{"id":2787,"date":"2010-10-05T16:10:00","date_gmt":"2010-10-05T14:10:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2787"},"modified":"2010-10-05T16:10:00","modified_gmt":"2010-10-05T14:10:00","slug":"ted-rosenthal-trio-impromptu-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ted-rosenthal-trio-impromptu-2010\/","title":{"rendered":"Ted Rosenthal Trio: Impromptu (2010)"},"content":{"rendered":"<div><a href=\"http:\/\/3.bp.blogspot.com\/_huJnG8dEQz8\/TKsx_hX1DcI\/AAAAAAAACEI\/Yq2UEMLj50s\/s1600\/ted_rosenthal-impromptu.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/3.bp.blogspot.com\/_huJnG8dEQz8\/TKsx_hX1DcI\/AAAAAAAACEI\/Yq2UEMLj50s\/s1600\/ted_rosenthal-impromptu.jpg\" alt=\"\" title=\"\"><\/a><\/div>\n<div>En <i>Impromptu <\/i>el pianista Ted Rosenthal (ganador de la segunda edici\u00f3n de la Thelonious Monk Competition) echa mano al legado de la m\u00fasica cl\u00e1sica para construir su repertorio adaptando temas de Brahms, Chopin, Schubert, Bach, Tchaikovsky, Mozart y hasta Puccini.<br \/><a name=\"more\"><\/a>\n<\/div>\n<div><\/div>\n<div>Sus arreglos no llevan esas composiciones a los terrenos de la <i>Third Stream<\/i> o de una cierta experimentaci\u00f3n vanguardista, sino que de su mano van derechas a recrearse en las melod\u00edas y a la b\u00fasqueda del <i>swing<\/i>. Una adaptaci\u00f3n de la m\u00fasica cl\u00e1sica al jazz bien podr\u00eda haber quedado como como un buen ejercicio estil\u00edstico y acad\u00e9mico, pero poco m\u00e1s. Sin embargo el intento, gracias al desparpajo y las buenas formas de Ted Rosenthal, la contrabajista Noriko Ueda y el baterista Quincy Davis, a pesar de no ser en absoluto revolucionario, se salda con un resultado muy agradable y m\u00e1s que disfrutable.<\/div>\n<div><\/div>\n<div>Pachi Tapiz<\/div>\n<div><\/div>\n<div>Ted Rosenthal Trio: <i>Impromptu<\/i>\n<\/div>\n<div><\/div>\n<div>Ted Rosenthal (piano), Noriko Ueda (contrabajo), Quincy Davis (bater\u00eda)<\/div>\n<div><\/div>\n<div>\u201cballade in g minor\u201d (J. Brahms), \u201cnocturne in f minor\u201d (F. Chopin), \u201cimpromptu in g flat\u201d (F. Schubert), \u201cjune\u201d (P. Tchaikovsky), \u201ctraumerei\u201d (R. Schumann), \u201cpresto\u201d (J.S. Bach), \u201co mio babbino caro\u201d (G. Puccini), \u201cintermezzo in b flat minor\u201d (J. Brahms), \u201dfantasy in d minor\u201c (W.A. Mozart), \u201ctheme from symphony n\u00ba5\u201d (P. Tchaikovsky)<\/div>\n<div>Todos los arreglos por Ted Rosenthal<\/div>\n<div><\/div>\n<div>Grabado el 21 y 23 de diciembre de 2009 en Knoop Studio, Riveredge, New Jersey, USA. Publicado en 2010 por Playscape Recordings. PSR #122109. <a href=\"http:\/\/www.playscape-recordings.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.playscape-recordings.com<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>En Impromptu el pianista Ted Rosenthal (ganador de la segunda edici\u00f3n de la Thelonious Monk Competition) echa mano al legado de la m\u00fasica cl\u00e1sica para construir su repertorio adaptando temas de Brahms, Chopin, Schubert, Bach, Tchaikovsky, Mozart y hasta Puccini. Sus arreglos no llevan esas composiciones a los terrenos de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ted-rosenthal-trio-impromptu-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-2787","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2786,"url":"https:\/\/tomajazz.com\/web\/top-ten-octavo-intento-o-una-seleccion-para-un-programa-de-radio-imaginario\/","url_meta":{"origin":2787,"position":0},"title":"Top Ten: octavo intento o una selecci\u00f3n para un programa de radio imaginario","author":"Tomajazz","date":"6 octubre, 2010","format":false,"excerpt":"N\u00fameros, n\u00fameros, n\u00fameros... siempre los n\u00fameros. \u00a1Qu\u00e9 m\u00e1s da el diez o el diecisiete! 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C\u00f3mo escuchar jazz (Ted Gioia) [436]","author":"Tomajazz","date":"15 junio, 2018","format":false,"excerpt":"Un libro.\u00a0Ted Gioia:\u00a0C\u00f3mo escuchar jazz\u00a0(Turner Noema, 2017) Tras un t\u00edtulo que puede parecer un tanto pretencioso, est\u00e1 el texto de un gran experto como\u00a0Ted Gioia que sirve para se\u00f1alar distintas rutas de aproximaci\u00f3n a algo tan sutil como es escuchar y disfrutar de la m\u00fasica, en este caso del jazz.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ted-Gioia_C%C3%B3mo-escuchar-jazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ted-Gioia_C%C3%B3mo-escuchar-jazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ted-Gioia_C%C3%B3mo-escuchar-jazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ted-Gioia_C%C3%B3mo-escuchar-jazz.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ted-Gioia_C%C3%B3mo-escuchar-jazz.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Ted-Gioia_C%C3%B3mo-escuchar-jazz.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":37294,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-un-libro-historia-del-jazz-ted-gioia-437\/","url_meta":{"origin":2787,"position":5},"title":"Razones para el jazz. 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Turner \u00a0Publicaciones \u2013 Fondo de Cultura Econ\u00f3mica, 2002) En un mercado editorial como el hispano, en el que no abundan las referencias bibliogr\u00e1ficas que analicen la historia del jazz, y en el que incluso se pueden encontrar traducciones de libros de dudosa calidad,\u00a0Historia del\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/06\/Historia-del-Jazz-Ted-Gioia-ed.-especial.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2787"}],"version-history":[{"count":0,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2787\/revisions"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}