{"id":2648,"date":"2011-04-06T12:30:00","date_gmt":"2011-04-06T10:30:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2648"},"modified":"2016-05-21T20:32:27","modified_gmt":"2016-05-21T18:32:27","slug":"the-microscopic-septet-friday-the-thirteenth-cuneiform-records-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/the-microscopic-septet-friday-the-thirteenth-cuneiform-records-2010\/","title":{"rendered":"The Microscopic Septet: Friday the Thirteenth (Cuneiform Records, 2010)"},"content":{"rendered":"<div><a href=\"http:\/\/2.bp.blogspot.com\/-4ueoUZ_yOcA\/TZxL8r0dJfI\/AAAAAAAACm0\/LoxSym1TFKI\/s1600\/microscopic_septet_friday.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/2.bp.blogspot.com\/-4ueoUZ_yOcA\/TZxL8r0dJfI\/AAAAAAAACm0\/LoxSym1TFKI\/s1600\/microscopic_septet_friday.jpg\" alt=\"\" title=\"\"><\/a><\/div>\n<p><\/p>\n<div>Vuelve a ser lo de casi siempre: no es tan importante el qu\u00e9 sino el c\u00f3mo. Qu\u00e9 m\u00e1s da que The Microscopic Septet afronte todo un CD enfrent\u00e1ndose al repertorio de Thelonious Monk o al de quien sea. Lo importante es c\u00f3mo se ejecuta un repertorio m\u00e1s que conocido y reconocible. Qu\u00e9 estrategias creativas se utilizan.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<div>Y los <i>microsc\u00f3picos<\/i> aciertan de lleno. Sin pretender revolucionar excesivamente el legado de Monk se lo llevan a dar un paseo. En el camino logran que sin perder su esencia esos temas aparezcan recreados con distintos enfoques: no hay m\u00e1s que escuchar las versiones sobresalientes y tan distintas de cl\u00e1sicos como \u201cTeo\u201d, \u201cBrilliant Corners\u201d o \u201cMisterioso\u201d. En ello juegan un papel fundamental los los arreglos de Philipp Johnston y Joel Forrester que lo mismo reparten los diferentes solos, como crean unas partes en las que juegan con las sonoridades de los instrumentos (con momentos sublimes como la parte de los saxos y la bater\u00eda en \u201cFriday the 13th\u201d antes de lanzarse a los solos).<\/div>\n<div><\/div>\n<div>\u00a9 Pachi Tapiz, 2011<\/div>\n<div><\/div>\n<div>The Microscopic Septet: <i>Friday the Thirteenth<\/i>\n<\/div>\n<div><\/div>\n<div>Phillip Johnston (saxo soprano), Don Davis (saxo alto), Mike Hashim (saxo tenor), Dave Sewelson (saxo bar\u00edtono), Joel Forrester (piano), David Hofstra (contrabajo), Richard Dworkin (bater\u00eda)<\/div>\n<div><\/div>\n<div>1 \u201cBrilliant Corners\u201d, 2 \u201cFriday the 13th\u201d, 3 \u201cGallop\u2019s Gallop\u201d, 4 \u201cTeo\u201d, 5 \u201cPannonnica\u201d, 6 \u201cEvidence\u201d, 7 \u201cWe See\u201d, 8 \u201cOff Minor\u201d, 9 \u201cBye-Ya\u201d, 10 \u201cWorry Later\u201d, 11 \u201cMisterioso\u201d, 12 \u201cEpistrophy\u201d<\/div>\n<div>1, 2, 3, 4, 7 y 11 arreglados por Philip Johnston. 5, 6, 8, 10, 12 arreglados por Joel Forrester. 9 arreglado por Bob Montalto.<\/div>\n<div>Todos los temas por Thelonious Monk salvo 12 por Monk \/ Clarke.<\/div>\n<div><\/div>\n<div>Publicado en 2010 por Cuneiform Records. <a href=\"http:\/\/cuneiformrecords.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/cuneiformrecords.com<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Vuelve a ser lo de casi siempre: no es tan importante el qu\u00e9 sino el c\u00f3mo. Qu\u00e9 m\u00e1s da que The Microscopic Septet afronte todo un CD enfrent\u00e1ndose al repertorio de Thelonious Monk o al de quien sea. Lo importante es c\u00f3mo se ejecuta un repertorio m\u00e1s que conocido y<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/the-microscopic-septet-friday-the-thirteenth-cuneiform-records-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2648","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":16540,"url":"https:\/\/tomajazz.com\/web\/the-microscopic-septet-manhattan-moonrise-cuneiform-records-2014\/","url_meta":{"origin":2648,"position":0},"title":"The Microscopic Septet: Manhattan Moonrise (Cuneiform Records, 2014)","author":"Tomajazz","date":"23 enero, 2015","format":false,"excerpt":"Con su anterior disco Friday The 13th: The Micros Play Monk, The Microscopic Septet ya demostr\u00f3 ser una banda de alto voltaje en cuanto a sonoridad y r\u00edtmos claramente apegados a la tradici\u00f3n jazz\u00edstica, pero con un cierto toque de contemporaneidad. En su nueva propuesta, Manhattan Moonrise, hay reminiscencias de\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/The-Microscopic-Septet_Manhattan-Moonrise_Cuneiform_2014-e1421964053660.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29222,"url":"https:\/\/tomajazz.com\/web\/the-microscopic-septet-the-micros-play-the-blues-cuneiform-2017-cd\/","url_meta":{"origin":2648,"position":1},"title":"The Microscopic Septet: The Micros Play the Blues (Cuneiform, 2017) [CD]","author":"Tomajazz","date":"9 febrero, 2017","format":false,"excerpt":"Muchos artistas han alardeado de \u201cpadecer el blues\u201d. Bien es cierto que parece un manido clich\u00e9. Uno de los m\u00e1s enarbolados a lo largo de este siglo de m\u00fasica popular. M\u00fasicos de mayor o menor tallaje han narrado este sempiterno hast\u00edo de la vida. Desde Nina Simone a Ottis Redding\u2026","rel":"","context":"En \u00ab*_Cool Cat\u00bb","block_context":{"text":"*_Cool Cat","link":"https:\/\/tomajazz.com\/web\/category\/_cool-cat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/cover-copia-e1486505020900.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/cover-copia-e1486505020900.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/cover-copia-e1486505020900.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":40558,"url":"https:\/\/tomajazz.com\/web\/phillip-johnston-the-coolerators-diggin-bones-asynchronous-records-2018-cd\/","url_meta":{"origin":2648,"position":2},"title":"Phillip Johnston &#038; The Coolerators: Diggin&#8217; Bones (Asynchronous Records, 2018) [CD]","author":"Tomajazz","date":"19 diciembre, 2018","format":false,"excerpt":"Por\u00a0Carlos Lara. El compositor y saxofonista de Chicago Phillip Johnston, que capitanea el grupo de Nueva York The Microscopic Septet, ha unido fuerzas con tres m\u00fasicos australianos que se hacen llamar The Coolerators, los refrigeradores en espa\u00f1ol. Ya el nombre nos da una idea de que la m\u00fasica de este\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Phillip-Johnston-The-Coolerators-_%E2%80%93-Diggin-Bones.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Phillip-Johnston-The-Coolerators-_%E2%80%93-Diggin-Bones.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Phillip-Johnston-The-Coolerators-_%E2%80%93-Diggin-Bones.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Phillip-Johnston-The-Coolerators-_%E2%80%93-Diggin-Bones.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Phillip-Johnston-The-Coolerators-_%E2%80%93-Diggin-Bones.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":102624,"url":"https:\/\/tomajazz.com\/web\/meredith-monk-cellular-songs-ecm-2025\/","url_meta":{"origin":2648,"position":3},"title":"Meredith Monk: Cellular Songs (ECM; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"6 diciembre, 2025","format":false,"excerpt":"Cellular Songs (ECM; 2025) es lo nuevo de Meredith Monk en su 60\u00ba a\u00f1o de carrera. Pachi Tapiz repasa la grabaci\u00f3n. Con Meredith Monk, Ellen Fisher, Katie Geissinger, Joanna Lynn-Jacobs, Allison Sniffinm, John Hollenbeck","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Meredith Monk: Cellular Songs (ECM; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Cellular Songs (ECM; 2025) es lo nuevo de Meredith Monk en su 60\u00ba a\u00f1o de carrera. Pachi Tapiz repasa la grabaci\u00f3n. Con Meredith Monk,  Ellen Fisher, Katie Geissinger, Joanna Lynn-Jacobs, Allison Sniffinm, John Hollenbeck","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meredith-Monk-Cellular-Songs-ECM-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meredith-Monk-Cellular-Songs-ECM-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meredith-Monk-Cellular-Songs-ECM-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meredith-Monk-Cellular-Songs-ECM-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1400,"url":"https:\/\/tomajazz.com\/web\/future-jazz-howard-mandel-oxford-university-press-1999\/","url_meta":{"origin":2648,"position":4},"title":"FUTURE JAZZ. Howard Mandel. Oxford University Press (1999)","author":"Autor1","date":"19 mayo, 2011","format":false,"excerpt":"FUTURE JAZZ Autor: Howard Mandel Editorial: Oxford University Press (1999) ISBN: 0-19-506378-3 Idioma: ingl\u00e9s Controvertida obra del renombrado Howard Mandel, Future Jazz es un popurr\u00ed de entrevistas realizadas por el autor a lo largo de su carrera a aquellos m\u00fasicos considerados claves en el desarrollo del jazz actual. Los interesantes\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/mandel_future_jazz.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":72855,"url":"https:\/\/tomajazz.com\/web\/alba-careta-group-teia-jazzx5\/","url_meta":{"origin":2648,"position":5},"title":"\u00abSempre\u00bb [Alba Careta Group: Teia (Segell Microscopic, 2023)] Por Pachi Tapiz. JazzX5 #584 [Minipodcast de jazz]","author":"Tomajazz","date":"4 abril, 2023","format":false,"excerpt":"En JazzX5 #584 suena el tema \"Sempre\" de la grabaci\u00f3n Teia (Segell Microscopic, 2023) de Alba Careta Group. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"&#8220;Sempre&#8221; [Alba Careta Group: Teia (Segell Microscopic, 2023)] Por Pachi Tapiz. JazzX5 #584 [Minipodcast de jazz] - Tomajazz 9.0 - En JazzX5 #584 suena el tema \"Sempre\" de la grabaci\u00f3n Teia (Segell Microscopic, 2023) de Alba Careta Group. JazzX5 es un podcast de Pachi Tapiz.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/JazzX5-0584.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/JazzX5-0584.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/JazzX5-0584.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/JazzX5-0584.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2648"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2648\/revisions"}],"predecessor-version":[{"id":24556,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2648\/revisions\/24556"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}