{"id":2628,"date":"2011-05-06T08:00:00","date_gmt":"2011-05-06T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2628"},"modified":"2019-08-05T18:28:27","modified_gmt":"2019-08-05T16:28:27","slug":"francois-couturier-tarkovsky-quartet-ecm-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/francois-couturier-tarkovsky-quartet-ecm-2011\/","title":{"rendered":"Fran\u00e7ois Couturier: Tarkovsky Quartet (ECM, 2011)"},"content":{"rendered":"
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Cruce de referencias cinematogr\u00e1ficas, vitales y sonoras, la m\u00fasica de Tarkovsky Quartet<\/i>, tercera obra del pianista Fran\u00e7ois Couturier basada en la obra del creador ruso, bebe tanto en la m\u00fasica cl\u00e1sica (con creaciones de Coutourier que incluyen referencias a obras de Bach, Pergolesi o Shostakovitch), como en la improvisaci\u00f3n libre (\u201cSan Galgano\u201d, \u201cSardor\u201d y \u201cLa main el l\u2019oiseau\u201d son creaciones instant\u00e1neas del cuarteto). Otra base de la grabaci\u00f3n son las composiciones del pianista, que transitan entre esas referencias y que en alg\u00fan momento se quedan en terrenos intermedios.<\/div>\n
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El resultado es una m\u00fasica esencialmente bella y atemporal, con un tono tranquilo y contemplativo que explota en temas como \u201cTiapa\u201d, \u201cDe l\u2019autre c\u00f4t\u00e9 du miroir\u201d, \u201cLa passion selon Andre\u00ef\u201d, o las inmensas \u201cMychkine\u201d y la breve \u201cMouchette\u201d en las que el cuarteto mantiene magn\u00edficamente la tensi\u00f3n y su car\u00e1cter misterioso.<\/div>\n
\u00a9 Pachi Tapiz, 2011<\/div>\n
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Fran\u00e7ois Couturier: Tarkovsky Quartet<\/i><\/div>\n
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Fran\u00e7ois Couturier (piano), Anja Lechner (violonchelo), Jean-Louis Matinier (acorde\u00f3n), Jean-Marc Larch\u00e9 (saxo soprano).<\/div>\n
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\u201cA celui qui a vu l\u2019ange\u201d (Fran\u00e7ois Couturier inspirado en \u201cQui est homo\u201d del Stabat Mater de Pergolesi), \u201cTiapa\u201d (Fran\u00e7ois Couturier), \u201cSan Galgano\u201d (Couturier, Lechner, Matinier, Larch\u00e9), \u201cMaorussia\u201d (Fran\u00e7ois Couturier inspirado en \u201cDas alte Jahr vengangen ist\u201d de J.S.Bach), \u201cMychkine\u201d (Fran\u00e7ois Couturier), \u201cMouchette\u201d (Fran\u00e7ois Couturier), \u201cLa passion selon Andre\u00ef\u201d (Fran\u00e7ois Couturier con referencias a \u201cHerr, unser Herrscher\u201d de la Pasi\u00f3n seg\u00fan San Juan de J.S.Bach), \u201cL\u2019Apocalypse\u201d (Fran\u00e7ois Couturier), \u201cDoktor Faustus\u201d (Fran\u00e7ois Couturier con alusiones a la Sonata para violonchelo y piano de Dmitri Shostakovitch), \u201cSardor\u201d (Couturier, Lechner, Matinier, Larch\u00e9), \u201cLa main el l\u2019oiseau\u201d (Couturier, Lechner, Matinier, Larch\u00e9), \u201cDe l\u2019autre c\u00f4t\u00e9 du miroir\u201d (Fran\u00e7ois Couturier).<\/div>\n
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Grabado en diciembre de 2009 en Auditorio Radiotelevisione svizzera, Lugano. Publicado en 2011 por ECM. ECM 2159. http:\/\/www.ecmrecords.com\/<\/a> Distribuido por Distrijazz. http:\/\/www.distrijazz.com\/<\/a>.<\/div>\n","protected":false},"excerpt":{"rendered":"

Cruce de referencias cinematogr\u00e1ficas, vitales y sonoras, la m\u00fasica de Tarkovsky Quartet, tercera obra del pianista Fran\u00e7ois Couturier basada en la obra del creador ruso, bebe tanto en la m\u00fasica cl\u00e1sica (con creaciones de Coutourier que incluyen referencias a obras de Bach, Pergolesi o Shostakovitch), como en la improvisaci\u00f3n libreContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":44947,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17847,5,15517,1038],"tags":[8129,1663,8078,8491,8503,31,23354,16099,77,16100],"class_list":["entry","author-pachi","post-2628","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-anja-lechner","tag-ecm","tag-francois-couturier","tag-jean-louis-matinier","tag-jean-marc-larche","tag-pachi-tapiz","tag-tarkovsky-quartet","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Fran\u00e7ois-Couturier_Tarkovsky-Quartet.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2628"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2628\/revisions"}],"predecessor-version":[{"id":44948,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2628\/revisions\/44948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/44947"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}