122x150.jpg 122w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_1950-200x246.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_1950-45x55.jpg 45w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_1950.jpg 719w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><br \/>\nPeggy Lee. Fotograf\u00eda promocional. 1950<\/center><br \/>\n&nbsp;<\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 62 suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cMoody\u00b4s mood for love\u201d Quincy Jones<\/li>\n<li style=\"text-align: justify;\">\u201cI gotta right to sing the blues\u201d Peggy Lee<\/li>\n<li style=\"text-align: justify;\">\u201cSugar\u201d Peggy Lee<\/li>\n<li style=\"text-align: justify;\">\u201cElmer\u00b4s tune\u201d Peggy Lee &amp; Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cLet\u00b4s do it\u201d Peggy Lee &amp; Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cOn the sunny side of the street\u201d Peggy Lee &amp; Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cThe way you look tonight\u201d Peggy Lee &amp; Benny Goodman<\/li>\n<li style=\"text-align: justify;\">\u201cWhy don\u00b4t you do right\u201d Peggy Lee<\/li>\n<li style=\"text-align: justify;\">\u201cWhy don\u00b4t you do right\u201d Lil Green<\/li>\n<li style=\"text-align: justify;\">\u201cI got that feeling\u201d Lil Green<\/li>\n<li style=\"text-align: justify;\">\u201cIt\u00b4s a good day\u201d Peggy Lee<\/li>\n<li style=\"text-align: justify;\">\u201cHe\u00b4s just my kind\u201d Peggy Lee<\/li>\n<li style=\"text-align: justify;\">\u00abMa\u00f1ana\u201d Peggy Lee<\/li>\n<li style=\"text-align: justify;\">\u201cI love being here with you\u201d Diana Krall<\/li>\n<li style=\"text-align: justify;\">\u201cChelsea bridge\u201d Joe Henderson<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cap\u00edtulo 62 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante, trata sobre la gran cantante y compositora Peggy Lee, y tambi\u00e9n sobre la cantante de blues Lil Green. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/peggy-lee-la-odisea-de-la-musica-afroamericana-062\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":26194,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17834,13297,12814,15518,1038],"tags":[13370,17209,13112,6637,17208,5360,13,15375,12415,15295,15278,1866,15710,12817,17211,13072,15469,12905,12816,17210,12818,15310,15470,15709,15711,8285,16099,77,16100],"class_list":["entry","author-pachi","has-excerpt","post-26192","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-dave-barbour","tag-diana-krall","tag-duke-ellington","tag-helen-forrest","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-joe-henderson","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lil-green","tag-lodlma","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-peggy-lee-benny-goodman","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-quincy-jones","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Peggy_Lee_Billboard-Magazine-1945.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=26192"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26192\/revisions"}],"predecessor-version":[{"id":26339,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26192\/revisions\/26339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/26194"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=26192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=26192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=26192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}