{"id":2815,"date":"2010-08-31T23:00:00","date_gmt":"2010-08-31T21:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2815"},"modified":"2016-04-10T23:06:40","modified_gmt":"2016-04-10T21:06:40","slug":"om-willisau-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/om-willisau-2010\/","title":{"rendered":"OM: Willisau (2010)"},"content":{"rendered":"<p><a href=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/TH1VgLxhU7I\/AAAAAAAAB6M\/8QJJEJZe_ds\/s1600\/om_willisau.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/TH1VgLxhU7I\/AAAAAAAAB6M\/8QJJEJZe_ds\/s320\/om_willisau.jpg\" alt=\"\" title=\"\"><\/a><\/p>\n<div>El cuarteto suizo OM, en activo entre 1972 y 1982, retom\u00f3 su actividad en el a\u00f1o 2008 con un concierto en el m\u00edtico festival suizo de Willisau. Al contrario de otras reuniones, dicho reencuentro tuvo poco de nost\u00e1lgico. M\u00e1s bien sirvi\u00f3 para demostrar que esos m\u00e1s de 25 a\u00f1os simplemente hab\u00edan sido una pausa en su carrera.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<div><\/div>\n<div>En el CD el concierto aparece dividido en doce partes m\u00e1s por cuestiones de edici\u00f3n, que por otros motivos. Esos 68 minutos son una pieza s\u00f3lida de principio a fin, en la que el cuarteto muestra su fusi\u00f3n de elementos del jazz, la libre improvisaci\u00f3n, el rock e incluso levemente alguna aproximaci\u00f3n a algo parecido a la world music.\u00a0<\/div>\n<div><\/div>\n<div>Retorno sin concesiones, Willisau sirve para que el cuarteto retome su propuesta y la ponga al d\u00eda logrando que suene absolutamente actual. El resultado es uno de los CD candidatos a la categor\u00eda de reencuentro del a\u00f1o.<\/div>\n<div><\/div>\n<div>Pachi Tapiz<\/div>\n<div>\n<br \/>Om: <i>Willisau\u00a0<\/i><\/p>\n<\/div>\n<div>Urs Leimgruber (saxos tenor y soprano), Christy Doran (guitarra el\u00e9ctrica m\u00e1s dispositivos), Bobby Burry (contrabajo m\u00e1s dispositivos), Fredy Studer (bater\u00eda y percusi\u00f3n)<\/div>\n<div><\/div>\n<div>\u201cWillisau\u201d (partes I a XII)<\/div>\n<div>M\u00fasica por Urs Leimgruber, Christy Doran, Bobby Burri y Fredy Studer<\/div>\n<div><\/div>\n<div>Grabado en directo el 27 de agosto de 2008 por Swiss Radio DRS en Jazzfestival Willisau, Suiza. Publicado en 2010 por <a href=\"http:\/\/www.intaktrec.ch\/\" target=\"_blank\" rel=\"noopener\">Intakt Records<\/a>. Intakt CD 170<\/div>\n<div>\n<br \/><b>In a few words<\/b>:\u00a0<i>Willisau<\/i> is the return of the Swiss group OM after 25 years. His music is a fine mixture of elements from rock, jazz and free improvised music. Another great Intakt CD.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El cuarteto suizo OM, en activo entre 1972 y 1982, retom\u00f3 su actividad en el a\u00f1o 2008 con un concierto en el m\u00edtico festival suizo de Willisau. Al contrario de otras reuniones, dicho reencuentro tuvo poco de nost\u00e1lgico. M\u00e1s bien sirvi\u00f3 para demostrar que esos m\u00e1s de 25 a\u00f1os simplemente<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/om-willisau-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2815","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54358,"url":"https:\/\/tomajazz.com\/web\/james-brandon-lewis-chad-taylor-live-in-willisau-intakt-2020-grabacion-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2815,"position":0},"title":"James Brandon Lewis &#8211; Chad Taylor: Live In Willisau (Intakt. 2020) [Grabaci\u00f3n de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"16 abril, 2021","format":false,"excerpt":"Fabulosa la grabaci\u00f3n \"Live In Willisau\" (Intakt. 2020) en directo, mano a mano, del baterista y percusionista Chad Taylor y del saxofonista James Brandon Lewis, registrada el 1 de septiembre de 2019 en el Jazz Festival de Willisau en Suiza, y publicada por el sello helv\u00e9tico Intakt. Rese\u00f1a por Pachi\u2026","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"James Brandon Lewis - Chad Taylor: Live In Willisau (Intakt. 2020)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/James-Brandon-Lewis-Chad-Taylor_Live-In-Willisau_Intakt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":62955,"url":"https:\/\/tomajazz.com\/web\/communication-dewey-redman-ed-blackwell-red-and-black-in-willisau-black-saint-1985-por-pachi-tapiz-jazzx5-482-minipodcast-de-jazz\/","url_meta":{"origin":2815,"position":1},"title":"\u00abCommunication\u00bb [Dewey Redman &#8211; Ed Blackwell Red and Black In Willisau (Black Saint, 1985)] Por Pachi Tapiz. JazzX5 #482 [Minipodcast de jazz]","author":"Tomajazz","date":"19 abril, 2022","format":false,"excerpt":"En JazzX5, tras unos d\u00edas de silencio, retomamos la actividad con \"Communication\" (el t\u00edtulo del tema est\u00e1 escogido con intencionalidad), del disco Red And Black In Willisau (Black Saint, 1985) de Dewey Redman y Ed Blackwell. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"\"Communication\" [Dewey Redman - Ed Blackwell Red and Black In Willisau (Black Saint, 1985)] Por Pachi Tapiz. JazzX5 #482 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/JazzX5_0482.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2038,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-homenaje-thelonious-dennis-charles\/","url_meta":{"origin":2815,"position":2},"title":"Tomajazz recomienda&#8230; un homenaje: \u201cThelonious\u201d (Dennis Charles)","author":"Adolphus van Tenzing","date":"26 diciembre, 2011","format":false,"excerpt":"Corre el a\u00f1o 1982. Estamos en Suiza, en el festival de Willisau. Sobre el escenario el violinista Billy Bang y el baterista Dennis Charles: un cl\u00e1sico con un curr\u00edculum notable. A lo largo de su ya extensa carrera, en ese momento est\u00e1 a punto de cumplir los 49, ha tocado\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/12\/billy-bang-dennis-charles.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":67643,"url":"https:\/\/tomajazz.com\/web\/intakt-2022-10\/","url_meta":{"origin":2815,"position":3},"title":"Intakt: OM, Niggli-Loibner, Ydivide, James Brandon Lewis. Por Pachi Tapiz [Grabaciones de jazz]","author":"Tomajazz","date":"21 octubre, 2022","format":false,"excerpt":"El sello suizo Intakt contin\u00faa construyendo un cat\u00e1logo jazz\u00edstico consistente con cada una de sus nuevas entregas mensuales. Pachi Tapiz repasa cuatro referencias publicadas en los \u00faltimos meses: 50 de OM, MSM Molecular Systematic Music - Live de James Brandon Lewis, Still Storm de Lucas Niggli - Matthias Loibner, y\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Intakt: OM, Niggli-Loibner, Ydivide, James Brandon Lewis. 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Joan Cort\u00e8s lo retrata en INSTANTZZ","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Anna Ferrer \u201cPa\u201d (L\u2019Auditori S2\u2022OM, 2026-01-17 \/ Barcelona) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Anna Ferrer \u201cPa\u201d actu\u00f3 en L\u2019Auditori S2\u2022OM de Barcelona el 17 de enero de 2026. Joan Cort\u00e8s lo retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-02-nn-Frrr-Photo-By-Joan-Cortes-17gnr26-L-dtr-Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-02-nn-Frrr-Photo-By-Joan-Cortes-17gnr26-L-dtr-Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-02-nn-Frrr-Photo-By-Joan-Cortes-17gnr26-L-dtr-Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100550,"url":"https:\/\/tomajazz.com\/web\/xose-miguelez-4tet-live-at-teatro-colon-2025\/","url_meta":{"origin":2815,"position":5},"title":"Xose Migu\u00e9lez 4tet: Live at Teatro Col\u00f3n (TinyMoon Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"16 octubre, 2025","format":false,"excerpt":"Live at Teatro Col\u00f3n (TinyMoon Records; 2025) es la nueva grabaci\u00f3n de Xose Migu\u00e9lez 4tet. Carlos Lara repasa la grabaci\u00f3n. Participan Xose Migu\u00e9lez, Jean-Michel Pilc, Carlos Barretto, Marcos Cavaleiro","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Xose Migu\u00e9lez 4tet: Live at Teatro Col\u00f3n (TinyMoon Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Live at Teatro Col\u00f3n (TinyMoon Records; 2025) es la nueva grabaci\u00f3n de Xose Migu\u00e9lez 4tet. Carlos Lara repasa la grabaci\u00f3n. Participan Xose Migu\u00e9lez, Jean-Michel Pilc, Carlos Barretto, Marcos Cavaleiro","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Xose-Miguelez-4tet-Live-at-Teatro-Colon-TinyMoon-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Xose-Miguelez-4tet-Live-at-Teatro-Colon-TinyMoon-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Xose-Miguelez-4tet-Live-at-Teatro-Colon-TinyMoon-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Xose-Miguelez-4tet-Live-at-Teatro-Colon-TinyMoon-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2815"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2815\/revisions"}],"predecessor-version":[{"id":23072,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2815\/revisions\/23072"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}