{"id":2668,"date":"2011-03-10T23:30:00","date_gmt":"2011-03-10T22:30:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2668"},"modified":"2016-11-13T17:22:04","modified_gmt":"2016-11-13T16:22:04","slug":"top-ten-numero-10-recordando-algunos-discos-de-naxos-primera-parte","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/top-ten-numero-10-recordando-algunos-discos-de-naxos-primera-parte\/","title":{"rendered":"Top Ten n\u00famero 10: recordando algunos discos de Naxos (Primera parte)"},"content":{"rendered":"<div><\/div>\n<div style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13937 size-full\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span.jpg\" alt=\"new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span\" width=\"150\" height=\"150\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span-54x55.jpg 54w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>A finales de la d\u00e9cada de los a\u00f1os 90 Naxos (sello especialista en publicar obras de m\u00fasica cl\u00e1sica de buena calidad a un precio reducido) lanz\u00f3 su serie Naxos Jazz. Su precio econ\u00f3mico (CD reci\u00e9n grabados costaban unas mil pesetas &#8211; seis euros), un dise\u00f1o atractivo con pinturas abstractas en las portadas (antes de cambiar a las fotograf\u00edas en sus \u00faltimas referencias), algunos nombres conocidos (unos m\u00e1s que otros) entre los m\u00fasicos y un cat\u00e1logo variado con unas cincuenta referencias sirvieron de peque\u00f1o oasis para los o\u00eddos, y tambi\u00e9n para el bolsillo, en unos momentos en que Internet no ten\u00eda la penetraci\u00f3n que tiene ahora en nuestras vidas y antes de que la crisis de las industrias discogr\u00e1ficas se llevase por delante mucho de lo que se ha llevado. Entre otras cosas unos precios abusivos o la publicaci\u00f3n en vinilo (en esos momentos el CD era el no va m\u00e1s de la calidad sonora, los LP unos\u00a0arca\u00edsmos\u00a0a extinguir).<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Esta primera selecci\u00f3n es un peque\u00f1o homenaje a ese sello que tantos buenos momentos me procur\u00f3.<\/div>\n<ul>\n<li>\u00abI Don&#8217;t Know This World Without Don Cherry\u00bb. New York Jazz Collective.<i>\u00a0I Don&#8217;t Know This World Without Don Cherry<\/i>\u00a0(1997)<br \/>\nMarty Ehrlich, Baikida Carroll, Frank Lacy, Michael Formanek, Mike Nock, Pheeroan ak Laff<\/li>\n<li>\u00abFootprints\u00bb. Lars Moller. <i>Kaleidoscope<\/i> (1998)<br \/>\nLars Moller, Jacob Christoffersen, Thomas Ovesen, Ole Theill<\/li>\n<li>\u00abPeppi (H\u00e4r kommer Pippi Langstrump)\u00bb. Lenni-Kalle Taipale Trio. <i>Nothing to Hide<\/i> (1998)<br \/>\nLenni-Kalle Taipale, Sami J\u00e4rvinen, Timo Tuppurainen<\/li>\n<li>\u00abCompassion\u00bb. Fran\u00e7ois Carrier Trio + 1. <i>Compassion<\/i> (2000)<br \/>\nFran\u00e7ois Carrier, Pierre C\u00f4t\u00e9, Michel Lambert, Steve Amirault<\/li>\n<li>\u00abEh-Leigh\u00bb. Tyrone Brown String Sextet. <i>Song of the Sun<\/i> (2000)<br \/>\nTyrone Brown, John Blake, Melissa Ortega, Beth Dzwil, Nina Cottman, Ron Lipscomb, William &#8216;Duke&#8217; Wilson<\/li>\n<li>\u00abGlimpse\u00bb. Los Angeles Jazz Quartet. <i>Conversation Piece<\/i> (1999)<br \/>\nChuck Manning, Larry Koonse, Darek &#8216;Oles&#8217; Oleszkiewicz, Kevin Tullius<\/li>\n<li>\u00abThe Cats of Ulthar\u00bb. Tom Christensen. <i>Gualala<\/i>\u00a0(2000)<br \/>\nTom Christensen, Charles Pillow, Satoshi Takeishi, Ben Allison<\/li>\n<li>\u00abWhat Is This?\u00bb. UMO Jazz Orchestra. <i>UMO Jazz Orchestra<\/i> (1997)<\/li>\n<li>\u00abGreat Balls of Fire\u00bb. Barbara Sfraga. <i>Oh, What A Thrill<\/i> (1999)<br \/>\nBarbara Sfraga, Bruce Saunders, David Berkman, John Hebert, Eric Halvorson<\/li>\n<li>\u00abPaper Spoons\u00bb. David Phillips and Freedance. <i>David Phillips and Freedance<\/i> (2000). David Phillips, Rez Abbasi, John O&#8217;Gallagher, Tony Moreno<\/li>\n<\/ul>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2011<\/p>\n<p>El cat\u00e1logo al completo en\u00a0<a href=\"http:\/\/www.naxos.com\/labels\/naxos_jazz-cd.htm\" target=\"_blank\" rel=\"noopener\">http:\/\/www.naxos.com\/labels\/naxos_jazz-cd.htm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A finales de la d\u00e9cada de los a\u00f1os 90 Naxos (sello especialista en publicar obras de m\u00fasica cl\u00e1sica de buena calidad a un precio reducido) lanz\u00f3 su serie Naxos Jazz. Su precio econ\u00f3mico (CD reci\u00e9n grabados costaban unas mil pesetas &#8211; seis euros), un dise\u00f1o atractivo con pinturas abstractas en<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/top-ten-numero-10-recordando-algunos-discos-de-naxos-primera-parte\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":13937,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[10508,10532,9925,10520,10533,10530,10525,10527,8397,10536,10535,10534,10496,10501,552,10505,10518,353,9117,10528,10526,10504,10512,10511,10524,5694,10519,7673,10497,10509,7770,10503,10521,10507,31,10510,10499,10537,10522,10513,9920,10515,10506,10514,10529,16099,77,16100,10538,6602,10517,10516,10531,10523],"class_list":["entry","author-pachi","post-2668","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-baikida-carroll","tag-barbara-sfraga","tag-ben-allison","tag-beth-dzwil","tag-bruce-saunders","tag-charles-pillow","tag-chuck-manning","tag-darek-oles-oleszkiewicz","tag-david-berkman","tag-david-phillips","tag-david-phillips-and-freedance","tag-eric-halvorson","tag-francois-carrier","tag-francois-carrier-trio-1","tag-frank-lacy","tag-jacob-christoffersen","tag-john-blake","tag-john-hebert","tag-john-ogallagher","tag-kevin-tullius","tag-larry-koonse","tag-lars-moller","tag-lenni-kalle-taipale","tag-lenni-kalle-taipale-trio","tag-los-angeles-jazz-quartet","tag-marty-ehrlich","tag-melissa-ortega","tag-michael-formanek","tag-michel-lambert","tag-mike-nock","tag-naxos","tag-new-york-jazz-collective","tag-nina-cottman","tag-ole-theill","tag-pachi-tapiz","tag-pheeroan-ak-laff","tag-pierre-cote","tag-rez-abbasi","tag-ron-lipscomb","tag-sami-jarvinen","tag-satoshi-takeishi","tag-steve-amirault","tag-thomas-ovesen","tag-timo-tuppurainen","tag-tom-christensen","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-moreno","tag-top-ten","tag-tyrone-brown","tag-tyrone-brown-string-sextet","tag-umo-jazz-orchestra","tag-william-duke-wilson"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/new_york_jazz_collective-i_dont_know_this_world_without_don_cherry_span.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21608,"url":"https:\/\/tomajazz.com\/web\/seattle-1956-jazz-at-the-philarmonic-hdo-0055-audioblog\/","url_meta":{"origin":2668,"position":0},"title":"Seattle 1956. Jazz At The Philharmonic. HDO (0055) [Audioblog]","author":"Tomajazz","date":"30 diciembre, 2015","format":"audio","excerpt":"El jazz como una fiesta. La fiesta de las giras y conciertos de los espect\u00e1culos Jazz At The Philharmonic promovidos por el empresario Norman Granz que tuvieron lugar entre mediados de los a\u00f1os 40 y el inicio de la d\u00e9cada de los a\u00f1os 80 del pasado siglo. En el caso\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2587,"url":"https:\/\/tomajazz.com\/web\/francois-carrier-alexey-lapin-michel-lambert-inner-spire-leo-records-2011\/","url_meta":{"origin":2668,"position":1},"title":"Fran\u00e7ois Carrier \/ Alexey Lapin \/ Michel Lambert: Inner Spire (Leo Records, 2011)","author":"Tomajazz","date":"28 junio, 2011","format":false,"excerpt":"John Coltrane es un elemento inspirador constante en la obra del saxofonista canadiense Fran\u00e7ois Carrier. Efectivamente, as\u00ed ocurre en la magn\u00edfica improvisaci\u00f3n que da t\u00edtulo a Inner Spire, su \u00faltima grabaci\u00f3n en Leo Records. Un CD que en poco m\u00e1s de cincuenta minutos incluye cinco improvisaciones grabadas en Moscu en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Fran\u00e7ois Carrier-Alexey Lapin-Michel Lambert_Inner Spire_Leo Records_2011","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/Fran%C3%A7ois-Carrier-Alexey-Lapin-Michel-Lambert_Inner-Spire_Leo-Records_2011.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":21272,"url":"https:\/\/tomajazz.com\/web\/francois-carrier-michel-lambert-improvisando-por-libre-hdo-0047-audioblog\/","url_meta":{"origin":2668,"position":2},"title":"Fran\u00e7ois Carrier &#8211; Michel Lambert: Outgoing \/ Unknowable \/ io (CD; 2015) AKA Improvisando por libre. HDO (0047) [Audioblog]","author":"Tomajazz","date":"11 diciembre, 2015","format":"audio","excerpt":"El saxofonista Fran\u00e7ois Carrier y al baterista Michel Lambert tienen una larga trayectoria conjunta que se mueve dentro de la improvisaci\u00f3n con una fuerte base en el free jazz. Seg\u00fan comenta el propio Carrier en las notas de OUTgoing (FMR), acostumbra a grabar todos sus conciertos. A partir de esos\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"OUTgoing","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/OUTgoing-200x200.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":47434,"url":"https:\/\/tomajazz.com\/web\/francois-carrier-trio-jazz-circulo-2019-madrid-concierto\/","url_meta":{"origin":2668,"position":3},"title":"Fran\u00e7ois Carrier Tr\u00edo (Jazz C\u00edrculo 2019, Madrid) [Concierto]","author":"Tomajazz","date":"27 noviembre, 2019","format":false,"excerpt":"Enrique Farelo y Carlos Lara dan f\u00e9 del concierto de Fran\u00e7ois Carrier Tr\u00edo en Jazz C\u00edrculo 2019 de Madrid: \"un concierto de tres creadores dispuestos a dar lo m\u00e1ximo al p\u00fablico y sin duda que lo consiguieron\".","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Fran%C3%A7ois-Carrier-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Fran%C3%A7ois-Carrier-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Fran%C3%A7ois-Carrier-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/04_Fran%C3%A7ois-Carrier-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2401,"url":"https:\/\/tomajazz.com\/web\/francois-carrier-michel-lambert-alexey-lapin-in-motion-leo-records-2012\/","url_meta":{"origin":2668,"position":4},"title":"Fran\u00e7ois Carrier, Michel Lambert, Alexey Lapin: In Motion (Leo Records, 2012)","author":"Tomajazz","date":"24 febrero, 2012","format":false,"excerpt":"Que en el a\u00f1o 2010 se vea proyectada por un saxofonista canadiense en suelo ruso \u2014o antiguo suelo sovi\u00e9tico, ahora que el capitalismo todo lo destroza\u2014, habla de lo alargada (infinita le parece a uno) que es la sombra de John Coltrane. Vive con ella, que no de ella, Fran\u00e7ois\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Carrier - Lambert - Lapin_In Motion","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/Carrier-Lambert-Lapin_In-Motion.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2661,"url":"https:\/\/tomajazz.com\/web\/francois-carrier-trio-1-entrance-3-ayler-records-2011\/","url_meta":{"origin":2668,"position":5},"title":"Fran\u00e7ois Carrier Trio +1: Entrance 3 (Ayler Records, 2011)","author":"Tomajazz","date":"18 marzo, 2011","format":false,"excerpt":"\u00bfQu\u00e9 extra\u00f1os motivos son los que provocan que grabaciones como Entrance 3 se queden a la espera de ser editadas durante casi diez a\u00f1os? En ella el saxofonista Fran\u00e7ois Carrier interpretaba en cuarteto y en directo en el Festival de Jazz de Vancouver cuatro temas incluidos en su disco de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"francois_carrier-entrance_3","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/francois_carrier-entrance_3.gif?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2668"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2668\/revisions"}],"predecessor-version":[{"id":13938,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2668\/revisions\/13938"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13937"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}