{"id":2756,"date":"2010-11-18T19:00:00","date_gmt":"2010-11-18T18:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2756"},"modified":"2016-04-10T23:06:35","modified_gmt":"2016-04-10T21:06:35","slug":"michael-attias-twines-of-colesion-clean-feed-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/michael-attias-twines-of-colesion-clean-feed-2010\/","title":{"rendered":"Micha\u00ebl Attias. Twines Of Colesion (Clean Feed, 2010)"},"content":{"rendered":"<div><a href=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/TOVHsGgtrsI\/AAAAAAAACMY\/gcgYNQFjebA\/s1600\/attias_twines.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/TOVHsGgtrsI\/AAAAAAAACMY\/gcgYNQFjebA\/s1600\/attias_twines.gif\" alt=\"\" title=\"\"><\/a><\/div>\n<div>\n<i>Jazz Ao Centro<\/i> es uno de los festivales m\u00e1s importantes que tienen lugar en Portugal, y que est\u00e1 dando lugar a un pu\u00f1ado de directos m\u00e1s que interesantes. Es el caso de <i>Twines Of Colesion<\/i>, t\u00edtulo de una novela nunca acabada del saxofonista Michael Attias, que lidera un quinteto de aut\u00e9ntico lujo formado por el saxofonista Tony Malaby, el pianista Russ Lossing, el contrabajista John H\u00e9bert y el bater\u00eda Satoshi Takeishi.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<div><\/div>\n<div>Es posible que las carreras de estos m\u00fasicos no sean muy conocidas entre el gran p\u00fablico. Sin embargo no es menos cierto que gracias tanto a los proyectos que cada uno de ellos lideran, como a aquellos en los que participan, demuestran estar a un gran nivel. Su aparici\u00f3n en un CD o proyecto es uno de esos indicadores que se\u00f1alan que lo que all\u00ed se cuece va a ser como m\u00ednimo interesante.<\/div>\n<div><\/div>\n<div>Esto es lo que sucede en <i>Twines Of Colesion<\/i>, grabado en directo durante tres d\u00edas. El primer tema, \u201c(New) Loon\u201d, que se extiende durante 16 minutos es una magn\u00edfica muestra de lo que sucede a lo largo de todo el resto del disco. Su comienzo, sin prisas y abstracto, deja espacio para unas improvisaciones que poco a poco van encamin\u00e1ndose hacia el tema compuesto por Attias, que finaliza de un modo brillante y mostrando de un modo magn\u00edfico c\u00f3mo se puede llegar a trabajar con conceptos como son la tensi\u00f3n y el tempo. <\/div>\n<div>\n<br \/>Pachi Tapiz<\/p>\n<\/div>\n<div>Micha\u00ebl Attias: <i>Twines Of Colesion<\/i>\n<\/div>\n<div><\/div>\n<div>Micha\u00ebl Attias (saxo alto), Tony Malaby (saxos tenor y soprano), Russ Lossing (piano), John H\u00e9bert (contrabajo), Satoshi Takeishi (bater\u00eda y percusi\u00f3n)<\/div>\n<div><\/div>\n<div>\u201c(new) loom\u201d, \u201clisbon\u201d, \u201cfenix culprit\u201d, \u201chunter\u201d, \u201cle puits noir\u201d, \u201cthe very thing\u201d, \u201cvitesse de laumi\u00e8re\u201d, \u201cthe maze and the loom\u201d<\/div>\n<div>Todos los temas compuestos por Micha\u00ebl Attias<\/div>\n<div><\/div>\n<div>Grabado en directo entre el 5 y el 7 de junio de 2008 en Salao Brazil como parte del festival Jazz Ao Centro, Coimbra, Portugal. Publicado en 2010 por Clean Feed. CF188CD <a href=\"http:\/\/www.cleanfeed-records.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.cleanfeed-records.com<\/a>\n<\/div>\n<p>\u00a9 Pachi Tapiz, 2010<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz Ao Centro es uno de los festivales m\u00e1s importantes que tienen lugar en Portugal, y que est\u00e1 dando lugar a un pu\u00f1ado de directos m\u00e1s que interesantes. Es el caso de Twines Of Colesion, t\u00edtulo de una novela nunca acabada del saxofonista Michael Attias, que lidera un quinteto de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/michael-attias-twines-of-colesion-clean-feed-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2756","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":80646,"url":"https:\/\/tomajazz.com\/web\/nataniel-edelman-trio-sevilla-2023\/","url_meta":{"origin":2756,"position":0},"title":"Nataniel Edelman Tr\u00edo Featuring Michael Formanek and Michael Attias. 26 Festival de Jazz de la Universidad de Sevilla\/ASSEJAZZ 2023. Sede de ASSEJAZZ. 21 de octubre de 2023. Por Antonio Torres [Concierto de Jazz]","author":"Tomajazz","date":"20 noviembre, 2023","format":false,"excerpt":"Nataniel Edelman Tr\u00edo Featuring Michael Formanek and Michael Attias actu\u00f3 en la Sede de ASSEJAZZ dentro de la programaci\u00f3n del 26 Festival de Jazz de la Universidad de Sevilla\/ASSEJAZZ 2023, el 21 de octubre de 2023. Antonio Torres relata, retrata y filma la actuaci\u00f3n.","rel":"","context":"En \u00ab26 Festival de Jazz de la Universidad de Sevilla\/ASSEJAZZ 2023\u00bb","block_context":{"text":"26 Festival de Jazz de la Universidad de Sevilla\/ASSEJAZZ 2023","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/26-festival-de-jazz-de-la-universidad-de-sevilla-assejazz-2023\/"},"img":{"alt_text":"Nataniel Edelman Tr\u00edo Featuring Michael Formanek and Michael Attias. 26 Festival de Jazz de la Universidad de Sevilla\/ASSEJAZZ 2023. Sede de ASSEJAZZ. 21 de octubre de 2023. Por Antonio Torres [Concierto de Jazz] - Tomajazz 9.0 - Nataniel Edelman Tr\u00edo Featuring Michael Formanek and Michael Attias actu\u00f3 en la Sede de ASSEJAZZ dentro de la programaci\u00f3n del 26 Festival de Jazz de la Universidad de Sevilla\/ASSEJAZZ 2023, el 21 de octubre de 2023. Antonio Torres relata, retrata y filma la actuaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/1u1a1202-Nataniel-Edelman-Trio-Feat-Michael-Formanek-and-Michael-Attias-26-Festival-de-Jazz-de-la-Universidad-de-Sevilla-ASSEJAZZ-2023-20231021-Por-Antonio-Torres-INSTANTZZ-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/1u1a1202-Nataniel-Edelman-Trio-Feat-Michael-Formanek-and-Michael-Attias-26-Festival-de-Jazz-de-la-Universidad-de-Sevilla-ASSEJAZZ-2023-20231021-Por-Antonio-Torres-INSTANTZZ-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/1u1a1202-Nataniel-Edelman-Trio-Feat-Michael-Formanek-and-Michael-Attias-26-Festival-de-Jazz-de-la-Universidad-de-Sevilla-ASSEJAZZ-2023-20231021-Por-Antonio-Torres-INSTANTZZ-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/1u1a1202-Nataniel-Edelman-Trio-Feat-Michael-Formanek-and-Michael-Attias-26-Festival-de-Jazz-de-la-Universidad-de-Sevilla-ASSEJAZZ-2023-20231021-Por-Antonio-Torres-INSTANTZZ-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24147,"url":"https:\/\/tomajazz.com\/web\/hdo-111-unos-dos-tres-y-cuatro-kronix-no-project-trio-jean-brice-godet-quartet-podcast\/","url_meta":{"origin":2756,"position":1},"title":"HDO 111. Uno(s)\u2026 dos, tres y cuatro: Kronix, No Project Trio, Jean-Brice Godet Quartet [Podcast]","author":"Tomajazz","date":"12 mayo, 2016","format":false,"excerpt":"Entrega en forma de sucesi\u00f3n: 1, 2, 3, 4\u2026 Los unos vienen en el n\u00famero de la entrega (la 111 de HDO). El dos por Kronix, d\u00fao del guitarrista Alex Maksymiw y el saxofonista Peter van Huffel (Gorilla Mask), que lo mismo gui\u00f1an hacia la intensidad abrasiva del noise, se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Peter-Van-Huffel-Alex-Maksymiw_Kronix_Fresh-Sound-New-Talent_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Peter-Van-Huffel-Alex-Maksymiw_Kronix_Fresh-Sound-New-Talent_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Peter-Van-Huffel-Alex-Maksymiw_Kronix_Fresh-Sound-New-Talent_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33510,"url":"https:\/\/tomajazz.com\/web\/hdo-351-primitive-london-braysher-kanan-jeong-lim-yang-podcast\/","url_meta":{"origin":2756,"position":2},"title":"HDO 351. Primitive London, Braysher &#8211; Kanan, Jeong Lim Yang [Podcast]","author":"Tomajazz","date":"23 noviembre, 2017","format":false,"excerpt":"Tres grabaciones en la entrega 351 de HDO.\u00a0Planet Savage\u00a0(Fresh Sound New Talent, 2017) del cuarteto\u00a0Primitive London, formaci\u00f3n franco-brit\u00e1nica liderada por el trompetista Antoine Berjeaut, y el saxofonista y clarinetista Robin Fincker, y completada por Kit Downes (\u00f3rgano Hammond y teclados), y Jim Hart (bater\u00eda);\u00a0Golden Earrings\u00a0(Fresh Sound New Talent, 2017) del\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Sam-Brayher-Michael-Kanan_golden-Earrings_Fresh-Sound-New-Talent_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Sam-Brayher-Michael-Kanan_golden-Earrings_Fresh-Sound-New-Talent_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Sam-Brayher-Michael-Kanan_golden-Earrings_Fresh-Sound-New-Talent_2017.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":50327,"url":"https:\/\/tomajazz.com\/web\/instantzz-michael-attias-trio-la-roda-jazz-2020-musics-associats-orfeo-popular-oloti-olot-girona-2020-02-16-galeria-fotografica-yomequedoencasa-istayathome\/","url_meta":{"origin":2756,"position":3},"title":"INSTANTZZ: Micha\u00ebl Attias Trio (La Roda Jazz 2020 \/ M\u00fasics Associats, Orfe\u00f3 Popular Olot\u00ed, Olot -Girona-.  2020-02-16) [Galer\u00eda fotogr\u00e1fica] #YoMeQuedoEnCasa #IStayAtHome","author":"Tomajazz","date":"23 abril, 2020","format":false,"excerpt":"En el fotoblog INSTANTZZ una nueva galer\u00eda fotogr\u00e1fica de Joan Cort\u00e8s tomada en la actuaci\u00f3n del Micha\u00ebl Attias Trio en La Roda Jazz 2020 celebrado en Olot -Girona-. Y recuerda... #YoNoSalgo #IStayAtHome","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/04_Mchl-tts-Tr-Joan-Cort%C3%A8s_16fbr20_L-Rd-Jzz_rf-Pplr-lt_-lt.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/04_Mchl-tts-Tr-Joan-Cort%C3%A8s_16fbr20_L-Rd-Jzz_rf-Pplr-lt_-lt.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/04_Mchl-tts-Tr-Joan-Cort%C3%A8s_16fbr20_L-Rd-Jzz_rf-Pplr-lt_-lt.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":22504,"url":"https:\/\/tomajazz.com\/web\/clean-feed-en-2016-primera-entrega-hdo-0081-podcast\/","url_meta":{"origin":2756,"position":4},"title":"Clean Feed en 2016. 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Pedro Costa, al frente de la discogr\u00e1fica lusa desde sus inicios, ha sabido a\u00fanar la publicaci\u00f3n de grabaciones de figuras ya reconocidas en la escena internacional de la m\u00fasica libre (mayormente jazz,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":102179,"url":"https:\/\/tomajazz.com\/web\/lena-bloch-marina-2025\/","url_meta":{"origin":2756,"position":5},"title":"Lena Bloch: Marina (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"25 noviembre, 2025","format":false,"excerpt":"Marina (Fresh Sound Records; 2025) es la nueva grabaci\u00f3n de la saxofonista Lena Bloch. Pachi Tapiz repasa la grabaci\u00f3n. Con Lena Bloch, Kyoko Kitamura, Jacob Sacks, Ken Filiano, Michael Sarin","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Lena Bloch: Marina (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Marina (Fresh Sound Records; 2025) es la nueva grabaci\u00f3n de la saxofonista Lena Bloch. Pachi Tapiz repasa la grabaci\u00f3n. Con Lena Bloch, Kyoko Kitamura, Jacob Sacks, Ken Filiano, Michael Sarin","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2756"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2756\/revisions"}],"predecessor-version":[{"id":23053,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2756\/revisions\/23053"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}