{"id":26330,"date":"2016-09-14T11:24:28","date_gmt":"2016-09-14T09:24:28","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=26330"},"modified":"2016-11-13T15:54:42","modified_gmt":"2016-11-13T14:54:42","slug":"marcos-pin-broken-artist-freecode-jazz-records-2016-cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/marcos-pin-broken-artist-freecode-jazz-records-2016-cd\/","title":{"rendered":"Marcos Pin: Broken Artist (Freecode Jazz Records, 2016) [CD]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-26331\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/marcos-Pin-Broken-Artist-200x200.jpg\" alt=\"marcos-pin-broken-artist\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/marcos-Pin-Broken-Artist-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/marcos-Pin-Broken-Artist-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/marcos-Pin-Broken-Artist-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/marcos-Pin-Broken-Artist-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/marcos-Pin-Broken-Artist.jpg 320w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>La car\u00e1tula de <em>Broken Artist<\/em> (imita a los <em>singles<\/em> de vinilo en una carpeta de cart\u00f3n en 17&#215;17 cm en una edici\u00f3n limitada a 150 ejemplares), parece reivindicar la posici\u00f3n actual del artista en la sociedad y m\u00e1s concretamente del m\u00fasico de jazz en el mundo y en Espa\u00f1a, algo que viene a coincidir con un pensamiento propio que se\u00f1ala la existencia de la ingente cantidad de excelentes m\u00fasicos que ofrecen su m\u00fasica a un escenario vac\u00edo de o\u00eddos.<\/p>\n<p style=\"text-align: justify;\">Es indudable que Marcos Pin hace la m\u00fasica que quiere por encima de presiones medi\u00e1ticas que parecen marcar el camino a seguir; para ello se vale de un quinteto de m\u00fasicos muy enteros y preparados que viajan a ese pasado donde el <em>hard bop<\/em> brillaba con luz propia, y lo hacen con frescura, imaginaci\u00f3n e inteligencia disfrutando y haciendo participes de su gozo a todos aquellos que quieran prestase a su encanto.<\/p>\n<p style=\"text-align: justify;\">Seis composiciones completan <em>Broken Artist<\/em>, de las cuales cinco son propias de Marcos Pin y una ajena, \u201cCarmen\u2019s Cal\u201d de Malcolm Stilton. Todas ellas caracterizadas por el buen gusto, la calidad indudable y la comuni\u00f3n con que se ensamblan a la perfecci\u00f3n todos los componentes.<\/p>\n<p style=\"text-align: justify;\">Destacar una composici\u00f3n sobre otra se me antoja complicado. El \u00e1lbum se abre con \u201cBlind Hope\u201d, pieza din\u00e1mica y <em>swingueante<\/em> que se adaptar\u00eda a la perfecci\u00f3n para un arreglo de <em>big band <\/em>y donde se suceden los solos de Pablo Castanho, Marcos Pin, Yago V\u00e1zquez y Alfonso Calvo en una clara demostraci\u00f3n del <em>hard bop<\/em> m\u00e1s recalcitrante.<\/p>\n<p style=\"text-align: justify;\">Continuamos con \u00abLullaby For My Two Boys\u00bb, una preciosa baladita exquisita y breve como un suave beso.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00abI Love You Too\u00bb sigue el camino abierto por \u00abBlind hope\u00bb y destaca por ser una pieza de solida conjunci\u00f3n entre todos los componentes, especialmente entre Pablo Castanho, Yago V\u00e1zquez y Marcos Pin, aderezada por una fina capa de <em>swing<\/em>.<\/p>\n<p style=\"text-align: justify;\">En \u00abCastanho&#8217;s Reed\u00bb los solos son brillantes y convincentes y ligeramente virados al <em>blues<\/em>.<\/p>\n<p style=\"text-align: justify;\">En \u00abCarmen&#8217;s Call\u00bb podemos hablar de intensidad y energ\u00eda con un Pablo Castanho quejumbroso y enrabietado con Yago V\u00e1zquez superlativo al piano y Marcos Pin conciliador, discursivo y dialogante.<\/p>\n<p style=\"text-align: justify;\">\u00abVulpecula\u00bb echa el cierre de manera pausada y comedida economizando las intervenciones que se suceden con precisi\u00f3n matem\u00e1tica y que hacen referencia a la constelaci\u00f3n del mismo nombre y cuyas estrellas bien pudieran ser los miembros del quinteto.<\/p>\n<p style=\"text-align: justify;\"><em>Broken Artist <\/em>es como los buenos vinos siempre nos dejan impregnados de su aroma y sabor instalados en nuestra memoria.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2016<\/p>\n<p style=\"text-align: justify;\">Marcos Pin:\u00a0<em>Broken Artist<\/em><\/p>\n<p style=\"text-align: justify;\">Composiciones: \u201cBlind Hope\u201d, \u201cLullaby For My Two Boys\u201d, \u201cI Love You Too\u201d, \u201cCastanho\u2019s Reed\u201d \u201cCarmen\u2019s Cal\u201d, y \u201cVulpecula\u201d.<br \/>\nM\u00fasica compuesta y arreglada por Marcos Pin, excepto \u201cCarmen\u2019s Cal\u201d de Malcolm Stilton<\/p>\n<p style=\"text-align: justify;\">M\u00fasicos: Marcos Pin (guitarra el\u00e9ctrica), Yago V\u00e1zquez (piano), Pablo Castanho (saxo alto y soprano), Alfonso Calvo (contrabajo) y Andr\u00e9s Rivas (bater\u00eda)<\/p>\n<p style=\"text-align: justify;\">Grabado el 21 de agosto de 2014 por Tom\u00e1s Angeitos en el estudio de A Ponte (Santiago de Compostela).Freecode Jazz Records en Mayo 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La car\u00e1tula de Broken Artist (imita a los singles de vinilo en una carpeta de cart\u00f3n en 17&#215;17 cm en una edici\u00f3n limitada a 150 ejemplares), parece reivindicar la posici\u00f3n actual del artista en la sociedad y m\u00e1s concretamente del m\u00fasico de jazz en el mundo y en Espa\u00f1a, algo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/marcos-pin-broken-artist-freecode-jazz-records-2016-cd\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":26331,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,15517,1038],"tags":[12121,17288,12651,15698,12676,304,10344,12696,16012,13,15699,12415,15295,15710,374,15307,15308,15309,17287,15306,16099,77,16100,7822],"class_list":["entry","author-pachi","post-26330","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-alfonso-calvo","tag-andres-rivas","tag-cd","tag-cd-de-jazz","tag-critica","tag-enrique-farelo","tag-freecode-jazz-records","tag-grabaciones","tag-grabaciones-de-jazz","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-la-actualidad-del-jazz-en-espana","tag-marcos-pin","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pablo-castanho","tag-resenas","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-yago-vazquez"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/marcos-Pin-Broken-Artist.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":102403,"url":"https:\/\/tomajazz.com\/web\/joachim-kuhn-echappee-2025\/","url_meta":{"origin":26330,"position":0},"title":"Joachim K\u00fchn: \u00c9chapp\u00e9e (Intakt Records; 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Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. Carlos Lara, Enrique Farelo y Pachi Tapiz lo entrevistan con tal ocasi\u00f3n","rel":"","context":"En \u00abEntrevistas...\u00bb","block_context":{"text":"Entrevistas...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/entrevistas-criticas\/"},"img":{"alt_text":"Entrevista con el guitarrista Rub\u00e9n Reinaldo a prop\u00f3sito de Fusi\u00f3n Ol\u00edvica. Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz] - Tomajazz - El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. Carlos Lara, Enrique Farelo y Pachi Tapiz lo entrevistan con tal ocasi\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26997,"url":"https:\/\/tomajazz.com\/web\/hdo-182-jazzxxxspain-2016-10-podcast\/","url_meta":{"origin":26330,"position":5},"title":"HDO 182. JazzXXXspain 2016-10 [Podcast]","author":"Tomajazz","date":"21 octubre, 2016","format":false,"excerpt":"Ni una, ni dos, ni tres, sino hasta ocho novedades discogr\u00e1ficas con m\u00fasicos nacionales son las que suenan en una entrega de HDO con pocas palabras y mucha m\u00fasica. En la escaleta del programa, adem\u00e1s de la voz de Pachi Tapiz antes de cada tema, se puede escuchar\u00a0Broken Artist (FreeCode\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Marcos-Pin_Broken-Artist_FreeCode-JazzRecords_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Marcos-Pin_Broken-Artist_FreeCode-JazzRecords_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Marcos-Pin_Broken-Artist_FreeCode-JazzRecords_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Marcos-Pin_Broken-Artist_FreeCode-JazzRecords_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=26330"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26330\/revisions"}],"predecessor-version":[{"id":26343,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26330\/revisions\/26343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/26331"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=26330"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=26330"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=26330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}