{"id":2649,"date":"2011-04-05T16:00:00","date_gmt":"2011-04-05T14:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2649"},"modified":"2016-05-21T20:32:28","modified_gmt":"2016-05-21T18:32:28","slug":"honey-ear-trio-steampunk-serenade-foxhaven-records-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/honey-ear-trio-steampunk-serenade-foxhaven-records-2011\/","title":{"rendered":"Honey Ear Trio: Steampunk Serenade (Foxhaven Records, 2011)"},"content":{"rendered":"<div><a href=\"http:\/\/1.bp.blogspot.com\/-fBBJugRt_CU\/TZstyBn9WuI\/AAAAAAAACmk\/3O48wdmRcmU\/s1600\/honeyeartrio_steampunkserenade.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/1.bp.blogspot.com\/-fBBJugRt_CU\/TZstyBn9WuI\/AAAAAAAACmk\/3O48wdmRcmU\/s1600\/honeyeartrio_steampunkserenade.jpg\" alt=\"\" title=\"\"><\/a><\/div>\n<div>Vers\u00e1til la propuesta de Honey Ear Trio en <i>Steampunk Serenade<\/i>, su estreno discogr\u00e1fico. Sus tres componentes (Erik Lawrence en saxos, Rene Hart en contrabajo y electr\u00f3nica, y Allison Miller en bater\u00eda y percusi\u00f3n) se encargan de todas las composiciones salvo sendas versiones de \u201cOver The Rainbow\u201d y de \u201cSix Nettes\u201d de Lisa Parrott. En ellas muestran distintas influencias que les sirven para ir construyendo su muestrario estil\u00edstico.<br \/><a name=\"more\"><\/a> <\/div>\n<div><\/div>\n<div>En \u00e9l se hallan temas potentes como \u201cLuminesque\u201d o \u201cBeautiful Nightmare\u201d, abstractos como \u201cCollide-O-Scope\u201d, enso\u00f1adores como \u201cWindow Seat Nostalgia\u201d o de un corte m\u00e1s cercano al <i>rock <\/i>como el que da t\u00edtulo al disco. Tambi\u00e9n aparecen influencias del <i>blues <\/i>en \u201cHigh Water\u201d, del <i>hard-bop<\/i> en \u201cSix Nettes\u201d o de car\u00e1cter casi tradicional en \u201cEyjafjallajokull (Icelandic Volcano Hymn)\u201d. Una amplia variedad que aparece en todo momento apoyada en unas buenas composiciones y adornadas por el uso discreto pero efectivo de la electr\u00f3nica como complemento al trabajo de tres buenos instrumentistas. El resultado final es un estreno magn\u00edfico.<\/div>\n<div><\/div>\n<div>\u00a9 Pachi Tapiz, 2011<\/div>\n<div><\/div>\n<div>Honey Ear Trio: <i>Steampunk Serenade<\/i>\n<\/div>\n<div><\/div>\n<div>Erik Lawrence (saxos tenor, bar\u00edtono, alto y soprano), Rene Hart (contrabajo, electr\u00f3nica y <i>loops<\/i>), Allison Miller (bater\u00eda y percusi\u00f3n)<\/div>\n<div><\/div>\n<div>\u201cMatter Of Time\u201d (Erik Lawrence); \u201cOlney 60\/30\u201d (Allison Miller); \u201cSteampunk Serenade\u201d (Rene Hart); \u201cWhistle Stop\u201d (Erik Lawrence); \u201cHigh Water\u201d (Rene Hart); \u201cSix Nettes\u201d (Lisa Parrott); \u201cOver The Rainbow\u201d (Arlen, Harburg); \u201cLuminesque\u201d (Rene Hart); \u201cBeautiful Nightmare\u201d (Erik Lawrence); \u201cWeight Of Action\u201d (Erik Lawrence); \u201cEyjafjallajokull (Icelandic Volcano Hymn)\u201d (Erik Lawrence); \u201cCollide-O-Scope\u201d (Miller, Hart, Lawrence); \u201cWindow Seat Nostalgia\u201d  (Rene Hart)<\/div>\n<div><\/div>\n<div>Publicado en 2011 por Foxhaven Records. FX-70027. <a href=\"http:\/\/www.foxhavenrecords.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.foxhavenrecords.com<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Vers\u00e1til la propuesta de Honey Ear Trio en Steampunk Serenade, su estreno discogr\u00e1fico. Sus tres componentes (Erik Lawrence en saxos, Rene Hart en contrabajo y electr\u00f3nica, y Allison Miller en bater\u00eda y percusi\u00f3n) se encargan de todas las composiciones salvo sendas versiones de \u201cOver The Rainbow\u201d y de \u201cSix Nettes\u201d<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/honey-ear-trio-steampunk-serenade-foxhaven-records-2011\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2649","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2956,"url":"https:\/\/tomajazz.com\/web\/golden-serenades-hammond-pops\/","url_meta":{"origin":2649,"position":0},"title":"Golden Serenades: Hammond Pops","author":"Tomajazz","date":"11 enero, 2010","format":false,"excerpt":"Desde que John Hegre y J\u00f8rgen Tr\u00e6en creasen en 1999 el grupo Golden Serenades, lo suyo ha sido trabajar en el\u00a0noise, aplic\u00e1ndose especialmente en el desmantelamiento y la destrucci\u00f3n de instrumentos musicales: en 2007 destrozaron en una performance guitarras el\u00e9ctricas por valor de 5000 d\u00f3lares. En Hammond Pops el d\u00fao\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":14957,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-serenade-steve-miller-band-1976-336-25102014\/","url_meta":{"origin":2649,"position":1},"title":"Who the Fuck?: \u201cSerenade\u201d (Steve Miller Band, 1976) [336, 25\/10\/2014]","author":"Tomajazz","date":"25 octubre, 2014","format":false,"excerpt":"\"Serenade\" Steve Miller Band Fly Like An Eagle Capitol (1976)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Steve_Miller_Band_Fly_Like_an_Eagle.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2682,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-epic-handshakes-and-a-bear-hug-wild-honey-2009-0058-21022011\/","url_meta":{"origin":2649,"position":2},"title":"Who The Fuck?: Epic Handshakes And a Bear Hug (Wild Honey, 2009) [0058, 21\/02\/2011]","author":"Tomajazz","date":"21 febrero, 2011","format":false,"excerpt":"Wild Honey Epic Handshakes And a Bear HugLovemonk2009 Epic Handshakes And a Bear HugWild HoneyLovemonk (2009)","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-Wt0aNK3dsdI\/TWF_gsz_sbI\/AAAAAAAACZo\/7j6ii8zLz7Q\/s200\/wild_honey-epic_handshakes.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":60735,"url":"https:\/\/tomajazz.com\/web\/tomajazz-remembers-10-ramsey-lewis-loves-serenade-minipodcast-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":2649,"position":3},"title":"Tomajazz Remembers #10. Ramsey Lewis: \u201cLove\u2019s Serenade\u201d [Minipodcast de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"31 enero, 2022","format":false,"excerpt":"En la entrega n\u00famero 10 de Tomajazz Remembers, el tema elegido es \"Love's Serenade\" de Ramsey Lewis. Tomajazz Remembers es una secci\u00f3n de Juan F. Trillo.","rel":"","context":"En \u00abTomajazz Remembers (Podcast de jazz)\u00bb","block_context":{"text":"Tomajazz Remembers (Podcast de jazz)","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/a_time_to_remember\/"},"img":{"alt_text":"Tomajazz Remembers #10. Ramsey Lewis: \u201cLove\u2019s Serenade\u201d [Minipodcast de jazz] Por Juan F. Trillo","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/ATTR_010.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/ATTR_010.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/ATTR_010.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/ATTR_010.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":58735,"url":"https:\/\/tomajazz.com\/web\/jazzx5338-doug-macdonald-dearly-beloved-serenade-to-highland-park-dmacmusic-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2649,"position":4},"title":"JazzX5#338. Doug MacDonald: \u00abDearly Beloved\u00bb [Serenade to Highland Park (DMacMusic, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"19 noviembre, 2021","format":false,"excerpt":"En JazzX5 suena \"Dearly Beloved\" de Doug MacDonald. El tema aparece publicado en Serenade to Highland Park (DMacMusic, 2021). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Doug MacDonald JazzX5 338","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_338.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_338.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_338.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_338.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2627,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-depht-charge-ethel-no-pussy-blues-honey-bee-grinderman-2007-0070-09052011\/","url_meta":{"origin":2649,"position":5},"title":"Who The Fuck?: \u201cDepht Charge Ethel\u201d \/ \u201cNo Pussy Blues\u201d \/ \u201cHoney Bee\u201d (Grinderman, 2007) [0070, 09\/05\/2011]","author":"Tomajazz","date":"9 mayo, 2011","format":false,"excerpt":"\u201cDepht Charge Ethel\u201d \/ \u201cNo Pussy Blues\u201d \/ \u201cHoney Bee\u201dGrindermanGrindermanMute (2007)","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2649"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2649\/revisions"}],"predecessor-version":[{"id":24557,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2649\/revisions\/24557"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}