{"id":27617,"date":"2016-11-18T11:01:53","date_gmt":"2016-11-18T10:01:53","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=27617"},"modified":"2016-11-30T20:35:39","modified_gmt":"2016-11-30T19:35:39","slug":"hdo-197-luis-lopes-un-guitarrista-polifacetico-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-197-luis-lopes-un-guitarrista-polifacetico-podcast\/","title":{"rendered":"HDO 197. Luis Lopes: un guitarrista polifac\u00e9tico [Podcast]"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><center><figure id=\"attachment_27618\" aria-describedby=\"caption-attachment-27618\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-27618\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/LLHQ_20110809_094-600x400.jpg\" alt=\"Luis Lopes (electric guitar), Rodrigo Amado (tenor sax), Aaron Gonzalez (doublebass), Stefan Gonzalez (drums)\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/LLHQ_20110809_094.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/LLHQ_20110809_094-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/LLHQ_20110809_094-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/LLHQ_20110809_094-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/LLHQ_20110809_094-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-27618\" class=\"wp-caption-text\">Luis Lopes Humanization 4tet: Luis Lopes (guitarra el\u00e9ctrica), Rodrigo Amado (saxo tenor), Aaron Gonzalez (contrabajo), Stefan Gonzalez (bater\u00eda).\u00a0\u00a9 Nuno Martins, 2011.<\/figcaption><\/figure><\/center><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">La entrega 197 de HDO est\u00e1 dedicada al polifac\u00e9tico guitarrista portugu\u00e9s\u00a0<strong><a href=\"http:\/\/www.luislopes.pt\/\" target=\"_blank\" rel=\"noopener\">Luis Lopes<\/a><\/strong>, cuyas grabaciones se mueven por el terreno del jazz, la improvisaci\u00f3n libre, la experimentaci\u00f3n y el\u00a0<em>noise<\/em>. En un extenso programa suenan m\u00fasicas de seis de sus grabaciones: \u00abLong March For Frida Kahlo\u00bb y \u00abBush Baby\u00bb de\u00a0<em>Live in Madison<\/em> de\u00a0<strong>Humanization 4tet<\/strong>; \u00abPoint Blank\u00bb y \u00abSubsoil Sound\u00bb de\u00a0<em>Clouds Clues<\/em> de\u00a0<strong>Big Bold Black Bone<\/strong>; \u00abEvil&#8217;s Face\u00bb y \u00abThe Sadness of The Invevitable End\u00bb de la grabaci\u00f3n a guitarra sola\u00a0<em>Love Song<\/em>; \u00ab221\u00bb y \u00ab555\u00bb de\u00a0<em>Garden<\/em> de\u00a0<strong>Bruno Parrinha &#8211; Lluis Lopes &#8211; Ricardo Jacinto<\/strong>; \u00abVertigo\u00bb y Mother Snake\u00bb <a href=\"http:\/\/www.tomajazz.com\/web\/?p=18373\" target=\"_blank\">de\u00a0<em>The Line<\/em> de\u00a0<strong>Lisbon Berlin Trio<\/strong><\/a>; \u00abII\u00bb (HDO edit) del expl\u00edcito\u00a0<em>Noise Solo<\/em>.<\/p>\n<p style=\"text-align: right;\">Texto y HDO: \u00a9 Pachi Tapiz, 2016<br \/>\nFotograf\u00eda: <a href=\"http:\/\/www.tomajazz.com\/perfiles\/fotografias\/jazz_em_agosto_2011.html\" target=\"_blank\">Exposici\u00f3n\u00a0<em>Nuno Martins: Jazz Em Agosto 2011<\/em><\/a>\u00a0\u00a9 Nuno Martins, 2011<\/p>\n<p style=\"text-align: justify;\"><strong>HDO\u00a0<\/strong>es un\u00a0<em>podcast\u00a0<\/em>editado, producido y presentado por Pachi Tapiz.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_13803116\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_13803116_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27622 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Big-Bold-Black-Bones_Cloud-Clues_Wide-Ear_2016-200x192.png\" alt=\"big-bold-black-bones_cloud-clues_wide-ear_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Big-Bold-Black-Bones_Cloud-Clues_Wide-Ear_2016-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Big-Bold-Black-Bones_Cloud-Clues_Wide-Ear_2016-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27623 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Bruno-Parrinha-Luis-Lopes-Ricardo-Jacinto_Gardern_Clean-Feed_2016-200x200.jpg\" alt=\"bruno-parrinha-luis-lopes-ricardo-jacinto_gardern_clean-feed_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Bruno-Parrinha-Luis-Lopes-Ricardo-Jacinto_Gardern_Clean-Feed_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Bruno-Parrinha-Luis-Lopes-Ricardo-Jacinto_Gardern_Clean-Feed_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Bruno-Parrinha-Luis-Lopes-Ricardo-Jacinto_Gardern_Clean-Feed_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Bruno-Parrinha-Luis-Lopes-Ricardo-Jacinto_Gardern_Clean-Feed_2016.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Bruno-Parrinha-Luis-Lopes-Ricardo-Jacinto_Gardern_Clean-Feed_2016-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27624 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes-Humanization-4Tet_Live-In-Madison_Ayler-Records_2012-200x179.jpg\" alt=\"luis-lopes-humanization-4tet_live-in-madison_ayler-records_2012\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes-Humanization-4Tet_Live-In-Madison_Ayler-Records_2012-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes-Humanization-4Tet_Live-In-Madison_Ayler-Records_2012-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27625 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes-Lisbon-Berlin-Trio_The-Line_Clean-Feed_2016-200x197.jpg\" alt=\"luis-lopes-lisbon-berlin-trio_the-line_clean-feed_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes-Lisbon-Berlin-Trio_The-Line_Clean-Feed_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes-Lisbon-Berlin-Trio_The-Line_Clean-Feed_2016-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes-Lisbon-Berlin-Trio_The-Line_Clean-Feed_2016-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27626 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Love-Song_Shhpuma-Records_LP-200x201.jpg\" alt=\"luis-lopes_love-song_shhpuma-records_lp\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Love-Song_Shhpuma-Records_LP-200x201.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Love-Song_Shhpuma-Records_LP-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Love-Song_Shhpuma-Records_LP-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Love-Song_Shhpuma-Records_LP.jpg 298w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Love-Song_Shhpuma-Records_LP-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27627 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Noise-Solo_lpz-Records_LP-200x203.jpg\" alt=\"12_Inch_Vinyl_Outer_Sleeve.eps\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Noise-Solo_lpz-Records_LP-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Noise-Solo_lpz-Records_LP-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Luis-Lopes_Noise-Solo_lpz-Records_LP-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: justify;\">En HDO 197 suena:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abLong March For Frida Kahlo\u00bb; \u00abBush Baby\u00bb<br \/>\n<strong>Humanization 4tet<\/strong><em>: Live in Madison<\/em>\u00a0(Ayler Records, 2013)<br \/>\nLuis Lopes, Rodrigo Amado, Aaron Gonz\u00e1lez, Stefan Gonz\u00e1lez<\/li>\n<li style=\"text-align: justify;\">\u00abPoint Blank\u00bb; \u00abSubsoil Sound\u00bb<br \/>\n<strong>Big Bold Black Bone<\/strong>:\u00a0<em>Clouds Clues<\/em>\u00a0(Wide Ear, 2015)<br \/>\nMarco von Orelli, Luis Lopes, Travassos, Sheldon Suter<\/li>\n<li style=\"text-align: justify;\">\u00abEvil&#8217;s Face\u00bb y \u00abThe Sadness of The Invevitable End\u00bb<br \/>\n<strong>Luis Lopes<\/strong>:\u00a0<em>Love Song\u00a0<\/em>(LP, Shhpuma Records)<br \/>\nLuis Lopes<\/li>\n<li style=\"text-align: justify;\">\u00ab221\u00bb y \u00ab555\u00bb<br \/>\n<strong>Bruno Parrinha &#8211; Lluis Lopes &#8211; Ricardo Jacinto<\/strong>:\u00a0<em>Garden<\/em>\u00a0(Clean Feed Records, 2016)<\/li>\n<li style=\"text-align: justify;\">\u00abVertigo\u00bb y Mother Snake\u00bb<br \/>\n<strong>Lisbon Berlin Trio:\u00a0<\/strong><em>The Line<\/em>\u00a0(Clean Feed Records, 2014)<br \/>\nLuis Lopes, Robert Landfermann, Christian Lillinger<\/li>\n<li style=\"text-align: justify;\">\u00abII\u00bb (HDO edit)<br \/>\n<strong>Luis Lopes<\/strong>:\u00a0<em>Noise Solo <\/em>(LP, lpz Records, 2013)<br \/>\nLuis Lopes<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; La entrega 197 de HDO est\u00e1 dedicada al polifac\u00e9tico guitarrista portugu\u00e9s\u00a0Luis Lopes, cuyas grabaciones se mueven por el terreno del jazz, la improvisaci\u00f3n libre, la experimentaci\u00f3n y el\u00a0noise. En un extenso programa suenan m\u00fasicas de seis de sus grabaciones: \u00abLong March For Frida Kahlo\u00bb y \u00abBush Baby\u00bb de\u00a0Live<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-197-luis-lopes-un-guitarrista-polifacetico-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":27618,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17932,17847,13298,17151,12814,15518,1038],"tags":[17922,1432,17924,15163,17931,17921,12885,17930,12887,17925,30,17927,17929,17923,17926,17928],"class_list":["entry","author-pachi","post-27617","post","type-post","status-publish","format-standard","has-post-thumbnail","category-_nuno-martins","category-pachi-tapiz","category-hablando-de-oidas-hdo","category-t03-2016-17","category-podcast","category-sonidos","category-contenidos","tag-aaron-gonzalez","tag-ayler-records","tag-big-bold-black-bone","tag-clean-feed-records","tag-garden","tag-humanization-4tet","tag-lisbon-berlin-trio","tag-lpz-records","tag-luis-lopes","tag-marco-von-orelli","tag-rodrigo-amado","tag-sheldon-suter","tag-shhpuma-records","tag-stefan-gonzalez","tag-travassos","tag-wide-ear"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/LLHQ_20110809_094.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20362,"url":"https:\/\/tomajazz.com\/web\/estadisticas-del-audio-rodrigo-amado-was-zingaro-mitzlaff-viegas-rosso-4tet-lisbon-connection-jazz-que-jazz-desde-portugal-hdo-0021-audioblog\/","url_meta":{"origin":27617,"position":0},"title":"Rodrigo Amado &#8211; WAS? &#8211; Zingaro \/ Mitzlaff \/ Viegas \/ Rosso 4tet &#8211; Lisbon Connection: jazz (\u00bfqu\u00e9 jazz?) desde Portugal. HDO (0021) [Audioblog]","author":"Tomajazz","date":"21 octubre, 2015","format":"audio","excerpt":"Cuatro novedades desde Portugal pueden servir\u00a0para reflexionar sobre unas cuantas\u00a0cuestiones acerca de... Las cuatro grabaciones entroncan con el free y la improvisaci\u00f3n libre. Rodrigo Amado vuelve a reunir en This Is Our Language (Not Two, 2015) a tres grandes de la improvisaci\u00f3n internacional (Joe McPhee, Kent Kessler y Chris Corsano)\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151019_004_rotada-e1445371337789.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151019_004_rotada-e1445371337789.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151019_004_rotada-e1445371337789.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151019_004_rotada-e1445371337789.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":210,"url":"https:\/\/tomajazz.com\/web\/210\/","url_meta":{"origin":27617,"position":1},"title":"Rodrigo Amado: ecos europeos. Entrevista por Pachi Tapiz","author":"Tomajazz","date":"2 abril, 2011","format":false,"excerpt":"El saxofonista y fot\u00f3grafo portugu\u00e9s Rodrigo Amado es uno de los m\u00fasicos con mayor proyecci\u00f3n internacional de su pa\u00eds. En el \u00faltimo a\u00f1o ha aparecido en grabaciones en Not Two (Searching For Adam), su propio sello European Echoes (The Abstract Truth y\u00a0Motion Trio) y tambi\u00e9n en Ayler Records (Electricity de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rodrigo Amado \u00a9 Cristina Cortez","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":46848,"url":"https:\/\/tomajazz.com\/web\/https-www-tomajazz-com-web-p46848\/","url_meta":{"origin":27617,"position":2},"title":"JazzX5#126. Leblanc &#8211; Gibson &#8211; Vicente &#8211; Mira &#8211; Ferreira Lopes: In the Bloom (Double on the Brim) [Minipodcast]","author":"Tomajazz","date":"3 noviembre, 2019","format":false,"excerpt":"En JazzX5 126 suena In the Bloom del quinteto Leblanc - Gibson - Vicente - Mira - Ferreira Lopes.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_126.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_126.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_126.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_126.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29753,"url":"https:\/\/tomajazz.com\/web\/hdo-247-improvisacion-podcast\/","url_meta":{"origin":27617,"position":3},"title":"HDO 247. Improvisaci\u00f3n [Podcast]","author":"Tomajazz","date":"17 marzo, 2017","format":false,"excerpt":"HDO 247 est\u00e1 centrado en cinco propuestas\u00a0de improvisaci\u00f3n libre:\u00a0Trandans\u00a0(Stitching Wig, 2017), con Ab Baars, Ig Henneman y Dave Burrell;\u00a0Waterscapes\u00a0(Creative Sources Recordings, 2017) de Blaise Siwula y Jorge Nuno;\u00a0Planktonic Finales\u00a0(Intakt, 2017) de Stephan Crump, Ingrid Laubrock y Cory Smythe;\u00a0A Square Meal\u00a0(Atrito Afeito, 2017) de Karoline Leblanc, Luis Vicente, Hugo Antunes y\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28674,"url":"https:\/\/tomajazz.com\/web\/hdo-218-signs-of-the-silhouette-baga-baga-improvisando-a-la-libre-desde-portugal-podcast\/","url_meta":{"origin":27617,"position":4},"title":"HDO 218. Signs of the Silhouette, Baga &#8211; Baga: improvisando a la libre desde Portugal [Podcast]","author":"Tomajazz","date":"11 enero, 2017","format":false,"excerpt":"Tres grabaciones de Baga-Baga y Signs Of The Silhouette (por partida doble), sirven para sostener HDO 218 del mi\u00e9rcoles 11 de enero de 2017. En estos dos grupos participa el guitarrista portugu\u00e9s Jorge Nuno. La m\u00fasica de estas dos propuestas se mueve por los terrenos de la improvisaci\u00f3n libre, el\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Signs-of-the-Silhouette-Big-Bold-Black-Bone-Rodrigo-Amado-Motion-Trio.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Signs-of-the-Silhouette-Big-Bold-Black-Bone-Rodrigo-Amado-Motion-Trio.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Signs-of-the-Silhouette-Big-Bold-Black-Bone-Rodrigo-Amado-Motion-Trio.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Signs-of-the-Silhouette-Big-Bold-Black-Bone-Rodrigo-Amado-Motion-Trio.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Signs-of-the-Silhouette-Big-Bold-Black-Bone-Rodrigo-Amado-Motion-Trio.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Signs-of-the-Silhouette-Big-Bold-Black-Bone-Rodrigo-Amado-Motion-Trio.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":24848,"url":"https:\/\/tomajazz.com\/web\/hdo-125-mia-unos-encuentros-de-musica-improvisada-diferentes-al-habla-con-miquel-jorda-podcast\/","url_meta":{"origin":27617,"position":5},"title":"HDO 125. MIA: unos Encuentros de M\u00fasica Improvisada diferentes. Al habla con Miquel Jord\u00e0 [Podcast]","author":"Tomajazz","date":"7 junio, 2016","format":false,"excerpt":"MIA (Encuentros de M\u00fasica Improvisada de Atouguia da Baleia) es un festival que se lleva realizando anualmente desde 2010 en esta localidad portuguesa sita al norte de Lisboa. 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