{"id":2804,"date":"2010-09-13T23:00:00","date_gmt":"2010-09-13T21:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2804"},"modified":"2022-09-21T22:54:51","modified_gmt":"2022-09-21T20:54:51","slug":"judith-berkson-oylam-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/judith-berkson-oylam-2010\/","title":{"rendered":"Judith Berkson: Oylam (ECM; 2010) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<div><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-66877 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Judith-Berkson-Oylam-200x177.jpg\" alt=\"\" width=\"200\" height=\"177\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Judith-Berkson-Oylam-200x177.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Judith-Berkson-Oylam-465x412.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Judith-Berkson-Oylam-565x500.jpg 565w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Judith-Berkson-Oylam.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El estreno en ECM de la cantante y pianista Judith Berkson es uno de esos trabajos inclasificables caracter\u00edsticos de una parte de la producci\u00f3n del sello alem\u00e1n. <i>Oylam <\/i>se sit\u00faa en un terreno con ramificaciones en la m\u00fasica cl\u00e1sica (del siglo XX y tambi\u00e9n del romanticismo), el jazz y la m\u00fasica jud\u00eda.<\/div>\n<div>Su trabajo sigue la senda de otras creadoras tan particulares como Meredith Monk o Annette Peacock. Su voz, muy vers\u00e1til, es capaz de trabajar con distintas texturas: no hay m\u00e1s que comparar su acercamiento a la m\u00fasica jud\u00eda o a la de Schubert, con sus particulares versiones de Cole Porter y los Gershwin y sus propias composiciones. Su trabajo con el piano y los teclados, que le proporcionan un espacioso colch\u00f3n sonoro, son el complemento perfecto para su voz. M\u00e1s all\u00e1 de otras consideraciones, este CD muestra a una creadora con un muy interesante universo propio en el que es un placer sumergirse.<\/div>\n<div><\/div>\n<div style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2010<\/div>\n<div><\/div>\n<h4>Judith Berkson: <i>Oylam<\/i><\/h4>\n<div>Judith Berkson (voz, piano, pianos el\u00e9ctricos <i>Wurlitzer <\/i>y <i>Rhodes<\/i>, \u00f3rgano <i>Hammond<\/i>)<br \/>\n\u201cGoodbye Friend No.1\u201d, \u201cBrute\u201d, \u201cInside Good Times\u201d, \u201cClives\u201d, \u201cAll Of You\u201d, \u201cMi Re Do\u201d, \u201cAhavas Oylam\u201d, \u201cLittle Arrows\u201d, \u201cDer Leiermann\u201d, \u201cFallen Innocent Wandering Thieves\u201d, \u201cThey Can\u2019t Take That Away From Me\u201d, \u201cBurnt\u201d, \u201cHulyet, Hulyet\u201d, \u201cGoodbye Friend No.2\u201d<\/div>\n<div>Grabado en abril de 2009 en Udine, Italia. Publicado en 2010 por ECM. ECM 2121<\/div>\n<div><\/div>\n<div>Disco calificado con **** sobre ***** en Cuadernos de Jazz.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El estreno en ECM de la cantante y pianista Judith Berkson es uno de esos trabajos inclasificables caracter\u00edsticos de una parte de la producci\u00f3n del sello alem\u00e1n. Oylam&#8230; <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/judith-berkson-oylam-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":66877,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15517,17847,5,1038],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","has-excerpt","post-2804","post","type-post","status-publish","format-standard","has-post-thumbnail","category-textos","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/09\/Judith-Berkson-Oylam.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2804"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2804\/revisions"}],"predecessor-version":[{"id":66879,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2804\/revisions\/66879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/66877"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}