{"id":2654,"date":"2011-03-31T08:00:00","date_gmt":"2011-03-31T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2654"},"modified":"2016-05-21T20:32:31","modified_gmt":"2016-05-21T18:32:31","slug":"top-ten-numero-once-videos-para-la-conferencia-jazz-en-el-siglo-xxi","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/top-ten-numero-once-videos-para-la-conferencia-jazz-en-el-siglo-xxi\/","title":{"rendered":"Top Ten n\u00famero once: v\u00eddeos para la conferencia Jazz en el Siglo XXI"},"content":{"rendered":"
\"\"<\/a><\/div>\n

\u201cStruttin\u2019 with Some Barbecue\u201d. Sant Andreu Jazz Band. Jazzing Vol.2.<\/i>
\u201cEasy Money\u201d. Phil Woods & Barcelona Jazz Orchestra. Our Man Benny. Play The Music Of Benny Carter<\/i>
\u201cKid Rock Deluxe\u201d. Sex Mob
\u201cLithium\u201d (Nirvana). Brad Mehldau. Live In Marciac<\/i>
\u201cBasin Street Blues\u201d. Kid Koala
\u201cLes Petit Lits Blancs\u201d. Louis Sclavis – Henri Texier – Aldo Romano
\u201cFrom Gagarin\u2019s Point Of View\u201d. E.S.T.
<\/a>
\u201cBuler\u00eda\u201d. D\u20193 (Jorge Pardo – Francis Pos\u00e9 – Jos\u00e9 V\u00e1zquez \u201cRoper\u201d. Live at the Auditori Pau Casals, El Vendrell<\/i>
\u201cL\u00e1grimas Negras\u201d. Bebo Vald\u00e9s – Cachaito. Calle 54<\/i>
\u201cCome Away With Me\u201d. Norah Jones. Live In New Orleans<\/i>
\u201cMother\u2019s Son-in-Law\u201d. Dee Dee Bridgewater. Eleanora Fagan (1915-1959). To Billie With Love From Dee Dee Bridgewater<\/i>
\u201cSurface and Dream – Excerpt N\u00ba2\u201d. Matthew Shipp Quartet feat. Daniel Carter. Vision Vol. 3<\/i>
\u201cComposition No.358\u201d. Anthony Braxton 12+1-tet. 9 Compositions Iridium 2006<\/i>
\u00abNote from the Past\u201d. Hiromi\u2019s Sonic Bloom feat. David Fiuczynski. Live In Concert<\/i>
\u201cL\u2019histoire extraordinaire de madame veuve Kesckemet\u201d. Effet Vapeur. L\u2019Effet Vapeur joue sur des films d\u2019animation de Folimage<\/i>
\u201cEthiopia Hagere\u201d. G\u00e9tatchew Mekuriah – The Ex and Guests. 11 \u00c9thio-punk songs<\/i>

<\/i>
Lista de temas vistos (y escuchados) en la conferencia<\/span>\u00a0<\/span>Jazz en el Siglo XXI<\/i>.\u00a0XI Ciclo UPNA Jazz.\u00a0Pachi Tapiz. Pamplona, 30 de marzo de 2011.<\/p>\n

\u00a9 Pachi Tapiz, 2011<\/p>\n

Toda la informaci\u00f3n sobre el XI Ciclo UPNA NUP JAZZ:\u00a0http:\/\/www1.unavarra.es\/cultura\/programacion\/musica\/jazz-en-la-universidad<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cStruttin\u2019 with Some Barbecue\u201d. Sant Andreu Jazz Band. Jazzing Vol.2.\u201cEasy Money\u201d. Phil Woods & Barcelona Jazz Orchestra. Our Man Benny. Play The Music Of Benny Carter\u201cKid Rock Deluxe\u201d. Sex Mob\u201cLithium\u201d (Nirvana). Brad Mehldau. Live In Marciac\u201cBasin Street Blues\u201d. Kid Koala\u201cLes Petit Lits Blancs\u201d. Louis Sclavis – Henri Texier – AldoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2654","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2347,"url":"https:\/\/tomajazz.com\/web\/top-ten-19-videos-de-las-conferencias-jazz-en-el-siglo-xxi-version-2012\/","url_meta":{"origin":2654,"position":0},"title":"Top Ten #19: V\u00eddeos de las conferencias Jazz en el Siglo XXI (versi\u00f3n 2012)","author":"Tomajazz","date":"25 abril, 2012","format":false,"excerpt":"Pr\u00f3logo:\"The Count Blues\". Count Basie All Stars. The Sound of Jazz\"Fine and Mellow\". Billie Holiday with Mal Waldron All Stars.\u00a0The Sound of JazzJazz en el Siglo XXI:\u201cStruttin\u2019 with Some Barbecue\u201d. Sant Andreu Jazz Band. Jazzing Vol.2. 4:34\u201cEasy Money\u201d. Phil Woods & Barcelona Jazz Orchestra. Our Man Benny. Play The Music\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":19419,"url":"https:\/\/tomajazz.com\/web\/jazz-ii-la-odisea-de-la-musica-afroamericana-capitulo-013-podcast\/","url_meta":{"origin":2654,"position":1},"title":"Jazz II. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 013) [Podcast]","author":"Tomajazz","date":"31 agosto, 2015","format":"audio","excerpt":"El cap\u00edtulo 13 de La Odisea de la M\u00fasica Afroamericana (LODLMA) es el segundo de los dedicados al jazz. Luis Escalante Ozalla se centra en los inicios y los pioneros. En el programa hay referencias a Buddy Bolden y a The Original Dixieland Jazz Band, entre otros muchos m\u00fasicos y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32297,"url":"https:\/\/tomajazz.com\/web\/cole-porter-iii-los-compositores-del-tin-pan-alley-xix-la-odisea-de-la-musica-afroamericana-112-podcast\/","url_meta":{"origin":2654,"position":2},"title":"Cole Porter (III). Los compositores del Tin Pan Alley (XIX). La Odisea de la M\u00fasica Afroamericana (112) [Podcast]","author":"Tomajazz","date":"18 septiembre, 2017","format":false,"excerpt":"La entrega 112 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla es la tercera dedicada a Cole Porter, uno de los compositores m\u00e1s importantes en la historia del jazz. Contin\u00faa el recorrido alfab\u00e9tico por alguna de sus grandes composiciones, como \"Love for Sale\" o \"I've Got You\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Cole_porter_30s.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":37173,"url":"https:\/\/tomajazz.com\/web\/el-jazz-moderno-ii-introduccion-la-odisea-de-la-musica-afroamericana-150-podcast\/","url_meta":{"origin":2654,"position":3},"title":"El jazz moderno (II): introducci\u00f3n. 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Desde Tomajazz le rendimos homenaje con una cita y una fotograf\u00eda de Sergio Cabanillas","rel":"","context":"En \u00abArt\u00edculos...\u00bb","block_context":{"text":"Art\u00edculos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/articulos\/"},"img":{"alt_text":"Benny Golson.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/benny_golson_3338_cabanijazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2654"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2654\/revisions"}],"predecessor-version":[{"id":24562,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2654\/revisions\/24562"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}