{"id":2668,"date":"2011-03-10T23:30:00","date_gmt":"2011-03-10T22:30:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2668"},"modified":"2016-11-13T17:22:04","modified_gmt":"2016-11-13T16:22:04","slug":"top-ten-numero-10-recordando-algunos-discos-de-naxos-primera-parte","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/top-ten-numero-10-recordando-algunos-discos-de-naxos-primera-parte\/","title":{"rendered":"Top Ten n\u00famero 10: recordando algunos discos de Naxos (Primera parte)"},"content":{"rendered":"<div><\/div>\n<div style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13937 size-full\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span.jpg\" alt=\"new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span\" width=\"150\" height=\"150\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span-54x55.jpg 54w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>A finales de la d\u00e9cada de los a\u00f1os 90 Naxos (sello especialista en publicar obras de m\u00fasica cl\u00e1sica de buena calidad a un precio reducido) lanz\u00f3 su serie Naxos Jazz. Su precio econ\u00f3mico (CD reci\u00e9n grabados costaban unas mil pesetas &#8211; seis euros), un dise\u00f1o atractivo con pinturas abstractas en las portadas (antes de cambiar a las fotograf\u00edas en sus \u00faltimas referencias), algunos nombres conocidos (unos m\u00e1s que otros) entre los m\u00fasicos y un cat\u00e1logo variado con unas cincuenta referencias sirvieron de peque\u00f1o oasis para los o\u00eddos, y tambi\u00e9n para el bolsillo, en unos momentos en que Internet no ten\u00eda la penetraci\u00f3n que tiene ahora en nuestras vidas y antes de que la crisis de las industrias discogr\u00e1ficas se llevase por delante mucho de lo que se ha llevado. Entre otras cosas unos precios abusivos o la publicaci\u00f3n en vinilo (en esos momentos el CD era el no va m\u00e1s de la calidad sonora, los LP unos\u00a0arca\u00edsmos\u00a0a extinguir).<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Esta primera selecci\u00f3n es un peque\u00f1o homenaje a ese sello que tantos buenos momentos me procur\u00f3.<\/div>\n<ul>\n<li>\u00abI Don&#8217;t Know This World Without Don Cherry\u00bb. New York Jazz Collective.<i>\u00a0I Don&#8217;t Know This World Without Don Cherry<\/i>\u00a0(1997)<br \/>\nMarty Ehrlich, Baikida Carroll, Frank Lacy, Michael Formanek, Mike Nock, Pheeroan ak Laff<\/li>\n<li>\u00abFootprints\u00bb. Lars Moller. <i>Kaleidoscope<\/i> (1998)<br \/>\nLars Moller, Jacob Christoffersen, Thomas Ovesen, Ole Theill<\/li>\n<li>\u00abPeppi (H\u00e4r kommer Pippi Langstrump)\u00bb. Lenni-Kalle Taipale Trio. <i>Nothing to Hide<\/i> (1998)<br \/>\nLenni-Kalle Taipale, Sami J\u00e4rvinen, Timo Tuppurainen<\/li>\n<li>\u00abCompassion\u00bb. Fran\u00e7ois Carrier Trio + 1. <i>Compassion<\/i> (2000)<br \/>\nFran\u00e7ois Carrier, Pierre C\u00f4t\u00e9, Michel Lambert, Steve Amirault<\/li>\n<li>\u00abEh-Leigh\u00bb. Tyrone Brown String Sextet. <i>Song of the Sun<\/i> (2000)<br \/>\nTyrone Brown, John Blake, Melissa Ortega, Beth Dzwil, Nina Cottman, Ron Lipscomb, William &#8216;Duke&#8217; Wilson<\/li>\n<li>\u00abGlimpse\u00bb. Los Angeles Jazz Quartet. <i>Conversation Piece<\/i> (1999)<br \/>\nChuck Manning, Larry Koonse, Darek &#8216;Oles&#8217; Oleszkiewicz, Kevin Tullius<\/li>\n<li>\u00abThe Cats of Ulthar\u00bb. Tom Christensen. <i>Gualala<\/i>\u00a0(2000)<br \/>\nTom Christensen, Charles Pillow, Satoshi Takeishi, Ben Allison<\/li>\n<li>\u00abWhat Is This?\u00bb. UMO Jazz Orchestra. <i>UMO Jazz Orchestra<\/i> (1997)<\/li>\n<li>\u00abGreat Balls of Fire\u00bb. Barbara Sfraga. <i>Oh, What A Thrill<\/i> (1999)<br \/>\nBarbara Sfraga, Bruce Saunders, David Berkman, John Hebert, Eric Halvorson<\/li>\n<li>\u00abPaper Spoons\u00bb. David Phillips and Freedance. <i>David Phillips and Freedance<\/i> (2000). David Phillips, Rez Abbasi, John O&#8217;Gallagher, Tony Moreno<\/li>\n<\/ul>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2011<\/p>\n<p>El cat\u00e1logo al completo en\u00a0<a href=\"http:\/\/www.naxos.com\/labels\/naxos_jazz-cd.htm\" target=\"_blank\" rel=\"noopener\">http:\/\/www.naxos.com\/labels\/naxos_jazz-cd.htm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A finales de la d\u00e9cada de los a\u00f1os 90 Naxos (sello especialista en publicar obras de m\u00fasica cl\u00e1sica de buena calidad a un precio reducido) lanz\u00f3 su serie Naxos Jazz. Su precio econ\u00f3mico (CD reci\u00e9n grabados costaban unas mil pesetas &#8211; seis euros), un dise\u00f1o atractivo con pinturas abstractas en<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/top-ten-numero-10-recordando-algunos-discos-de-naxos-primera-parte\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":13937,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17847,4313,1038,4758],"tags":[10508,10532,9925,10520,10533,10530,10525,10527,8397,10536,10535,10534,10496,10501,552,10505,10518,353,9117,10528,10526,10504,10512,10511,10524,5694,10519,7673,10497,10509,7770,10503,10521,10507,31,10510,10499,10537,10522,10513,9920,10515,10506,10514,10529,16099,77,16100,10538,6602,10517,10516,10531,10523],"class_list":["entry","author-pachi","post-2668","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-baikida-carroll","tag-barbara-sfraga","tag-ben-allison","tag-beth-dzwil","tag-bruce-saunders","tag-charles-pillow","tag-chuck-manning","tag-darek-oles-oleszkiewicz","tag-david-berkman","tag-david-phillips","tag-david-phillips-and-freedance","tag-eric-halvorson","tag-francois-carrier","tag-francois-carrier-trio-1","tag-frank-lacy","tag-jacob-christoffersen","tag-john-blake","tag-john-hebert","tag-john-ogallagher","tag-kevin-tullius","tag-larry-koonse","tag-lars-moller","tag-lenni-kalle-taipale","tag-lenni-kalle-taipale-trio","tag-los-angeles-jazz-quartet","tag-marty-ehrlich","tag-melissa-ortega","tag-michael-formanek","tag-michel-lambert","tag-mike-nock","tag-naxos","tag-new-york-jazz-collective","tag-nina-cottman","tag-ole-theill","tag-pachi-tapiz","tag-pheeroan-ak-laff","tag-pierre-cote","tag-rez-abbasi","tag-ron-lipscomb","tag-sami-jarvinen","tag-satoshi-takeishi","tag-steve-amirault","tag-thomas-ovesen","tag-timo-tuppurainen","tag-tom-christensen","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-moreno","tag-top-ten","tag-tyrone-brown","tag-tyrone-brown-string-sextet","tag-umo-jazz-orchestra","tag-william-duke-wilson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2668"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2668\/revisions"}],"predecessor-version":[{"id":13938,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2668\/revisions\/13938"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13937"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}