{"id":2749,"date":"2010-11-30T23:00:00","date_gmt":"2010-11-30T22:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2749"},"modified":"2010-11-30T23:00:00","modified_gmt":"2010-11-30T22:00:00","slug":"dominic-duval-jimmy-halperin-brian-wilson-music-of-john-coltrane-nobusiness-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/dominic-duval-jimmy-halperin-brian-wilson-music-of-john-coltrane-nobusiness-2010\/","title":{"rendered":"Dominic Duval &#8211; Jimmy Halperin &#8211; Brian Wilson: Music of John Coltrane (NoBusiness, 2010)"},"content":{"rendered":"<div><a href=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/TPVfeQKOGtI\/AAAAAAAACOc\/p_VF3yPmpO8\/s1600\/duval-halperin-wilson_coltrane.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/TPVfeQKOGtI\/AAAAAAAACOc\/p_VF3yPmpO8\/s1600\/duval-halperin-wilson_coltrane.gif\" alt=\"\" title=\"\"><\/a><\/div>\n<div>Hay homenajes&#8230; y homenajes. Los hay que se quedan en la piel, que no traspasan la superficie, mientras que otros van a las entra\u00f1as.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<div><\/div>\n<div>Dominic Duval, Jimmy Halperin y Brian Wilson se acercan a un repertorio <i>coltraneano <\/i>que recoge temas de distintas \u00e9pocas de su carrera. Al contrario de lo que pudiera suponerse, dada la afiliaci\u00f3n estil\u00edstica de los tres m\u00fasicos, se incluyen composiciones de la primera \u00e9poca entre las que se incluyen la preciosa \u201cNaima\u201d y la t\u00e9cnicamente compleja \u201cGiant Steps\u201d. Sin embargo lo suyo no es intentar demostrar que son capaces de tocar tal y como lo hac\u00edan ese coloso y sus compa\u00f1eros. A partir de esa premisa el acercamiento funciona a las mil maravillas. En los temas se respira un gran respeto, pero tambi\u00e9n la enorme libertad que hace que los temas no suenen como los originales. En definitiva, que la m\u00fasica sea la de Coltrane, pero tambi\u00e9n la del tr\u00edo.<\/div>\n<div><\/div>\n<div>Pachi Tapiz<\/div>\n<div><\/div>\n<div>Dominic Duval &#8211; Jimmy Halperin &#8211; Brian Wilson: <i>Music of John Coltrane<\/i> (NoBusiness, 2010)<\/div>\n<div><\/div>\n<div>Dominic Duval (contrabajo), Jimmy Halperin (saxo tenor), Brian Wilson (bater\u00eda)<\/div>\n<div><\/div>\n<div>\u201cGiant Steps\u201d 10:43, \u201cMoments Notice\u201d 10:13, \u201cLiving Space\u201d 11:51, \u201cSyeeda\u2019s Song Flute\u201d 9:52, \u201cNaima\u201d 11:16, \u201cPursuance \/ from A Love Supreme\u201d 14:06<\/div>\n<div>Todos los temas compuestos por John Coltrane. Arreglos por Dominic Duval, Jimmy Halperin y Brian Wilson.<\/div>\n<div><\/div>\n<div>Grabado durante el mes de diciembre de 2009 en Parkwest Studios, Brooklyn, Nueva York. Publicado en 2010 por NoBusiness Records. NBCD 17. <a href=\"http:\/\/www.nobusinessrecords.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.nobusinessrecords.com<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hay homenajes&#8230; y homenajes. Los hay que se quedan en la piel, que no traspasan la superficie, mientras que otros van a las entra\u00f1as. Dominic Duval, Jimmy Halperin y Brian Wilson se acercan a un repertorio coltraneano que recoge temas de distintas \u00e9pocas de su carrera. Al contrario de lo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/dominic-duval-jimmy-halperin-brian-wilson-music-of-john-coltrane-nobusiness-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-2749","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3070,"url":"https:\/\/tomajazz.com\/web\/sobre-sucesos-poco-frecuentes-monkinus-vs-monk-dreams-de-jimmy-halperin-dominic-duval\/","url_meta":{"origin":2749,"position":0},"title":"Sobre sucesos poco frecuentes: Monkinus vs. Monk Dreams de Jimmy Halperin \u2013 Dominic Duval","author":"Tomajazz","date":"19 junio, 2009","format":false,"excerpt":"Dos son los problemas que pudiera plantear a priori la grabaci\u00f3n del proyecto Monkinus (2007) del saxofonista Jimmy Halperin y el contrabajista Dominic Duval en CIMP. Por una parte, un repertorio plenamente reconocible, con unas se\u00f1as de identidad bien definidas, obra de Thelonious Monk. Por otra parte est\u00e1n las particulares\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2807,"url":"https:\/\/tomajazz.com\/web\/ivo-perelman-soulstorm-near-to-the-wild-heart-2010\/","url_meta":{"origin":2749,"position":1},"title":"Ivo Perelman: Soulstorm \/ Near to the Wild Heart (2010)","author":"Tomajazz","date":"8 septiembre, 2010","format":false,"excerpt":"El saxofonista, pianista y pintor brasile\u00f1o Ivo Perelman cumple en 2010 su vig\u00e9simo aniversario en la m\u00fasica. Un a\u00f1o como cualquier otro, pero en el que casualmente se descuelga con un manojo de nuevas grabaciones. Adem\u00e1s de dos d\u00faos en Leo Records, hay otras dos grabaciones en formatos de tr\u00edo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"perelman_soulstorm","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/perelman_soulstorm.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":52895,"url":"https:\/\/tomajazz.com\/web\/christian-mcbride-for-jimmy-wes-and-oliver-un-saludo-en-el-tiempo-grabacion-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":2749,"position":2},"title":"Christian McBride: For Jimmy, Wes and Oliver. Un saludo en el tiempo [Grabaci\u00f3n de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"11 noviembre, 2020","format":false,"excerpt":"Juan F. Trillo repasa For Jimmy, Wes And Oliver (Mack Avenue) de la Christian McBride Big Band","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":21080,"url":"https:\/\/tomajazz.com\/web\/ricardo-tejero-su-voz-y-su-musica-entrevista-por-pachi-tapiz-hdo-0043-audioblog\/","url_meta":{"origin":2749,"position":3},"title":"Ricardo Tejero: su voz y su m\u00fasica. Entrevista por Pachi Tapiz. HDO (0043) [Audioblog]","author":"Tomajazz","date":"1 diciembre, 2015","format":"audio","excerpt":"Dicho y hecho... unos cuantos meses despu\u00e9s, que conste. Finalmente traemos a Tomajazz la voz y la m\u00fasica del saxofonista y clarinetista Ricardo Tejero. Tras una extensa charla, suenan\u00a0a\u00a0lo largo de 56 minutos temas de algunas de las \u00faltimas grabaciones en las que este m\u00fasico aparece: Hesitancy (Ensemble Progresivo), Sputnik\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":50511,"url":"https:\/\/tomajazz.com\/web\/jimmy-smith-iii-cannonball-adderley-i-la-odisea-de-la-musica-afroamericana-237-podcast-yomequedoencasa-istayathome\/","url_meta":{"origin":2749,"position":4},"title":"Jimmy Smith (III) &#8211; Cannonball Adderley (I). La Odisea de la M\u00fasica Afroamericana (237) [Podcast]  #YoMeQuedoEnCasa \/ #IStayAtHome","author":"Tomajazz","date":"4 mayo, 2020","format":false,"excerpt":"La entrega 237 del programa \/ podcast La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla est\u00e1 dedicado a finalizar el repaso a la carrera de Jimmy Smith, y a comenzar el repaso de la de Cannonball Adderley.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10066,"url":"https:\/\/tomajazz.com\/web\/the-convergence-quartet-slow-and-steady-nobusiness-records-2013-aka-bun-en-bad-music-jazz\/","url_meta":{"origin":2749,"position":5},"title":"The Convergence Quartet: Slow And Steady (NoBusiness Records, 2013) aka BUN en Bad Music Jazz","author":"Tomajazz","date":"27 enero, 2014","format":false,"excerpt":"The Convergence Quartet sigue adelante sin prisa, pero sin pausa. En seis a\u00f1os este grupo intercontinental (Harris Eisenstadt proviene de Canad\u00e1, Taylor Ho Bynum de Estados Unidos; Alexander Hawkins y Dominic Lash del Reino Unido) ha publicado tres CD alternando grabaciones en directo y estudio. Slow And Steady, su \u00faltima\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"The Convergence Quartet_Slow and Steady","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Convergence-Quartet_Slow-and-Steady-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2749"}],"version-history":[{"count":0,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2749\/revisions"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}