{"id":2789,"date":"2010-10-01T08:00:00","date_gmt":"2010-10-01T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2789"},"modified":"2010-10-01T08:00:00","modified_gmt":"2010-10-01T06:00:00","slug":"manuel-de-falla-sobre-la-musica","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/manuel-de-falla-sobre-la-musica\/","title":{"rendered":"Manuel de Falla sobre la m\u00fasica"},"content":{"rendered":"<div><a href=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TKVqfEpBEJI\/AAAAAAAACCw\/JoYBj-KdIOc\/s1600\/Spain-franco_bank_notes_0009.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TKVqfEpBEJI\/AAAAAAAACCw\/JoYBj-KdIOc\/s1600\/Spain-franco_bank_notes_0009.jpg\" alt=\"\" title=\"\"><\/a><\/div>\n<p>\u00abError funesto es decir que hay que comprender la m\u00fasica para gozar de ella. La m\u00fasica no se hace, ni debe jam\u00e1s hacerse para que se comprenda, sino para que se sienta.\u00bb<br \/>Manuel De Falla<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abError funesto es decir que hay que comprender la m\u00fasica para gozar de ella. La m\u00fasica no se hace, ni debe jam\u00e1s hacerse para que se comprenda, sino para que se sienta.\u00bbManuel De Falla<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/manuel-de-falla-sobre-la-musica\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["entry","author-pachi","post-2789","post","type-post","status-publish","format-standard","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":61977,"url":"https:\/\/tomajazz.com\/web\/carles-benavent-tino-di-geraldo-jorge-pardo-iii-murcia-jazz-festival-2022-03-02-por-jose-antonio-garcia-lopez-concierto-de-jazz\/","url_meta":{"origin":2789,"position":0},"title":"Carles Benavent \/ Tino Di Geraldo \/ Jorge Pardo (III Murcia Jazz Festival. 2022-03-02) Por Jos\u00e9 Antonio Garc\u00eda L\u00f3pez [Concierto de jazz]","author":"Tomajazz","date":"16 marzo, 2022","format":false,"excerpt":"Jos\u00e9 Antonio Garc\u00eda L\u00f3pez repasa la actuaci\u00f3n de Carles Benavent \/ Tino Di Geraldo \/ Jorge Pardo en el III Murcia Jazz Festival (2022).","rel":"","context":"En \u00ab*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez\u00bb","block_context":{"text":"*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez","link":"https:\/\/tomajazz.com\/web\/category\/jose-antonio-garcia-lopez\/"},"img":{"alt_text":"Carles Benavent \/ Tino Di Geraldo \/ Jorge Pardo (III Murcia Jazz Festival. 2022-03-02) Por Jos\u00e9 Antonio Garc\u00eda L\u00f3pez [Concierto de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/Benavent-DiGeraldo-Pardo_2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/Benavent-DiGeraldo-Pardo_2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/Benavent-DiGeraldo-Pardo_2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/Benavent-DiGeraldo-Pardo_2.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/Benavent-DiGeraldo-Pardo_2.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":16933,"url":"https:\/\/tomajazz.com\/web\/syncnestesia-jazz-un-experimento-de-improvisacion-y-pintura-o-pueden-los-sonidos-ser-atrapados-en-un-cuadro\/","url_meta":{"origin":2789,"position":1},"title":"Syncnestesia Jazz: un experimento de improvisaci\u00f3n y pintura o \u00bfpueden los sonidos ser atrapados en un cuadro?","author":"Tomajazz","date":"9 febrero, 2015","format":false,"excerpt":"La sala Manuel de Falla de la Sociedad General de Autores en Madrid ha sido el escenario del estreno del documental Syncnestesia Jazz, escrito y dirigido por los j\u00f3venes cineastas Area Mart\u00ednez y V\u00edctor Perezagua. Tras la proyecci\u00f3n, de una hora de duraci\u00f3n, tuvo lugar un animado coloquio entre los\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/02\/IMG_4652_filtered-e1423415848892.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":21338,"url":"https:\/\/tomajazz.com\/web\/21338\/","url_meta":{"origin":2789,"position":2},"title":"Daniel Cano, trompetista: Why Not?! Entrevista por Juanma Castro Medina","author":"Tomajazz","date":"16 diciembre, 2015","format":false,"excerpt":"Daniel Cano es un joven trompetista nacido en Huelva que se ha hecho un hueco en el panorama jazzistico de nuestro pa\u00eds, a base de trabajo y buen hacer. Ha colaborado con m\u00fasicos como Pedro Cortejosa, Paco Charl\u00edn, Bob Sands o Carlos Bermudo entre otros muchos. 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Lugar: Auditorio Parque Almansa, San Javier (Murcia) Componentes: V\u00edctor Aneiros: guitarra y voz. Julie Guravich: voz. Manuel Guti\u00e9rrez: piano. Fran Rey: teclados. V\u00edctor Gacio: bajo el\u00e9ctrico. Marcos S\u00e1nchez: bater\u00eda. Invitados: Mingo Balaguer: arm\u00f3nica y voz. 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