{"id":2694,"date":"2011-02-04T13:30:00","date_gmt":"2011-02-04T12:30:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2694"},"modified":"2016-11-13T17:22:12","modified_gmt":"2016-11-13T16:22:12","slug":"varios-autores-tony-levin-evan-parker-kenny-wheeler-john-edwards-paul-rodgers-y-otros-free-zone-appleby-emanem-2005","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/varios-autores-tony-levin-evan-parker-kenny-wheeler-john-edwards-paul-rodgers-y-otros-free-zone-appleby-emanem-2005\/","title":{"rendered":"Varios autores (Tony Levin, Evan Parker, Kenny Wheeler, John Edwards, Paul Rodgers y otros): <i>Free Zone Appleby 2005<\/i> (Psi, 2005)"},"content":{"rendered":"<div style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-14103\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/vv.aa_._Free-Zone-Appleby-200-200x200.jpeg\" alt=\"vv.aa._Free Zone Appleby 200\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/vv.aa_._Free-Zone-Appleby-200-200x200.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/vv.aa_._Free-Zone-Appleby-200-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/vv.aa_._Free-Zone-Appleby-200-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/vv.aa_._Free-Zone-Appleby-200.jpeg 236w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Organizado dentro de la programaci\u00f3n del festival de jazz de Appleby, Free Zone era la oportunidad id\u00f3nea para que el saxofonista Evan Parker organizase encuentros entre m\u00fasicos relacionados de alguna manera con \u00e9l, bien fuera por su carrera, bien fuera por el inter\u00e9s que le suscita su m\u00fasica. En Psi Records, su sello, se encuentran publicadas grabaciones de las ediciones que van de 2002 a 2007.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">La grabaci\u00f3n correspondiente a 2005 muestra cinco agrupaciones diferentes formadas por distintos integrantes de un noneto en el que aparec\u00edan el baterista Tony Levin, el trompetista Kenny Wheeler, el propio Evan parker o los contrabajistas Paul Rogers y John Edwards.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">Cada una de las formaciones (tres tr\u00edos diferentes, un cuarteto y todo el noneto) y sus integrantes imprimen distintos caracteres a sus improvisaciones. El cuarteto de Parker, Dudek, Edwards y Levin, y tambi\u00e9n el tr\u00edo de Wheeler, Rogers y Levin se engarzan en una m\u00fasica cercana al <i>free jazz <\/i>al estilo cl\u00e1sico. Tambi\u00e9n ocurre algo similar con el tr\u00edo de Dudek, Edards y Marsh, aunque en sus inicios d\u00e9 la impresi\u00f3n de encontrarnos ante una improvisaci\u00f3n libre marca de la casa. Precisamente por esos terrenos de la improvisaci\u00f3n libre, con una m\u00fasica muy abierta y llena de posibilidades, es por los que caminan el saxofonista Paul Dunmall, el violinista Philipp Wachsmann y el baterista Tony Levin.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">El broche final lo pone el noneto improvisando conjuntamente. All\u00ed destacan el trabajo de los vientos que desarrollan simult\u00e1neamente distintas improvisaciones en la parte inicial, lo que logra que la m\u00fasica aparezca distribuida en diferentes capas paralelas. Sin embargo en los minutos finales todo se calma y se transforma en una m\u00fasica muy espaciosa en la que sobresalen esas largas notas que suelta el maestro de la trompeta Kenny Wheeler y especialmente el trabajo de los dos contrabajistas.<\/div>\n<div><\/div>\n<div style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2011<\/div>\n<div>Varios autores:<i> Free Zone Appleby 2005.\u00a0<\/i><\/div>\n<p><i><\/i>Kenny Wheeler (trompeta), Philipp Wachsmann (viol\u00edn y electr\u00f3nica), Evan Parker (saxo tenor), Gerd Dudek (saxo tenor), Paul Dunmall (saxos tenor y soprano), Paul Rogers (contrabajo), John Edwards (contrabajo), Tony Marsh (bater\u00eda), Tony Levin (bater\u00eda)<\/p>\n<div>1 \u201cRed Earth Trio-I\u201d (Wheeler, Rogers, Levin) 12:55, 2 \u201cRed Earth Quartet-I\u201d (Parker, Dudek, Edwards, Levin) 20:13, 3 \u201cRed Earth Trio-2\u201d (Dudek, Edwards, Marsh) 11:38, \u201cRed Earth Trio-3\u201d (Dunmall, Wachsmann, Levin) 14:06, \u201cRed Earth Nonet\u201d (Noneto) 15:42<\/div>\n<div><\/div>\n<div>Grabado en directo el 31 de julio de 2005 en Ancient Space, St. Michael\u2019s Church, Appleby, Inglaterra, dentro de la secci\u00f3n Free Zone en el Appleby Jazz Festival. Cuadro de portada \u201cRed Earth\u201d de Phil Morsman. Publicado en 2006 por Psi Records. psi 06.06 <a href=\"http:\/\/www.emanemdisc.com\/psi.html\" target=\"_blank\" rel=\"noopener\">http:\/\/www.emanemdisc.com\/psi.html<\/a><\/div>\n<p>En memoria de Tony Levin, fallecido recientemente.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Organizado dentro de la programaci\u00f3n del festival de jazz de Appleby, Free Zone era la oportunidad id\u00f3nea para que el saxofonista Evan Parker organizase encuentros entre m\u00fasicos relacionados de alguna manera con \u00e9l, bien fuera por su carrera, bien fuera por el inter\u00e9s que le suscita su m\u00fasica. En Psi<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/varios-autores-tony-levin-evan-parker-kenny-wheeler-john-edwards-paul-rodgers-y-otros-free-zone-appleby-emanem-2005\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14103,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,5081,10612,12696,13,12415,15295,7533,6212,31,5275,5919,16099,77,16100,6223,10611],"class_list":["entry","author-pachi","post-2694","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-evan-parker","tag-gerd-dudek","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-john-edwards","tag-kenny-wheeler","tag-pachi-tapiz","tag-paul-rogers","tag-psi","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-levin","tag-tony-marsh"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/vv.aa_._Free-Zone-Appleby-200.jpeg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2887,"url":"https:\/\/tomajazz.com\/web\/emanem-y-psi-records-dos-sellos-atipicos\/","url_meta":{"origin":2694,"position":0},"title":"Emanem y Psi Records: dos sellos at\u00edpicos","author":"Tomajazz","date":"6 mayo, 2010","format":false,"excerpt":"Con unas trayectorias entrelazadas, en las que comparten muchos puntos en com\u00fan, Emanem y Psi Records son dos sellos muy particulares. Martin Davidson dirige Emanem. Su objetivo es la documentaci\u00f3n de la escena improvisada brit\u00e1nica, con un cat\u00e1logo que incluye tanto grabaciones hist\u00f3ricas como novedades, que abarcan desde la d\u00e9cada\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":25582,"url":"https:\/\/tomajazz.com\/web\/hdo-147-emanem-musicas-del-pasado-y-del-presente-que-miran-hacia-el-futuro-podcast\/","url_meta":{"origin":2694,"position":1},"title":"HDO 147. Emanem: m\u00fasicas del pasado y del presente que miran hacia el futuro [Podcast]","author":"Tomajazz","date":"20 julio, 2016","format":false,"excerpt":"Pachi Tapiz repasa brevemente y lleva al podcast HDO cuatro referencias publicadas por el sello Emanem de Kent Carter, Tony Marsh - Chefa Alonso, Duck Baker y el Spontaneous Music Ensemble de John Stevens con Evan Parker, Barry Guy, Derek Bailey, Trevor Watts, Kenny Wheeler...","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Duck Baker_Outside_Emanem_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-200x200.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5559,"url":"https:\/\/tomajazz.com\/web\/evan-parker-electroacoustic-ensemble-hasselt-emanem-2012\/","url_meta":{"origin":2694,"position":2},"title":"Evan Parker Electroacoustic Ensemble: hasselt (Emanem, 2012)","author":"Tomajazz","date":"27 marzo, 2013","format":false,"excerpt":"\u00bfCu\u00e1ntas formaciones son el Electroacoustic Ensemble de Evan Parker? Es la pregunta que surge tras escuchar Hasselt, la \u00faltima grabaci\u00f3n de este grupo registrada en directo en la localidad belga que da t\u00edtulo al CD, y que aparece publicada en Psi, el sello del l\u00edder de esta formaci\u00f3n. Y la\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"Evan Parker Electro Acoustic Ensemble hasselt (Emanem, 2012)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Evan-Parker-Electro-Acoustic-Ensemble-hasselt.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101631,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-flashing-spirits-2025\/","url_meta":{"origin":2694,"position":3},"title":"Cecil Taylor &#8211; Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Cecil Taylor - Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. 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Improvisando con&#8230; Parker &#8211; Nauseef &#8211; Gouband; Rothenberg &#8211; Feldman &#8211; Courvoisier; Dikeman &#8211; Vicente &#8211; Antunes &#8211; Ferrandini [Podcast]","author":"Tomajazz","date":"30 diciembre, 2016","format":false,"excerpt":"Triple sesi\u00f3n de improvisaci\u00f3n libre para el programa 215 de HDO, del 30 de diciembre de 2016, que sirve para cerrar un a\u00f1o (y \u00fanicamente para eso). Suenan\u00a0as the wind (Psi, 2016) de Evan Parker, Mark Nauseef,\u00a0 Toma Gouband;\u00a0In Cahoots (Clean Feed, 2016) de Ned Rothenberg, Mark Feldman, Sylvie Couvoisier;\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Ned-Rothenberg-Mark-Feldman-Sylvie-Courvoisier_In-Cahoots_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Ned-Rothenberg-Mark-Feldman-Sylvie-Courvoisier_In-Cahoots_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Ned-Rothenberg-Mark-Feldman-Sylvie-Courvoisier_In-Cahoots_Clean-Feed_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2694"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2694\/revisions"}],"predecessor-version":[{"id":14104,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2694\/revisions\/14104"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/14103"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}