{"id":2707,"date":"2011-01-19T21:41:00","date_gmt":"2011-01-19T20:41:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2707"},"modified":"2013-01-22T22:40:21","modified_gmt":"2013-01-22T21:40:21","slug":"claire-debrunner-daniel-carter-ken-silverman-tom-zlabinger-macroscopia-metier-jazz-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/claire-debrunner-daniel-carter-ken-silverman-tom-zlabinger-macroscopia-metier-jazz-2010\/","title":{"rendered":"Claire deBrunner, Daniel Carter, Ken Silverman, Tom Zlabinger: Macroscopia (M\u00e9tier Jazz, 2010)"},"content":{"rendered":"<table cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td><a href=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TTdK8RVzP2I\/AAAAAAAACVY\/tEyiLU2tnW0\/s1600\/macroscopia.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TTdK8RVzP2I\/AAAAAAAACVY\/tEyiLU2tnW0\/s1600\/macroscopia.jpg\" alt=\"\" title=\"\"><\/a><\/td>\n<\/tr>\n<tr>\n<td>Claire deBrunner, Daniel Carter, <br \/>Ken Silverman, Tom Zlabinger<br \/><i>Macroscopia<\/i><br \/>M\u00e9tier Jazz<br \/>2010<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>Sonidos camer\u00edsticos, con un car\u00e1cter enigm\u00e1tico y un tempo mayormente medio son las caracter\u00edsticas de la m\u00fasica creada instant\u00e1neamente por el cuarteto integrado por la fagotista Claire deBrunner, el veterano trompetista, saxofonista y clarinetista Daniel Carter, el guitarrista Ken Silverman y el contrabajista Tom Zlabinger. Las distintas combinaciones de dos instrumentos de viento (el no muy utilizado fagot que alterna con trompeta, clarinetes y saxos) y de dos de cuerda (contrabajo y guitarra que Ken Silverman alterna puntualmente con percusi\u00f3n) sirven para crear unas texturas poco habituales. <\/div>\n<p><\/p>\n<div>Afontando la ausencia de la bater\u00eda, el contrabajista Tom Zlabinger es el encargado de plantear el esqueleto r\u00edtmico a lo largo de la mayor parte de los temas que componen la grabaci\u00f3n. Sobre sus estructuras Claire deBrunner, Daniel Carter y tambi\u00e9n Ken Silverman van tejiendo sus improvisaciones. Si bien en alg\u00fan momento estas consisten en entrelazar sus l\u00edneas mel\u00f3dicas improvisadas sobre el trabajo del contrabajista, en otras ocasiones como en \u201cTotem Dance\u201d tanto el guitarrista como el saxofonista y la fagotista alternan su labor de solistas con la de componentes de la secci\u00f3n r\u00edtmica.<\/div>\n<p><\/p>\n<div>Aunque el t\u00edtulo pueda sugerir la apreciaci\u00f3n y disfrute de la obra en general (a gran escala, <i>Macroscopia<\/i>),  tambi\u00e9n es un placer centrarse en el deleite de los peque\u00f1os detalles (<i>Microscopia<\/i>).<\/div>\n<p>\u00a9 Pachi Tapiz, 2011<br \/><a name=\"more\"><\/a><br \/>Claire deBrunner, Daniel Carter, Ken Silverman, Tom Zlabinger: <i>Macroscopia<\/i><\/p>\n<div><\/div>\n<div>Claire deBrunner (fagot), Daniel Carter (saxos, clarinetes, trompeta), Ken Silverman (guitarra, oud, percusi\u00f3n), Tom Zlabinger (contrabajo)<\/div>\n<div><\/div>\n<div>\u201cOpening\u201d, \u201cMysterious Breath\u201d, \u201cDumbo Twilight\u201d, \u201cRiff Tide\u201d, \u201cLife Rattle\u201d, \u201cTo Move As A Shadow\u201d, \u201cTotem Dance\u201d<\/div>\n<div><\/div>\n<div>Todos los temas por Claire deBrunner, Daniel Carter, Ken Silverman, Tom Zlabinger<\/div>\n<div>Grabado en diciembre de 2008 en Future Sound, Nueva York. Publicado en 2010 por M\u00e9tier Jazz. <a href=\"http:\/\/www.diniveartrecords.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.diniveartrecords.com<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Claire deBrunner, Daniel Carter, Ken Silverman, Tom ZlabingerMacroscopiaM\u00e9tier Jazz2010 Sonidos camer\u00edsticos, con un car\u00e1cter enigm\u00e1tico y un tempo mayormente medio son las caracter\u00edsticas de la m\u00fasica creada instant\u00e1neamente por el cuarteto integrado por la fagotista Claire deBrunner, el veterano trompetista, saxofonista y clarinetista Daniel Carter, el guitarrista Ken Silverman y<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/claire-debrunner-daniel-carter-ken-silverman-tom-zlabinger-macroscopia-metier-jazz-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1278],"tags":[],"class_list":["entry","author-pachi","post-2707","post","type-post","status-publish","format-standard","category-disco"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2529,"url":"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xli-aka-wish-ill-be-there-anthony-braxton-energies-ideas-intuitions-the-tri-centric-music-of-anthony-braxton-roulette-nueva-york-5-al-8-de-octubre-de-2011\/","url_meta":{"origin":2707,"position":0},"title":"Veteranos en la brecha (XLI) (aka Wish I&#8217;ll be there): Anthony Braxton Energies, Ideas, Intuitions: The Tri-Centric Music of Anthony Braxton (Roulette, Nueva York, 5 al 8 de octubre de 2011)","author":"Tomajazz","date":"14 septiembre, 2011","format":false,"excerpt":"\u00a9\u00a0Carolyn Wachnicki Entre el 5 y el 8 de octubre la Tricentric Foundation ha organizado en colaboraci\u00f3n con Roulette la serie de conciertos \"Energies, Ideas, Intuitions: The Tri-Centric Music of Anthony Braxton\". El programa es el siguiente:Mi\u00e9rcoles 5 de octubre de 2011 Pine Top Arial Music\u00a0Anthony Braxton (ca\u00f1as), Taylor Ho\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":89283,"url":"https:\/\/tomajazz.com\/web\/36-jazzebre-2024\/","url_meta":{"origin":2707,"position":1},"title":"36\u00e8me Festival Jazz\u00e8bre 2024 -aventures musicales n\u00f3mades- (Perpi\u00f1\u00e1n y otras localidades, Francia. 27 de setiembre al 13 de octubre de 2024) [Noticias de jazz]","author":"Tomajazz","date":"12 septiembre, 2024","format":false,"excerpt":"El 36\u00e8me Festival Jazz\u00e8bre 2024 -aventures musicales n\u00f3mades- se celebrar\u00e1 entre el 27 de septiembre y el 13 de octubre de 2024 en Perpi\u00f1\u00e1n y otras localidades francesas","rel":"","context":"En \u00ab36 Jazz\u00e8bre 2024\u00bb","block_context":{"text":"36 Jazz\u00e8bre 2024","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/36eme-jazzebre-2024\/"},"img":{"alt_text":"36\u00e8me Festival Jazz\u00e8bre 2024 -aventures musicales n\u00f3mades- (Perpi\u00f1\u00e1n y otras localidades, Francia. 27 de setiembre al 13 de octubre de 2024) [Noticias de jazz] - Tomajazz - El 36\u00e8me Festival Jazz\u00e8bre 2024 -aventures musicales n\u00f3mades- se celebrar\u00e1 entre el 27 de septiembre y el 13 de octubre de 2024 en Perpi\u00f1\u00e1n y otras localidades francesas","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/09\/Cartel-Jazzebre-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/09\/Cartel-Jazzebre-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/09\/Cartel-Jazzebre-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":897,"url":"https:\/\/tomajazz.com\/web\/ken-vandermarks-resonance-ensemble-resonance-2007\/","url_meta":{"origin":2707,"position":2},"title":"Ken Vandermark&#8217;s Resonance Ensemble &#8211; Resonance (2007)","author":"Autor1","date":"11 mayo, 2011","format":false,"excerpt":"El grupo\/proyecto Resonance es uno de los m\u00e1s arriesgados y espont\u00e1neos que ha dirigido Ken Vandermark en toda su carrera. Diez improvisadores de diferentes procedencias unidos para afrontar composiciones que el l\u00edder tiende a escribir con los m\u00fasicos que las van a interpretar en mente. Sin embargo, Vandermark cuenta que\u2026","rel":"","context":"En \u00ab*_Yahv\u00e9 M. de la Cavada\u00bb","block_context":{"text":"*_Yahv\u00e9 M. de la Cavada","link":"https:\/\/tomajazz.com\/web\/category\/yahve-m-de-la-cavada\/"},"img":{"alt_text":"Ken Vandermark Resonance Not Two","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Ken-Vandermark_Resonance.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":58017,"url":"https:\/\/tomajazz.com\/web\/jazzx5309-frank-morelli-keith-oxman-happy-talk-the-ox-mo-incident-capri-records-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2707,"position":3},"title":"JazzX5#309. Frank Morelli &#8211; Keith Oxman: \u00abHappy Talk\u00bb [The Ox-Mo Incident (Capri Records, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"21 octubre, 2021","format":false,"excerpt":"El tema \"Happy Talk\" suena en JazzX5. Esta versi\u00f3n de un tema de Rodgers y Hammerstein, abre The Ox-Mo Incident (Capri Records, 2021), del saxofonista Keith Oxman y del fagotista Frank Morelli.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_309.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_309.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_309.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_309.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":43692,"url":"https:\/\/tomajazz.com\/web\/hdo-511-paal-nilssen-love-y-ken-vandermark-en-muy-buenas-companias-podcast\/","url_meta":{"origin":2707,"position":4},"title":"HDO 511. 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En HDO 511 escuchamos tres grabaciones que tienen por protagonistas a Paal Nilssen-Love y\/o Ken Vandermark: Jikan de Arashi (grupo integrado por Akira Sakata, Johan Berthling y Paal Nilssen-Love, y publicado por PNL Records); Screen Off (PNL Records) de Paal Nilssen-Love y Ken Vandermark; Scaffolding (Terp Records) de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20267,"url":"https:\/\/tomajazz.com\/web\/made-to-break-rock-palace-madrid-2015-01-08\/","url_meta":{"origin":2707,"position":5},"title":"Made To Break (Rock Palace, Madrid. 2015-01-08)","author":"Sergio Cabanillas","date":"15 octubre, 2015","format":"image","excerpt":"Fecha: 08 de octubre de 2015. Lugar: Rock Palace (Madrid). Grupo: Made To Break Ken Vandermark: saxo tenor, saxo bar\u00edtono y clarinete Christof Kurzmann: electr\u00f3nica Jasper Stadhouders: bajo el\u00e9ctrico Tim Daisy: bater\u00eda Con unos 40 minutos de demora y la correspondiente presentaci\u00f3n de los m\u00fasicos a cargo de Ken Vandermark\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Tim Daisy \u00a9 Sergio Cabanillas, 2015","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/TIM_DAISY_6938_CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/TIM_DAISY_6938_CABANIJAZZ.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/TIM_DAISY_6938_CABANIJAZZ.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2707"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2707\/revisions"}],"predecessor-version":[{"id":3840,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2707\/revisions\/3840"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}