{"id":2785,"date":"2010-10-07T08:00:00","date_gmt":"2010-10-07T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2785"},"modified":"2010-10-07T08:00:00","modified_gmt":"2010-10-07T06:00:00","slug":"recordando-a-bill-evans","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/recordando-a-bill-evans\/","title":{"rendered":"Recordando a Bill Evans"},"content":{"rendered":"<div><a href=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/TKzPcm9WG0I\/AAAAAAAACEM\/-9qsENbWTYw\/s1600\/evans_last-waltz.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/TKzPcm9WG0I\/AAAAAAAACEM\/-9qsENbWTYw\/s1600\/evans_last-waltz.gif\" alt=\"\" title=\"\"><\/a><\/div>\n<div>\u201cSi tengo tantas ganas de subir a un escenario es por culpa de Marc Johnson y Joe LaBarbera. No s\u00e9 explicarlo con palabras, pero te aseguro que admiro a esos dos j\u00f3venes y me siento muy afortunado. Me muero de ganas porque llegue la hora de tocar con ellos\u201d.<\/div>\n<div>Bill Evans. 27 de agosto de 1980.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<p><a href=\"http:\/\/3.bp.blogspot.com\/_huJnG8dEQz8\/TKzPeWmd9JI\/AAAAAAAACEQ\/Q4tebrItbW4\/s1600\/evans_consecration.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/3.bp.blogspot.com\/_huJnG8dEQz8\/TKzPeWmd9JI\/AAAAAAAACEQ\/Q4tebrItbW4\/s1600\/evans_consecration.gif\" alt=\"\" title=\"\"><\/a><\/p>\n<div>Como suele suceder, en esto del jazz la memoria es fr\u00e1gil. Muy fr\u00e1gil salvo que se la alimente de un modo apropiado. El m\u00e1s habitual suelen ser las reediciones. Algo que a veces no toca. Viene esto a cuenta de que el 15 de septiembre pasado se cumpli\u00f3 el 30 aniversario del fallecimiento de Bill Evans. El pianista estuvo tocando casi hasta el mismo d\u00eda de su fallecimiento en compa\u00f1\u00eda de Marc Johnson y Joe Labarbera. Esos conciertos en el Keystone Korner de San Francisco se encuentran recogidos en 16 CD repartidos en dos cajas que se publicaron oficialmente en 2000 y 2002. El \u00faltimo encuentro que all\u00ed aparece tuvo lugar el 8 de septiembre. Faltaban 7 d\u00edas para que nos dejase. La m\u00fasica de todos esos discos sigue siendo una magn\u00edfica excusa, otra m\u00e1s, para recordar al maestro William John \u00abBill\u00bb Evans.<\/div>\n<div><\/div>\n<div>Pachi Tapiz<\/p>\n<p>Bill Evans Trio<i> The Last Waltz. The final recordings. Live at Keystone Korner. September 1980<\/i>. Milestone<br \/>Bill Evans Trio.\u00a0<i>Consecration. The final recordings, Part 2. Live at Keystone Korner. September 1980<\/i>. Milestone\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cSi tengo tantas ganas de subir a un escenario es por culpa de Marc Johnson y Joe LaBarbera. No s\u00e9 explicarlo con palabras, pero te aseguro que admiro a esos dos j\u00f3venes y me siento muy afortunado. Me muero de ganas porque llegue la hora de tocar con ellos\u201d. Bill<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/recordando-a-bill-evans\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-2785","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":14069,"url":"https:\/\/tomajazz.com\/web\/bill-evans-symbiosis-mps-1974-orig-2014-reed-digital\/","url_meta":{"origin":2785,"position":0},"title":"Bill Evans: Symbiosis (MPS. 1974 -orig-, 2014 -reed.digital)","author":"Tomajazz","date":"19 septiembre, 2014","format":false,"excerpt":"El tr\u00edo de Bill Evans m\u00e1s la colaboraci\u00f3n del compositor alem\u00e1n de origen polaco Claus Ogerman, autor de la totalidad de los temas, conforman \u00e9ste \u00e1lbum conceptual del a\u00f1o 1974 a la manera de una sinfon\u00eda. Desarrollado en dos movimientos, el primero de los cuales se subdivide en tres partes\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Bill-Evans_Symbiosis_MPS_1974-e1411076945291.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Bill-Evans_Symbiosis_MPS_1974-e1411076945291.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Bill-Evans_Symbiosis_MPS_1974-e1411076945291.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":21305,"url":"https:\/\/tomajazz.com\/web\/oscar-pettiford-bill-evans-wynton-marsalis-homenajes-hdo-0048\/","url_meta":{"origin":2785,"position":1},"title":"Oscar Pettiford, Bill Evans, Wynton Marsalis: homenajes. HDO (0048)","author":"Tomajazz","date":"12 diciembre, 2015","format":"audio","excerpt":"Oscalypso, Postcard to Bill Evans y (Dance to) The Early Music son, respectivamente, tres homenajes a m\u00fasicos tan distintos como Oscar Pettiford (por el chelista Erik Friedlander), Bill Evans (por\u00a0el pianista Bruno Heinen y el guitarrista Kristian Borring), y Wynton Marsalis (por el Nate Wooley Quintet). Adem\u00e1s de un contrabajista\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Erik-Friedlander_Oscalypso_Skipstone-Rercords_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":48405,"url":"https:\/\/tomajazz.com\/web\/bill-evans-iii-la-odisea-de-la-musica-afroamericana-221-podcast\/","url_meta":{"origin":2785,"position":2},"title":"Bill Evans (III). La Odisea de la M\u00fasica Afroamericana (221) [Podcast]","author":"Tomajazz","date":"13 enero, 2020","format":false,"excerpt":"En la entrega 221 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante contin\u00faa adentr\u00e1ndose en la figura del pianista Bill Evans.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Bill-Evans_The-Complete-Village-Vanguard-Recordings-1961_Riverside.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":53284,"url":"https:\/\/tomajazz.com\/web\/bill-evans-live-at-ronnie-scotts-ecos-del-pasado-en-formato-del-lujo-grabacion-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":2785,"position":3},"title":"Bill Evans Live At Ronnie Scott\u2019s. Ecos del pasado en formato del lujo. [Grabaci\u00f3n de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"9 diciembre, 2020","format":false,"excerpt":"Juan F. Trillo repasa la grabaci\u00f3n \"Live at Ronnie Scott's\" de Bill Evans , \"una pieza de coleccionista realmente excepcional\".","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/12\/Cover-Bill-Evans-Ronnie-Scotts_peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":48239,"url":"https:\/\/tomajazz.com\/web\/bill-evans-ii-la-odisea-de-la-musica-afroamericana-220-podcast\/","url_meta":{"origin":2785,"position":4},"title":"Bill Evans (II). 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Se le puede escuchar junto a gigantes del jazz como Miles Davis, Charles Mingus o Cannonball Adderley... entre otros.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":14413,"url":"https:\/\/tomajazz.com\/web\/mauro-urriza-blues-for-oteiza-nada-producciones-2014\/","url_meta":{"origin":2785,"position":5},"title":"Mauro Urriza: Blues for Oteiza (Nada Producciones, 2014)","author":"Tomajazz","date":"7 octubre, 2014","format":false,"excerpt":"La segunda entrega discogr\u00e1fica de Mauro Urriza, Blues For Oteiza, comienza con un viraje brusco desde lo abstracto hacia lo concreto. As\u00ed, desde la nebulosa \u201cEl p\u00e1jaro que da cuerda\u201d (referencia a la obra del escritor japon\u00e9s Murakami \u201cCr\u00f3nica del p\u00e1jaro que da cuerda al mundo\u201d) la formaci\u00f3n salta a\u2026","rel":"","context":"En \u00ab*_Sergio Masferrer\u00bb","block_context":{"text":"*_Sergio Masferrer","link":"https:\/\/tomajazz.com\/web\/category\/sergio-masferrer\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mauro-Urriza-Jazz-Group_Blues-For-Oteiza_Nada-Producciones_2014-e1412674349246.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mauro-Urriza-Jazz-Group_Blues-For-Oteiza_Nada-Producciones_2014-e1412674349246.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mauro-Urriza-Jazz-Group_Blues-For-Oteiza_Nada-Producciones_2014-e1412674349246.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2785"}],"version-history":[{"count":0,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2785\/revisions"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}