{"id":27975,"date":"2016-12-05T11:06:48","date_gmt":"2016-12-05T10:06:48","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=27975"},"modified":"2018-05-05T20:44:50","modified_gmt":"2018-05-05T18:44:50","slug":"benny-carter-ii-lee-wiley-la-odisea-de-la-musica-afroamericana-075-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/benny-carter-ii-lee-wiley-la-odisea-de-la-musica-afroamericana-075-podcast\/","title":{"rendered":"Benny Carter (II) &#8211; Lee Wiley. La Odisea de la M\u00fasica Afroamericana (075) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">Doble protagonismo en la entrega 75 de <em>La Odisea de la M\u00fasica Afroamericana<\/em>. <strong>Luis Escalante <\/strong>termina el repaso de la carrera de\u00a0<strong>Benny Carter<\/strong>, y revisa la carrera de la cantante\u00a0<strong>Lee Wiley<\/strong>, que tuvo gran popularidad en las d\u00e9cadas de los a\u00f1os 30, 40 y 50 del siglo XX. Dan de ello fe sus grabaciones en compa\u00f1\u00eda de orquestas como las de <strong>Eddie<\/strong> <strong>Condon<\/strong>, <strong>Victor<\/strong> <strong>Young<\/strong>, o de su esposo el pianista <strong>Jess<\/strong> <strong>Stacy<\/strong>. Abren y cierran el programa la cantante <strong>Carmen Lundy<\/strong> y <strong>Clarence<\/strong> <strong>Gatemouth<\/strong> <strong>Brown<\/strong>.<\/p>\n<p><iframe id='audio_14587638' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_14587638_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-27976\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Benny_Carter_Apollo_Theater_1946_Photo-by-William-P.-Gottlieb.jpg\" alt=\"benny_carter_apollo_theater_1946_photo-by-william-p-gottlieb\" width=\"487\" height=\"500\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Benny_Carter_Apollo_Theater_1946_Photo-by-William-P.-Gottlieb.jpg 487w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Benny_Carter_Apollo_Theater_1946_Photo-by-William-P.-Gottlieb-200x205.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Benny_Carter_Apollo_Theater_1946_Photo-by-William-P.-Gottlieb-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Benny_Carter_Apollo_Theater_1946_Photo-by-William-P.-Gottlieb-50x50.jpg 50w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><\/p>\n<p style=\"text-align: center;\">Benny Carter (Apollo Theater, 1946) Fotograf\u00eda\u00a0\u00a9\u00a0William P. Gottlieb<\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 75 suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cMy favorite things\u201d Carmen Lundy<\/li>\n<li style=\"text-align: justify;\">\u201cSeptember song\u201d Benny Carter<\/li>\n<li style=\"text-align: justify;\">\u201cBroadway\u201d Benny Carter &amp; Dizzy Gillespie<\/li>\n<li style=\"text-align: justify;\">\u201cI\u00b4ve got the world on a string\u201d Benny Carter<\/li>\n<li style=\"text-align: justify;\">\u201cSugar\u201d Lee Wiley<\/li>\n<li style=\"text-align: justify;\">\u201cTime of my hands\u201d Lee Wiley &amp; Leo Reisman Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cA hundred years from today\u201d Lee Wiley &amp; Casa Loma Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cThe man I love\u201d Lee Wiley &amp; Eddie Condon Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cBut not for me\u201d Lee Wiley &amp; Jess Stacy Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cI still suits me\u201d Lee Wiley, Bing Crosby &amp; Victor Young Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cDo you know what it means to miss New Orleans\u201d Lee Wiley &amp; Deane Kincade Orchestra<\/li>\n<li style=\"text-align: justify;\">\u201cWhen a Lady meets a gentleman down south\u201d Lee Wiley<\/li>\n<li style=\"text-align: justify;\">\u201cFlying home\u201d Clarence Gatemouth Brown<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Doble protagonismo en la entrega 75 de La Odisea de la M\u00fasica Afroamericana. Luis Escalante termina el repaso de la<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/benny-carter-ii-lee-wiley-la-odisea-de-la-musica-afroamericana-075-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[13370,11048,18093,14535,5009,18102,15468,1639,18103,5360,13,15375,12415,15295,15278,18104,15710,12817,18094,18100,18099,18096,18097,18098,18095,18101,13072,15469,12905,12816,12818,15310,15470,15709,15711,16099,77,16100,18105,9050],"class_list":["entry","author-pachi","post-27975","post","type-post","status-publish","format-standard","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-benny-carter","tag-benny-carter-dizzy-gillespie","tag-bing-crosby","tag-carmen-lundy","tag-casa-loma-orchestra","tag-clarence-gatemouth-brown","tag-dizzy-gillespie","tag-eddie-condon-orchestra","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jess-stacy-orchestra","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lee-wiley","tag-lee-wiley-deane-kincade-orchestra","tag-lee-wiley-bing-crosby-victor-young-orchestra","tag-lee-wiley-casa-loma-orchestra","tag-lee-wiley-eddie-condon-orchestra","tag-lee-wiley-jess-stacy-orchestra","tag-lee-wiley-leo-reisman-orchestra","tag-leo-reisman-orchestra","tag-lodlma","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-victor-young-orchestra","tag-william-p-gottlieb"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35387,"url":"https:\/\/tomajazz.com\/web\/marks-martin-schwartz-los-compositores-del-tin-pan-alley-xlii-la-odisea-de-la-musica-afroamericana-135-podcast\/","url_meta":{"origin":27975,"position":0},"title":"Marks &#8211; Martin &#8211; Schwartz. Los compositores del Tin Pan Alley (XLII). La Odisea de la M\u00fasica Afroamericana (135) [Podcast]","author":"Tomajazz","date":"26 febrero, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La Odisea de la M\u00fasica Afroamericana\u00a0es a su vez la entrega\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Arthur-Schwartz.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32297,"url":"https:\/\/tomajazz.com\/web\/cole-porter-iii-los-compositores-del-tin-pan-alley-xix-la-odisea-de-la-musica-afroamericana-112-podcast\/","url_meta":{"origin":27975,"position":1},"title":"Cole Porter (III). Los compositores del Tin Pan Alley (XIX). La Odisea de la M\u00fasica Afroamericana (112) [Podcast]","author":"Tomajazz","date":"18 septiembre, 2017","format":false,"excerpt":"La entrega 112 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla es la tercera dedicada a Cole Porter, uno de los compositores m\u00e1s importantes en la historia del jazz. Contin\u00faa el recorrido alfab\u00e9tico por alguna de sus grandes composiciones, como \"Love for Sale\" o \"I've Got You\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Cole_porter_30s.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":39883,"url":"https:\/\/tomajazz.com\/web\/dinah-washington-y-iii-dizzy-gillespie-i-la-odisea-de-la-musica-afroamericana-169-podcast\/","url_meta":{"origin":27975,"position":2},"title":"Dinah Washington (y III) &#8211; Dizzy Gillespie (I). La Odisea de la M\u00fasica Afroamericana (169) [Podcast]","author":"Tomajazz","date":"19 noviembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 169 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28452,"url":"https:\/\/tomajazz.com\/web\/jimmie-lunceford-maxine-sullivan-i-la-odisea-de-la-musica-afroamericana-079-podcast\/","url_meta":{"origin":27975,"position":3},"title":"Jimmie Lunceford &#8211; Maxine Sullivan (I). La Odisea de la M\u00fasica Afroamericana (079) [Podcast]","author":"Tomajazz","date":"2 enero, 2017","format":false,"excerpt":"El saxofonista y director de orquesta Jimmie Lunceford, y la cantante Maxine Sullivan son los dos ejes en tornos a los que Luis Escalante Ozalla articula el cap\u00edtulo 79 de La Odisea de la M\u00fasica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jimmie_Lunceford_August_1946_Gottlieb.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jimmie_Lunceford_August_1946_Gottlieb.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jimmie_Lunceford_August_1946_Gottlieb.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jimmie_Lunceford_August_1946_Gottlieb.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29679,"url":"https:\/\/tomajazz.com\/web\/orquestas-bob-crosby-y-artie-shaw-lester-young-i-la-odisea-de-la-musica-afroamericana-089-podcast\/","url_meta":{"origin":27975,"position":4},"title":"Orquestas: Bob Crosby y Artie Shaw. Lester Young (I). La Odisea de la M\u00fasica Afroamericana (089) [Podcast]","author":"Tomajazz","date":"13 marzo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Finaliza en la entrega n\u00famero 89 de La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Artie_Shaw_Gottlieb_07771.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Artie_Shaw_Gottlieb_07771.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Artie_Shaw_Gottlieb_07771.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Artie_Shaw_Gottlieb_07771.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28140,"url":"https:\/\/tomajazz.com\/web\/jack-teagarden-ii-helen-ward-i-la-odisea-de-la-musica-afroamericana-077-podcast\/","url_meta":{"origin":27975,"position":5},"title":"Jack Teagarden (II) &#8211; Helen Ward (I). La Odisea de la M\u00fasica Afroamericana (077) [Podcast]","author":"Tomajazz","date":"19 diciembre, 2016","format":false,"excerpt":"Jack Teagarden y Helen Ward son los protagonistas de la entrega n\u00famero 77 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Jack_Teagarden_Dick_Carey_Louis_Armstrong_Bobby_Hackett_Peanuts_Hucko_Bob_Haggart_and_Sid_Catlett_Town_Hall_New_York_N.Y._ca._July_1947_William_P._Gottlieb.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Jack_Teagarden_Dick_Carey_Louis_Armstrong_Bobby_Hackett_Peanuts_Hucko_Bob_Haggart_and_Sid_Catlett_Town_Hall_New_York_N.Y._ca._July_1947_William_P._Gottlieb.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Jack_Teagarden_Dick_Carey_Louis_Armstrong_Bobby_Hackett_Peanuts_Hucko_Bob_Haggart_and_Sid_Catlett_Town_Hall_New_York_N.Y._ca._July_1947_William_P._Gottlieb.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Jack_Teagarden_Dick_Carey_Louis_Armstrong_Bobby_Hackett_Peanuts_Hucko_Bob_Haggart_and_Sid_Catlett_Town_Hall_New_York_N.Y._ca._July_1947_William_P._Gottlieb.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/27975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=27975"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/27975\/revisions"}],"predecessor-version":[{"id":27980,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/27975\/revisions\/27980"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=27975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=27975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=27975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}