{"id":26811,"date":"2016-10-10T11:07:57","date_gmt":"2016-10-10T09:07:57","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=26811"},"modified":"2018-05-05T20:44:55","modified_gmt":"2018-05-05T18:44:55","slug":"duke-ellington-iv-la-odisea-de-la-musica-afroamericana-067-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/duke-ellington-iv-la-odisea-de-la-musica-afroamericana-067-podcast\/","title":{"rendered":"Duke Ellington (IV). La Odisea de la M\u00fasica Afroamericana (067) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">Cuarta entrega dedicada a <strong>Duke Ellington<\/strong> por <strong>Luis<\/strong> <strong>Escalante<\/strong> en <em>La Odisea de la M\u00fasica Afroamericana<\/em>. El programa n\u00famero 67,\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?p=26691\" target=\"_blank\">tal y como suced\u00eda\u00a0en el episodio anterior<\/a>,\u00a0est\u00e1 dedicada a algunos de los grandes m\u00fasicos que integraron las distintas formaciones de sus orquestas como <strong>Lawrence<\/strong> <strong>Brown<\/strong>, <strong>Harry<\/strong> <strong>Carney<\/strong> (un m\u00fasico que permaneci\u00f3 fiel a lo largo de toda su carrera), y\u00a0<strong>Johnny<\/strong> <strong>Hodges<\/strong> (considerado como el mejor solista de todas las orquestas del Duque). Tambi\u00e9n hay un hueco para conocer a\u00a0<strong>Mercer Ellington<\/strong>. <strong>John<\/strong> <strong>Pizzarelli<\/strong> y <strong>Vince<\/strong> <strong>Jones<\/strong> suenan al principio y al final del programa.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_13243325\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_13243325_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><center><\/center><center><\/center><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-26813\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/DukeEllingtonStamp1986.jpg\" alt=\"dukeellingtonstamp1986\" width=\"240\" height=\"379\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/DukeEllingtonStamp1986.jpg 240w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/DukeEllingtonStamp1986-95x150.jpg 95w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/DukeEllingtonStamp1986-190x300.jpg 190w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/DukeEllingtonStamp1986-35x55.jpg 35w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/center><\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 67 suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cMy baby just cares for me\u201d John Pizzarelli<\/li>\n<li style=\"text-align: justify;\">\u201cLittle posey\u201d Duke Ellington &amp; Lawrence Brown<\/li>\n<li style=\"text-align: justify;\">\u201cCreole blues\u201d Duke Ellington &amp; Lawrence Brown<\/li>\n<li style=\"text-align: justify;\">\u201cPerdido\u201d Duke Ellington &amp; Harry Carney<\/li>\n<li style=\"text-align: justify;\">\u201cSomething to live for\u201d Duke Ellington &amp; Harry Carney<\/li>\n<li style=\"text-align: justify;\">\u201cC jam blues\u201d Duke Ellington &amp; Paul Gonsalves<\/li>\n<li style=\"text-align: justify;\">\u201cTake the A train\u201d Duke Ellington &#8211; Paul Gonsalves &#8211; Betty Roche<\/li>\n<li style=\"text-align: justify;\">\u201cNever no lament\u201d Duke Ellington &amp; Johnny Hodges<\/li>\n<li style=\"text-align: justify;\">\u201cThings ain\u00b4t what they used to be\u201d Duke Ellington &amp; Johnny Hodges<\/li>\n<li style=\"text-align: justify;\">\u201cThe star crossed lovers\u201d Duke Ellington &amp; Johnny Hodges<\/li>\n<li style=\"text-align: justify;\">\u201cBig shoe\u201d Duke Ellington &#8211; Johnny Hodges &amp; Cia.<\/li>\n<li style=\"text-align: justify;\">\u201cBig city\u201d Vince Jones<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cuarta entrega dedicada a Duke Ellington por Luis Escalante en La Odisea de la M\u00fasica Afroamericana. El programa n\u00famero 67, tal y como suced\u00eda en el episodio anterior, est\u00e1 dedicada a algunos de los grandes m\u00fasicos que integraron las distintas formaciones de sus orquestas como Lawrence Brown, Harry Carney (un m\u00fasico que permaneci\u00f3 fiel a lo largo de toda su carrera), y Johnny Hodges (considerado como el mejor solista de todas las orquestas del Duque). <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/duke-ellington-iv-la-odisea-de-la-musica-afroamericana-067-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":26813,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[13370,17514,6637,17511,17510,17512,15128,17515,17513,17519,8631,5360,13,15375,12415,15295,15278,262,15710,12817,9584,13072,15469,12905,12816,8069,12818,15310,15470,15709,15711,16099,77,16100,14598],"class_list":["entry","author-pachi","has-excerpt","post-26811","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-betty-roche","tag-duke-ellington","tag-duke-ellington-harry-carney","tag-duke-ellington-lawrence-brown","tag-duke-ellington-paul-gonsalves","tag-duke-ellington-johnny-hodges","tag-duke-ellington-johnny-hodges-cia","tag-duke-ellington-paul-gonsalves-betty-roche","tag-duke-ellington-en-la-odisea-de-la-musica-afroamericana","tag-harry-carney","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-john-pizzarelli","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lawrence-brown","tag-lodlma","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-paul-gonsalves","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vince-jones"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/DukeEllingtonStamp1986.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26903,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-v-la-odisea-de-la-musica-afroamericana-068-podcast\/","url_meta":{"origin":26811,"position":0},"title":"Duke Ellington (V). La Odisea de la M\u00fasica Afroamericana (068) [Podcast]","author":"Tomajazz","date":"17 octubre, 2016","format":false,"excerpt":"La quinta entrega de La Odisea de la M\u00fasica Afroamericana dedicada a la figura de Duke Ellington contin\u00faa realizando un repaso por los grandes solistas de las orquestas del Duque. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_Aventure_du_Jazz-e1476618183564.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_Aventure_du_Jazz-e1476618183564.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_Aventure_du_Jazz-e1476618183564.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_Aventure_du_Jazz-e1476618183564.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26386,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-i-la-odisea-de-la-musica-afroamericana-064-podcast\/","url_meta":{"origin":26811,"position":1},"title":"Duke Ellington (I). La Odisea de la M\u00fasica Afroamericana (064) [Podcast]","author":"Tomajazz","date":"19 septiembre, 2016","format":false,"excerpt":"El programa n\u00famero 64 de La Odisea de La M\u00fasica Afroamericana es el primero dedicado a Duke Ellington, un m\u00fasico que ya hab\u00eda sido mencionado numerosas veces con anterioridad en el programa de Luis Escalante. Los inicios de la carrera de Ellington, el sonido jungle y una revisi\u00f3n de distintas\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_at_the_Hurricane_Club_1943_Gordon-Parks.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":56256,"url":"https:\/\/tomajazz.com\/web\/jazzx5234-duke-ellington-solitude-masterpieces-by-ellington-columbia-1951-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":26811,"position":2},"title":"JazzX5#234. Duke Ellington: \u00abSolitude\u00bb [Masterpieces by Ellington (Columbia, 1951)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"8 agosto, 2021","format":false,"excerpt":"En 1951 Duke Ellington recuperaba algunos de sus cl\u00e1sicos aprovechando las posibilidades del LP. En JazzX5 suena \"Solitude\", publicado en Masterpieces by Ellington.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_234.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26691,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-iii-la-odisea-de-la-musica-afroamericana-066-podcast\/","url_meta":{"origin":26811,"position":3},"title":"Duke Ellington (III). La Odisea de la M\u00fasica Afroamericana (066) [Podcast]","author":"Tomajazz","date":"3 octubre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. La entrega\u00a0n\u00famero\u00a066 de La Odisea de la M\u00fasica Afroamericana, es la tercera dedicada a Duke Ellington. Luis Escalante\u00a0contin\u00faa repasando su\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_2_Gordon-Parks.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_2_Gordon-Parks.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_2_Gordon-Parks.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30863,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-prelude-to-a-kiss-duke-ellington-159\/","url_meta":{"origin":26811,"position":4},"title":"365 razones para amar el jazz: un tema. Prelude to a Kiss (Duke Ellington) [159]","author":"Tomajazz","date":"8 junio, 2017","format":false,"excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Un tema. \"Prelude to a Kiss\" (Duke Ellington, 1939) Seleccionado por\u00a0Luis Escalante Ozalla \u00a0 Duke Ellington Orchestra. Duke Ellington, Jimmy Woode, Sam Woodyard, Cat Anderson, Shorty Baker, Willie Cook, Clark Terry, Ray Nance, Quentin Jackson, Britt Woodman, John Sanders, Johnny Hodges, Rick Henderson, Jimmy\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Duke_Ellington_Indigos_CD-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":26457,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-ii-la-odisea-de-la-musica-afroamericana-065-podcast\/","url_meta":{"origin":26811,"position":5},"title":"Duke Ellington (II). La Odisea de la M\u00fasica Afroamericana (065) [Podcast]","author":"Tomajazz","date":"26 septiembre, 2016","format":false,"excerpt":"Segunda entrega, la n\u00famero 65 de La Odisea de la M\u00fasica Afroamericana, dedicada a Duke Ellington. Luis Escalante contin\u00faa repasando su carrera, que est\u00e1 dedicada a sus etapas jungle y Strayhorn.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Duke_Ellington_-_Hurricane_Ballroom_-_Duke_directing_1_Gordon-Parks.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=26811"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26811\/revisions"}],"predecessor-version":[{"id":26964,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/26811\/revisions\/26964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/26813"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=26811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=26811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=26811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}