{"id":2712,"date":"2011-01-12T21:15:00","date_gmt":"2011-01-12T20:15:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2712"},"modified":"2018-08-24T08:11:56","modified_gmt":"2018-08-24T06:11:56","slug":"la-diferencia-entre-composicion-e-improvisacion-segun-steve-lacy","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/la-diferencia-entre-composicion-e-improvisacion-segun-steve-lacy\/","title":{"rendered":"La diferencia entre composici\u00f3n e improvisaci\u00f3n seg\u00fan Steve Lacy"},"content":{"rendered":"

\"\"<\/p>\n

<\/div>\n

\u00abEn 1968 me encontr\u00e9 a Steve Lacy por la calle, en Roma. Saqu\u00e9 mi grabadora y le ped\u00ed que me explicara, en quince segundos, la diferencia entre la composici\u00f3n y la improvisaci\u00f3n. Dijo: ‘En quince segundos, la diferencia entre la composici\u00f3n y la improvisaci\u00f3n es que en la composici\u00f3n tienes todo el tiempo que necesites para decidir lo que quieres decir en quince segundos, mientras que en la improvisaci\u00f3n s\u00f3lo tienes quince segundos’.
\nSu respuesta dur\u00f3 exactamente quince segundos, y es la mejor formulaci\u00f3n del asunto que conozco.\u00bb<\/p><\/blockquote>\n

\"\"<\/div>\n

An\u00e9cdota del compositor e improvisador Frederic Rzewski relatada en el libro La improvisaci\u00f3n. Su naturaleza y su pr\u00e1ctica en la m\u00fasica<\/i> (Derek Bailey, Ediciones Trea, 2010).<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00abEn 1968 me encontr\u00e9 a Steve Lacy por la calle, en Roma. Saqu\u00e9 mi grabadora y le ped\u00ed que me explicara, en quince segundos, la diferencia entre la composici\u00f3n y la improvisaci\u00f3n. Dijo: ‘En quince segundos, la diferencia entre la composici\u00f3n y la improvisaci\u00f3n es que en la composici\u00f3n tienesContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":38320,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,78,15517,1038],"tags":[11487,5365],"class_list":["entry","author-pachi","post-2712","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-afondo","category-textos","category-contenidos","tag-derek-bailey","tag-steve-lacy"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/01\/lacy-evidence.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2870,"url":"https:\/\/tomajazz.com\/web\/ideal-bread-recordando-a-steve-lacy-2010\/","url_meta":{"origin":2712,"position":0},"title":"Ideal Bread: recordando a Steve Lacy (2010) Por Pachi Tapiz [Grabacion de jazz]","author":"Tomajazz","date":"4 junio, 2010","format":false,"excerpt":"Pudiera resultar parad\u00f3jico que el saxofonista soprano y compositor Steve Lacy sea reconocido como uno de los grandes int\u00e9rpretes de la m\u00fasica de Thelonious Monk, y que sin embargo el cuarteto Ideal Bread reivindique precisamente su trabajo y sus composiciones propias. Paradoja que no es tal, pues si por algo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/06\/Ideal-Bread_Transmit.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/06\/Ideal-Bread_Transmit.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/06\/Ideal-Bread_Transmit.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/06\/Ideal-Bread_Transmit.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32260,"url":"https:\/\/tomajazz.com\/web\/hdo-309-una-hora-con-steve-lacy-podcast\/","url_meta":{"origin":2712,"position":1},"title":"HDO 309. Una hora con… Steve Lacy [Podcast]","author":"Tomajazz","date":"14 septiembre, 2017","format":false,"excerpt":"Martin Davidson, al frente de Emanem, contin\u00faa realizando una labor tit\u00e1nica documentando discogr\u00e1ficamente la escena brit\u00e1nica de la improvisaci\u00f3n. En septiembre de 2017 ha publicado el doble CD titulado\u00a0free for a minute\u00a0que recoge material in\u00e9dito, mejorado o no disponible al completo, del saxofonista\u00a0Steve Lacy. A lo largo de m\u00e1s de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Steve-Lacy_Free-For-A-Minute_Emanem_2CD_Rec_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Steve-Lacy_Free-For-A-Minute_Emanem_2CD_Rec_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Steve-Lacy_Free-For-A-Minute_Emanem_2CD_Rec_2017.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33366,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-album-opium-bill-dixon-franz-koglmann-steve-lacy-321\/","url_meta":{"origin":2712,"position":2},"title":"365 razones para amar el jazz: un \u00e1lbum. Opium (Bill Dixon, Franz Koglmann, Steve Lacy) [322]","author":"Tomajazz","date":"18 noviembre, 2017","format":false,"excerpt":"Un \u00e1lbum: Bill Dixon, Franz Koglmann, Steve Lacy: Opium (2001, Between The Lines Records [BTL 011] Si el jazz europeo tiene pilares sobre los que cimentarse, sostenerse y erguirse, uno de ellos, sin duda, es este \u00e1lbum: Opium. Editado en formato CD, recoge los dos primeros \u00e1lbumes en vinilo firmados\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Bill-Dixon-Franz-Koglmann-Steve-Lacy-Opium-2001.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4760,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-dos-duos-de-joelle-leandre-one-more-time-con-steve-lacy-transatlantic-visions-con-george-lewis\/","url_meta":{"origin":2712,"position":3},"title":"Tomajazz recomienda… dos d\u00faos de Jo\u00eblle L\u00e9andre: One More Time (con Steve Lacy) \/ Transatlantic Visions (con George Lewis)","author":"Tomajazz","date":"4 febrero, 2013","format":false,"excerpt":"Adalid de la improvisaci\u00f3n libre, siempre es interesante disfrutar con la veterana contrabajista francesa Jo\u00eblle L\u00e9andre. A lo largo de su carrera ha publicado grabaciones en distintos formatos. El solo es una piedra de toque para mostrar su capacidad de construir y razonar su discurso. Los d\u00faos muestran adem\u00e1s de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/leadre-lacy.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2234,"url":"https:\/\/tomajazz.com\/web\/clean-feed-cosecha-2012-primera-parte\/","url_meta":{"origin":2712,"position":4},"title":"Clean Feed: cosecha 2012 (Primera parte)","author":"Tomajazz","date":"7 septiembre, 2012","format":false,"excerpt":"El sello portugu\u00e9s Clean Feed sigue poniendo en circulaci\u00f3n, CD tras CD, grabaciones que merecen la pena ser escuchadas con atenci\u00f3n. Entre las \u00faltimas referencias hay tres en tr\u00edo para todos los gustos. Basement Sessions Vol.1 por Jonas Kullhammar (saxos tenor y bar\u00edtono), Torbj\u00f6rn Zetterberg (contrabajo) y Espen Aalberg (bater\u00eda)\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"kullhammar","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/kullhammar.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20807,"url":"https:\/\/tomajazz.com\/web\/anthony-braxton-y-derek-bailey-steve-lacy-quintet-weston-rose-marshall-novedades-en-emanem-hdo-0034\/","url_meta":{"origin":2712,"position":5},"title":"Anthony Braxton y Derek Bailey, Steve Lacy Quintet, Weston – Rose – Marshall: novedades en EMANEM. 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