{"id":2781,"date":"2010-10-15T13:06:00","date_gmt":"2010-10-15T11:06:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2781"},"modified":"2016-09-19T11:51:49","modified_gmt":"2016-09-19T09:51:49","slug":"un-pensamiento-sobre-monk","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/un-pensamiento-sobre-monk\/","title":{"rendered":"Un pensamiento sobre Monk"},"content":{"rendered":"<p><a href=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TLhDDZ39FcI\/AAAAAAAACFI\/8lFH8_zFIPE\/s1600\/monk_big-band_concert.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TLhDDZ39FcI\/AAAAAAAACFI\/8lFH8_zFIPE\/s1600\/monk_big-band_concert.gif\" alt=\"\" title=\"\"><\/a><br \/>\u00abSi la t\u00e9cnica en jazz es el arte de tener sentido, entonces \u00e9l tiene m\u00e1s t\u00e9cnica que nadie. O si la t\u00e9cnica consiste en no desperdiciar notas, entonces \u00e9l tiene m\u00e1s t\u00e9cnica que nadie. \u00a1Y por supuesto que puede tocar el piano! Puede conseguir extraer de ese piano m\u00e1s variedad de colores, ritmos y formas que cualquier m\u00fasico que yo conozca. Toca TODO el instrumento. Puede sacarle m\u00e1s partido a una sola nota que ning\u00fan otro pianista (exceptuando, quiz\u00e1s, a Duke Ellington o a Cecil Taylor). Tiene una t\u00e9cnica fabulosa. Dicen que no la tiene y eso es totalmente absurdo.\u00bb<\/p>\n<p>Steve Lacy sobre Thelonious Monk.<\/p>\n<p>No voy a a\u00f1adir nada m\u00e1s. Sus m\u00fasicas siguen hablando por s\u00ed mismas.<br \/>Pachi Tapiz<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abSi la t\u00e9cnica en jazz es el arte de tener sentido, entonces \u00e9l tiene m\u00e1s t\u00e9cnica que nadie. O si la t\u00e9cnica consiste en no desperdiciar notas, entonces \u00e9l tiene m\u00e1s t\u00e9cnica que nadie. \u00a1Y por supuesto que puede tocar el piano! Puede conseguir extraer de ese piano m\u00e1s variedad<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/un-pensamiento-sobre-monk\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[6637],"class_list":["entry","author-pachi","post-2781","post","type-post","status-publish","format-standard","category-uncategorized","tag-duke-ellington"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100734,"url":"https:\/\/tomajazz.com\/web\/charles-lloyd-figure-in-blue-2025\/","url_meta":{"origin":2781,"position":0},"title":"Charles Lloyd: Figure In Blue (Blue Note; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"Figure In Blue (Blue Note; 2025) es la nueva grabaci\u00f3n de Charles Lloyd. Carlos Lara repasa esta obra. Con Charles Lloyd, Jason Moran, Marvin Sewell","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Charles Lloyd: Figure In Blue (Blue Note; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Figure In Blue (Blue Note; 2025) es la nueva grabaci\u00f3n de Charles Lloyd. Carlos Lara repasa esta obra. Con Charles Lloyd, Jason Moran, Marvin Sewell","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Lloyd-Figure-In-Blue-2025-Blue-Note-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Lloyd-Figure-In-Blue-2025-Blue-Note-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Lloyd-Figure-In-Blue-2025-Blue-Note-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Lloyd-Figure-In-Blue-2025-Blue-Note-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13860,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-entrevista-con-charles-melville-1958\/","url_meta":{"origin":2781,"position":1},"title":"Duke Ellington: entrevista con Charles Melville (1958)","author":"Tomajazz","date":"2 noviembre, 2006","format":false,"excerpt":"Charles Melville entrevist\u00f3 a Duke Ellington para la BBC Network Three en 1958.\u00a0 El periodista Steve Voce realiz\u00f3 la transcripci\u00f3n de esta entrevista, que se public\u00f3 en el n\u00famero de marzo de 1959 de la revista brit\u00e1nica Jazz Journal.\u00a0 Con el permiso expreso de Steve Voce, incluimos aqu\u00ed la traducci\u00f3n\u2026","rel":"","context":"En \u00ab*_Agust\u00edn P\u00e9rez Gasco\u00bb","block_context":{"text":"*_Agust\u00edn P\u00e9rez Gasco","link":"https:\/\/tomajazz.com\/web\/category\/agustin-perez-gasco\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/526px-Duke_Ellington_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/526px-Duke_Ellington_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/526px-Duke_Ellington_1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":2781,"position":2},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. Pachi Tapiz repasa la grabaci\u00f3n. Actuaron Charles Mingus, Jaki Byard, Dannie Richmond, Charles McPherson, John Handy III, Jack Nimitz, Buddy Collette, Lonnie Hillyer, Bobby Bryant, Melvin Moore, Lou\u2026","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14050,"url":"https:\/\/tomajazz.com\/web\/david-berger-apuntes-para-interpretar-a-ellington\/","url_meta":{"origin":2781,"position":3},"title":"David Berger: apuntes para interpretar a Ellington","author":"Tomajazz","date":"18 diciembre, 2006","format":false,"excerpt":"El compositor, arreglista y director de orquesta David Berger es reconocido internacionalmente como una autoridad en la m\u00fasica de Duke Ellington y de la era del swing en general. Director y arreglista de la Lincoln Center Jazz Orchestra entre 1988 y 1994, ha realizado transcripciones de m\u00e1s de 500 composiciones\u2026","rel":"","context":"En \u00ab*_Agust\u00edn P\u00e9rez Gasco\u00bb","block_context":{"text":"*_Agust\u00edn P\u00e9rez Gasco","link":"https:\/\/tomajazz.com\/web\/category\/agustin-perez-gasco\/"},"img":{"alt_text":"\"Duke Ellington - publicity\" by Unknown - eBay. Licensed under Public domain via Wikimedia Commons.","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2006\/12\/696px-Duke_Ellington_-_publicity.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13869,"url":"https:\/\/tomajazz.com\/web\/duke-ellington-biografia-por-donald-clarke-segunda-parte-1956-1974\/","url_meta":{"origin":2781,"position":4},"title":"Duke Ellington: Biograf\u00eda por Donald Clarke (Segunda parte: 1956-1974)","author":"Tomajazz","date":"1 diciembre, 2006","format":false,"excerpt":"Duke Ellington: Biograf\u00eda por Donald Clarke (Segunda parte: 1956-1974). En Tomajazz reproducimos la biograf\u00eda de Duke Ellington de Donald Clarke gracias al permiso de su autor y a la traducci\u00f3n y buen hacer de Agust\u00edn P\u00e9rez Gasco y Fernando Ortiz de Urbina.","rel":"","context":"En \u00ab*_Agust\u00edn P\u00e9rez Gasco\u00bb","block_context":{"text":"*_Agust\u00edn P\u00e9rez Gasco","link":"https:\/\/tomajazz.com\/web\/category\/agustin-perez-gasco\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/ellington\/ellington_bio2\/duke015.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":2781,"position":5},"title":"Rahsaan Roland Kirk: Seek &#038; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2781"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2781\/revisions"}],"predecessor-version":[{"id":26391,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2781\/revisions\/26391"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}