{"id":2812,"date":"2010-09-02T23:00:00","date_gmt":"2010-09-02T21:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2812"},"modified":"2016-04-10T23:06:40","modified_gmt":"2016-04-10T21:06:40","slug":"vox-arcana-aerial-age-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/vox-arcana-aerial-age-2010\/","title":{"rendered":"Vox Arcana: Aerial Age (2010)"},"content":{"rendered":"<p><a href=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/TH-5_XcBcDI\/AAAAAAAAB7I\/KvllS06m6r0\/s1600\/aerial_age-vox_arcana.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/TH-5_XcBcDI\/AAAAAAAAB7I\/KvllS06m6r0\/s320\/aerial_age-vox_arcana.gif\" alt=\"\" title=\"\"><\/a><\/p>\n<div>El m\u00fasico residente en Chicago Tim Daisy, bater\u00eda de los Vandermark 5 y acompa\u00f1ante del titular de ese veterano grupo en distintos proyectos, cita como influencias musicales en las notas de <i>Aerial Age<\/i>, segundo trabajo de su tr\u00edo Vox Arcana, a John Cage, Morton Feldman, Terri Riley, La Monte Young, Anthony Braxton y Leroy Jenkins.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<div>A partir de estas premisas estil\u00edsticas, parece natural que el resultado incluya elementos de la m\u00fasica cl\u00e1sica contempor\u00e1nea y el jazz. Abrupto en apariencia, <i>Aerial Age<\/i> esconde algunas melod\u00edas que no tardan en pegarse al o\u00eddo. Las composiciones de Daisy sirven como marcos para establecer unos conjuntos, que aunque abiertos en la creatividad son mayormente convexos, y que en su forma final aparecen muy bien definidos y delimitados. Es en ese escenario donde cohabitan las partes escritas junto a las improvisaciones de Daisy, el clarinetista James Falzone y esa primera figura del violonchelo que es Fred Lonberg-Holm (compa\u00f1ero del bater\u00eda en la \u00faltima encarnaci\u00f3n de los Vandermark 5).<\/p>\n<\/div>\n<div>Pachi Tapiz<\/div>\n<div><\/div>\n<div>Vox Arcana: <i>Aerial Age<\/i>\n<\/div>\n<div><\/div>\n<div>Tim Daisy (percusi\u00f3n, marimba y composiciones), Fred Lonberg-Holm (violonchelo, electr\u00f3nica), James Falzone (clarinete)<\/div>\n<div><\/div>\n<div>\u201cthe number 7\u201d, \u201cblue space\u201d, \u201cthe silver fence\u201d, \u201cchi harp call in e\u201d, \u201cwinnemac\u201d, \u201cwhite lines\u201d, \u201cchaos 1\u201d, \u201cfalling\u201d<\/div>\n<div>Todos los temas compuestos por Tim Daisy<\/div>\n<div><\/div>\n<div>Grabado el 7 y 8 de enero de 2010 en Strobe Studios, Chicago. Publicado en 2010 por <a href=\"http:\/\/www.allosmusica.org\/\" target=\"_blank\" rel=\"noopener\">Allos Documents<\/a>. Allos Documents 004<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El m\u00fasico residente en Chicago Tim Daisy, bater\u00eda de los Vandermark 5 y acompa\u00f1ante del titular de ese veterano grupo en distintos proyectos, cita como influencias musicales en las notas de Aerial Age, segundo trabajo de su tr\u00edo Vox Arcana, a John Cage, Morton Feldman, Terri Riley, La Monte Young,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/vox-arcana-aerial-age-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2812","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2537,"url":"https:\/\/tomajazz.com\/web\/tim-daisy-ken-vandermark-the-conversation-multikulti-project-2011\/","url_meta":{"origin":2812,"position":0},"title":"Tim Daisy &#8211; Ken Vandermark: The Conversation (Multikulti Project, 2011)","author":"Tomajazz","date":"2 septiembre, 2011","format":false,"excerpt":"Son ya muchos los a\u00f1os de colaboraci\u00f3n entre el baterista Tim Daisy y el saxofonista y clarinetista Ken Vandermark. Son varios los proyectos y formaciones en los que han tocado juntos. Entre estas \u00faltimas sobresale especialmente The Vandermark 5, la formaci\u00f3n emblem\u00e1tica del m\u00fasico de Chicago.\u00a0 The Conversation es la\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-TyVRXKpTKgI\/TmEc4zHwlCI\/AAAAAAAADVM\/uV4DaPOp-a0\/s200\/bun_vandermark_daisy_conversation.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10401,"url":"https:\/\/tomajazz.com\/web\/tim-daisy-mikolaj-trzaska-in-this-moment-relay-recordings-2014\/","url_meta":{"origin":2812,"position":1},"title":"Tim Daisy &#038; Mikolaj Trzaska: In This Moment (Relay Recordings, 2014)","author":"Tomajazz","date":"12 febrero, 2014","format":false,"excerpt":"Breve la grabaci\u00f3n In This Moment, no llega a los 32 minutos, del baterista Tim Daisy y el saxofonista alto polaco Mikolaj Trzaska. Aprovechando la visita de este \u00faltimo al Chicago Jazz Festival de 2012 para actuar con el Resonance Ensemble de Ken Vandermark, se grab\u00f3 esta sesi\u00f3n en los\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Tim Daisy_Mikolaj Trzaska_In This Moment","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Tim-Daisy_Mikolaj-Trzaska_In-This-Moment-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":68625,"url":"https:\/\/tomajazz.com\/web\/orquestra-jazz-de-matosinhos-jazzmadrid-2022\/","url_meta":{"origin":2812,"position":2},"title":"Orquestra Jazz de Matosinhos \u201cJazz In The Space Age\u201d con Ethan Iverson y David Virelles (JazzMadrid 2022) Por Carlos Lara y Enrique Farelo [Concierto de jazz]","author":"Tomajazz","date":"25 noviembre, 2022","format":false,"excerpt":"Enrique Farelo y Carlos Lara repasan la actuaci\u00f3n de la Orquestra Jazz de Matosinhos y su proyecto \u201cJazz In The Space Age\u201d con Ethan Iverson y David Virelles en JazzMadrid 2022.","rel":"","context":"En \u00abConciertos...\u00bb","block_context":{"text":"Conciertos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/conciertos\/"},"img":{"alt_text":"Enrique Farelo y Carlos Lara repasan la actuaci\u00f3n de la Orquestra Jazz de Matosinhos y su proyecto \u201cJazz In The Space Age\u201d con Ethan Iverson y David Virelles en JazzMadrid 2022.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/ORQUESTRA.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/ORQUESTRA.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/ORQUESTRA.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/ORQUESTRA.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36426,"url":"https:\/\/tomajazz.com\/web\/hdo-402-the-rempis-daisy-duo-guests-empty-castles-rempis-ochs-jonhston-aerophonic-records-podcast\/","url_meta":{"origin":2812,"position":3},"title":"HDO 402. The Rempis \/ Daisy Duo &#038; Guests &#8211; Empty Castles (Rempis &#8211; Ochs &#8211; Jonhston) (Aerophonic Records) [Podcast]","author":"Tomajazz","date":"2 mayo, 2018","format":false,"excerpt":"El 1 de mayo de 2018 el sello Aerophonic Records publica dos grabaciones:\u00a0Dodecahedron\u00a0(doble CD de\u00a0The Rempis\/Daisy Duo & Guests, entre los que se encuentran Jason Adasiewicz, Jim Baker, Fred Lonberg-Holm, Steve Swell, Katie Young y Aaron Zarzutzki), y Empty Castles (a nombre de\u00a0Spectral, grupo integrado por Dave Rempis, Darren Johnston\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/The-Rempis-Daisy-Duo-And-Guests_Dodecahedron.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/The-Rempis-Daisy-Duo-And-Guests_Dodecahedron.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/The-Rempis-Daisy-Duo-And-Guests_Dodecahedron.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/The-Rempis-Daisy-Duo-And-Guests_Dodecahedron.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/The-Rempis-Daisy-Duo-And-Guests_Dodecahedron.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":68477,"url":"https:\/\/tomajazz.com\/web\/monodrama-mndrmooaa-jazzx5\/","url_meta":{"origin":2812,"position":4},"title":"\u00abGolden Age Of The Eye\u00bb [Monodrama MNDRMOOAA (Everlasting Records, 2022)] Por Pachi Tapiz. JazzX5 #548 [Minipodcast de jazz]","author":"Tomajazz","date":"20 noviembre, 2022","format":false,"excerpt":"En JazzX5 #548 suena \"Golden Age Of The Eye\" de la grabaci\u00f3n de Monodrama MNDRMOOAA (Everlasting Records, 2022). JazzX5 es un podcast de Pachi Tapiz","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"En JazzX5 #548 suena \"Golden Age Of The Eye\" de la grabaci\u00f3n de Monodrama MNDRMOOAA (Everlasting Records, 2022). JazzX5 es un podcast de Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/JazzX5_0548.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/JazzX5_0548.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/JazzX5_0548.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/JazzX5_0548.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20518,"url":"https:\/\/tomajazz.com\/web\/lo-nuevo-de-the-thing-y-made-to-break-vandermark-daisy-stadhouders-kurzmann-hdo-0025-audioblog\/","url_meta":{"origin":2812,"position":5},"title":"Lo nuevo de The Thing y Made to Break (Vandermark, Daisy, Stadhouders, Kurzmann). HDO (0025) [Audioblog]","author":"Tomajazz","date":"27 octubre, 2015","format":"audio","excerpt":"Espacio en HDO para escuchar en la entrega n\u00famero 25\u00a0Shake (The Thing Records, 2015) \u00a0y Before the Code (Trost Records, 2015), las nuevas grabaciones de The Thing (Mats Gustafsson, Ingebrigt Haker Flaten y Paal Nilssen-Love) y Made To Break (Ken Vandermark, Tim Daisy, Jasper Stadhouders, Christof Kurzmann) respectivamente. Lo nuevo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_007.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_007.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_007.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_007.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_007.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_007.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2812"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2812\/revisions"}],"predecessor-version":[{"id":23070,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2812\/revisions\/23070"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}