{"id":2795,"date":"2010-09-24T08:00:00","date_gmt":"2010-09-24T06:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2795"},"modified":"2016-04-10T23:06:38","modified_gmt":"2016-04-10T21:06:38","slug":"veteranos-en-la-brecha-xxix-bobby-bradford","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xxix-bobby-bradford\/","title":{"rendered":"Veteranos en la brecha (XXIX): Bobby Bradford"},"content":{"rendered":"
\"\"<\/a><\/div>\n
Bobby Bradford (1934) es un trompetista y cornetista de free jazz<\/i> de la Costa Oeste todav\u00eda en activo. Uno de esos artistas, otro m\u00e1s, perteneciente a la categor\u00eda de los m\u00fasicos que no han alcanzado el reconocimiento que sus buenas maneras merecen.
<\/a>
Entre sus m\u00e9ritos est\u00e1n el haber participado en el cuarteto de Ornette Coleman entre 1961 y 1963. Un m\u00fasico con el que ya hab\u00eda tocado y coincidido inicialmente en Texas. Posteriormente, en 1953, se traslad\u00f3 a Los Angeles. All\u00ed toc\u00f3 con el creador de la teor\u00eda\u00a0harmol\u00f3dica<\/i> y tambi\u00e9n con Eric Dolphy. Tambi\u00e9n tuvo una larga asociaci\u00f3n con el clarinetista John Carter. Tras el fallecimiento de \u00e9ste en 1991, contin\u00fao su actividad liderando el quinteto Mo\u2019tet, y tambi\u00e9n grabando y actuando con David Murray, John Stevens, Nels Cline o con la Liberation Music Orchestra de Charlie Haden.<\/div>\n
<\/div>\n
\n
\"\"<\/a><\/div>\n

En 2010 el saxofonista Rich Halley ha puesto en marcha el sello Pine Eagle Records con la publicaci\u00f3n de Live At The Penofin Jazz Festival<\/i>. Un directo de 2008 a nombre de su cuarteto, en el que Bradford interviene como invitado especial tocando la corneta. Halley aporta las cinco composiciones. Unos temas que con duraciones en torno a los ocho minutos, caminan por el free<\/i>, el hard-bop<\/i>, el funk <\/i>o el blues<\/i>. El disco refleja magn\u00edficamente bien el calor de este cuarteto en directo, y muestran a un m\u00fasico que a pesar de tener m\u00e1s de 75 a\u00f1os sigue en un magn\u00edfico estado de forma.<\/div>\n

<\/div>\n
Pachi Tapiz<\/div>\n
<\/div>\n
<\/div>\n
\nFotograf\u00eda<\/a>\u00a0de Bobby Bradford. Moers Festival 2008\u00a0por Nomo (Michael Hoefner)<\/a>\u00a0http:\/\/www.zwo5.de<\/a>\n<\/div>\n
<\/div>\n
Rich Halley Quartet featuring Bobby Bradford: Live At The Penofin Jazz Festival<\/i>\n<\/div>\n
<\/div>\n
Rich Halley (saxo tenor, percusi\u00f3n), Bobby Bradford (corneta, percusi\u00f3n), Clyde Reed (contrabajo), Carson Halley (bater\u00eda)<\/div>\n
<\/div>\n
\u201cThe Blue Rims\u201d, \u201cStreets Belows\u201d, \u201cGrey Stones \/ Shards Of Sky\u201d, \u201cThe River\u2019s Edge Is Ice\u201d<\/div>\n
Composiciones por Rich Halley<\/div>\n
<\/div>\n
Grabado el 17 de mayo de 2008 en directo en Penofin Jazz Festival, Potter Valley, California. Publicado en 2010 por Pine Eagle Records. Pine Eagle 001 http:\/\/www.richhalley.com<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Bobby Bradford (1934) es un trompetista y cornetista de free jazz de la Costa Oeste todav\u00eda en activo. Uno de esos artistas, otro m\u00e1s, perteneciente a la categor\u00eda de los m\u00fasicos que no han alcanzado el reconocimiento que sus buenas maneras merecen. Entre sus m\u00e9ritos est\u00e1n el haber participado enContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2795","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":11312,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-tandem-bobby-bradford-john-carter\/","url_meta":{"origin":2795,"position":0},"title":"Tomajazz recomienda… un CD: Tandem (Bobby Bradford, John Carter)","author":"Tomajazz","date":"31 marzo, 2014","format":false,"excerpt":"Tandem es un doble CD que recoge sendos conciertos del d\u00fao formado por Bobby Bradford (corneta) y John Carter (clarinete) de los a\u00f1os 1979 y 1982. La grabaci\u00f3n ya fue publicada en 1996 por Emanem, que la ha vuelto a poner en circulaci\u00f3n en 2014 despu\u00e9s de que Martin Davidson\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"John Carter_Bobby Bradford_Tandem","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/John-Carter_Bobby-Bradford_Tandem-200x201.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2214,"url":"https:\/\/tomajazz.com\/web\/bradford-gjerstad-haker-flaten-nilssen-love-kampen-nobusiness-records-2012\/","url_meta":{"origin":2795,"position":1},"title":"Bradford, Gjerstad, Haker Flaten, Nilssen-Love: Kampen (NoBusiness Records, 2012)","author":"Tomajazz","date":"27 septiembre, 2012","format":false,"excerpt":"Los cuatro temas de Kampen ponen en la pista de la m\u00fasica contenida en este LP. Poco que a\u00f1adir a t\u00edtulos tan expl\u00edcitos como \"This Is\", \"A Live\", \"Recording From\" y \"Kampen, Oslo\". Kampen es el encuentro improvisado de cuatro m\u00fasicos pertenecientes no tanto a tres generaciones, sino m\u00e1s bien\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"bradford-gjerstad-love-flaten_kampen_lp_sp","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/bradford-gjerstad-love-flaten_kampen_lp_sp.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20552,"url":"https:\/\/tomajazz.com\/web\/nobusiness-records-free-jazz-y-libre-improvisacion-desde-lituania-hdo-0027-audioblog\/","url_meta":{"origin":2795,"position":2},"title":"NoBusiness Records: free jazz y libre improvisaci\u00f3n desde Lituania. HDO (0027) [Audioblog]","author":"Tomajazz","date":"31 octubre, 2015","format":"audio","excerpt":"Nueva entrada en HDO dedicada a escuchar m\u00fasica de la \u00faltima tanda de novedades publicada por el sello lituano NoBusiness Records, cuya oferta estil\u00edstica se centra en el free jazz y la libre improvisaci\u00f3n, tanto en forma de nuevas grabaciones como recuperando obras descatalogadas.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151029_003-e1446230219813.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32740,"url":"https:\/\/tomajazz.com\/web\/hdo-324-frode-gjerstad-y-bobby-bradford-dos-veteranos-del-free-podcast\/","url_meta":{"origin":2795,"position":3},"title":"HDO 324. Frode Gjerstad y Bobby Bradford: dos veteranos del free [Podcast]","author":"Tomajazz","date":"14 octubre, 2017","format":false,"excerpt":"Bobby Bradford y Frode Gjerstad son dos veteranos, todav\u00eda en activo, curtidos en mil batallas musicales, especialmente por los terrenos del free y la improvisaci\u00f3n. En HDO 324 escuchamos sus \u00faltimas grabaciones: Nearby Faraway (Frode Gjerstad - Paal Nilssen-Love. PNL Records; 2017), y Live At The Magic Triangle (Bobby Bradford\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Paal-Nilssen-Love-Frode-Gjerstad_Nearby-Faraway_PNL-Records_2017-e1507932416694.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Paal-Nilssen-Love-Frode-Gjerstad_Nearby-Faraway_PNL-Records_2017-e1507932416694.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Paal-Nilssen-Love-Frode-Gjerstad_Nearby-Faraway_PNL-Records_2017-e1507932416694.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":32745,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cuarteto-el-de-john-carter-y-bobby-bradford-286\/","url_meta":{"origin":2795,"position":4},"title":"365 razones para amar el jazz: un cuarteto. El de John Carter y Bobby Bradford [287]","author":"Tomajazz","date":"14 octubre, 2017","format":false,"excerpt":"A mediados de los 60, Ornette Coleman present\u00f3 en Los \u00c1ngeles a dos m\u00fasicos que ven\u00edan de Texas, el trompetista Bobby Bradford\u00a0 y el saxofonista y clarinetista John Carter. Carter y Bradford formar\u00e1n entonces uno de los grupos m\u00e1s estimulantes, originales y rigurosos de esos a\u00f1os: el New Art Jazz\u2026","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/img.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/img.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/img.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/img.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/img.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/img.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":11112,"url":"https:\/\/tomajazz.com\/web\/nels-cline-el-jazz-y-el-rock\/","url_meta":{"origin":2795,"position":5},"title":"Nels Cline: el jazz y el rock","author":"Tomajazz","date":"21 marzo, 2014","format":false,"excerpt":"Debo a\u00f1adir que, tras abandonar temporalmente el rock a mediado de los setenta, volv\u00ed a prestarle atenci\u00f3n gracias a Patti Smith, Television, The Clash y Minutemen, por citar a mis favoritos. En este contexto, cuando la Liberation Music Orchestra actuamos con los Minutemen, yo fui la conexi\u00f3n entre ambos mundos,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Ruta 66_297_wilco","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Ruta-66_297_wilco-200x266.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2795"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2795\/revisions"}],"predecessor-version":[{"id":23061,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2795\/revisions\/23061"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}