{"id":28187,"date":"2016-12-20T11:01:20","date_gmt":"2016-12-20T10:01:20","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28187"},"modified":"2016-12-20T07:32:39","modified_gmt":"2016-12-20T06:32:39","slug":"hdo-211-yago-vazquez-sus-palabras-y-sus-musicas-entrevista-por-pachi-tapiz-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-211-yago-vazquez-sus-palabras-y-sus-musicas-entrevista-por-pachi-tapiz-podcast\/","title":{"rendered":"HDO 211. Yago V\u00e1zquez: sus palabras y sus m\u00fasicas. Entrevista por Pachi Tapiz [Podcast]"},"content":{"rendered":"<p><center><figure id=\"attachment_28192\" aria-describedby=\"caption-attachment-28192\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-28192 size-large\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web-600x400.jpg\" width=\"600\" height=\"400\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web-768x512.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/DSF3587web.jpg 900w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-28192\" class=\"wp-caption-text\">Yago V\u00e1zquez. Fotograf\u00eda: \u00a9 Rafa Pasadas<\/figcaption><\/figure><\/center><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-28188 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Yago-Vazquez-Jeff-Hirshfield-Scott-Lee_Second-Stream_Fresh-Sound-New-Talent_2016-200x200.png\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Yago-Vazquez-Jeff-Hirshfield-Scott-Lee_Second-Stream_Fresh-Sound-New-Talent_2016-200x200.png 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Yago-Vazquez-Jeff-Hirshfield-Scott-Lee_Second-Stream_Fresh-Sound-New-Talent_2016-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Yago-Vazquez-Jeff-Hirshfield-Scott-Lee_Second-Stream_Fresh-Sound-New-Talent_2016-55x55.png 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Yago-Vazquez-Jeff-Hirshfield-Scott-Lee_Second-Stream_Fresh-Sound-New-Talent_2016-50x50.png 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Yago-Vazquez-Jeff-Hirshfield-Scott-Lee_Second-Stream_Fresh-Sound-New-Talent_2016.png 555w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Las listas \u00abLo mejor de&#8230;\u00bb son uno de esos absurdos por los que hay veces que o bien se pasa entrando en el juego, o bien se pasa\u00a0directamente. Viene esto a cuento de la publicaci\u00f3n del CD\u00a0<em>Second Stream<\/em> a nombre del tr\u00edo formado por\u00a0<strong>Yago V\u00e1zquez<\/strong>,\u00a0<strong>Jeff Hirshfield<\/strong> y\u00a0<strong>Scott Lee<\/strong>, aunque no ser\u00e1 el \u00fanico ejemplo. Publicado en diciembre de 2016, ha tenido la desgracia de aparecer en el mercado cuando todo el mundo ya hab\u00eda cerrado sus listas con lo mejor del a\u00f1o que todav\u00eda no ha acabado (otra incongruencia, el primero que saca la lista con lo mejor del a\u00f1o es el que da dos veces), y justo por hacerlo en esas fechas, ser\u00e1 uno m\u00e1s de esos discos olvidados en las listas que nos recordar\u00e1n todo lo bueno que nos traer\u00e1 2017.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-28189 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Beekman_Vol-02_Ropeadope_2016.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Tras esta introducci\u00f3n, en el programa HDO 211, del 20 de diciembre de 2016,\u00a0<strong>Pachi Tapiz\u00a0<\/strong>entrevista a <strong>Yago V\u00e1zquez,<\/strong>\u00a0pianista gallego residente en Nueva York. Este a\u00f1o 2016\u00a0ha publicado el CD mencionado, as\u00ed como\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?p=26997\" target=\"_blank\"><em>Vol. 02\u00a0<\/em>del cuarteto<\/a>\u00a0<strong>Beekman\u00a0<\/strong>en el sello norteamericano Ropeadope, y tambi\u00e9n ha aparecido en<a href=\"http:\/\/www.tomajazz.com\/web\/?p=26330\" target=\"_blank\"> el CD <em>Broken Artist<\/em> de Marcos P\u00een<\/a>. Como complemento a su m\u00fasica suenan temas de\u00a0<em>Second Stream<\/em>, Vol.02, y cerrando el programa, una versi\u00f3n del cl\u00e1sico\u00a0<em>parkeriano<\/em> \u00abDonna Lee\u00bb que aparec\u00eda en\u00a0<em>Duology, Session 1\u00a0<\/em>de su disco a d\u00fao con el guitarrista\u00a0<strong>Marcos Pin<\/strong>.<\/p>\n<p style=\"text-align: right;\">Texto y audio: \u00a9 Pachi Tapiz, 2016<br \/>\nFotograf\u00edas:\u00a0\u00a9 Juan Luis Rua (Imagen destacada &#8211; miniatura) \/ Rafa Pasadas (entrada)<\/p>\n<p style=\"text-align: left;\"><strong>HDO<\/strong> es un\u00a0<em>podcast\u00a0<\/em>editado, presentado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_15179203\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_15179203_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Las listas \u00abLo mejor de&#8230;\u00bb son uno de esos absurdos por los que hay veces que o bien se pasa entrando en el juego, o bien se pasa\u00a0directamente. Viene esto a cuento de la publicaci\u00f3n del CD\u00a0Second Stream a nombre del tr\u00edo formado por\u00a0Yago V\u00e1zquez,\u00a0Jeff Hirshfield y\u00a0Scott Lee, aunque no<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-211-yago-vazquez-sus-palabras-y-sus-musicas-entrevista-por-pachi-tapiz-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28193,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,78,17048,15537,5,13298,17151,9,12814,15518,1038],"tags":[15962,13370,15480,17622,12651,15698,12676,12790,15304,7964,12696,16012,13300,13299,15712,15713,15714,13,15699,12415,15295,15278,18136,960,18264,17624,15710,374,15307,15308,15309,11644,31,12818,15310,15709,15711,17285,15306,17623,2160,18263,16099,77,16100,7822],"class_list":["entry","author-pachi","post-28187","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-afondo","category-audioentrevistas-en-hdo","category-entrevistas","category-grabaciones","category-hablando-de-oidas-hdo","category-t03-2016-17","category-perfiles","category-podcast","category-sonidos","category-contenidos","tag-audio-entrevista","tag-audioblog","tag-audioentrevista","tag-beekman","tag-cd","tag-cd-de-jazz","tag-critica","tag-entrevista","tag-entrevista-de-jazz","tag-fresh-sound-new-talent","tag-grabaciones","tag-grabaciones-de-jazz","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jeff-hirshfield","tag-jose-francisco-tapiz","tag-juan-luis-rua","tag-kyle-nasser","tag-la-actualidad-del-jazz-en-espana","tag-marcos-pin","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pablo-menares","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-rafa-pasadas","tag-resenas","tag-rodrigo-recabarren","tag-ropeadope","tag-scott-lee","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-yago-vazquez"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/yago.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26923,"url":"https:\/\/tomajazz.com\/web\/hdo-179-baldo-martinez-vientos-cruzados-sus-palabras-y-su-musica-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28187,"position":0},"title":"HDO 179. Baldo Mart\u00ednez Vientos Cruzados. Sus palabras y su m\u00fasica. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"18 octubre, 2016","format":false,"excerpt":"El contrabajista y compositor Baldo Mart\u00ednez ha publicado en octubre de 2016 Vientos cruzados (Karonte). Esta grabaci\u00f3n est\u00e1 editada a nombre del Baldo Mart\u00ednez Grupo, que presenta una nueva formaci\u00f3n. A\u00a0 los habituales David Herrington (trompeta y fliscornio) y Pedro L\u00f3pez (bater\u00eda), se une el joven flautista y saxofonista Juan\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Baldo-Mart%C3%ADnez-Grupo_Vientos-Cruzados_Karonte_2016-e1476711176893.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Baldo-Mart%C3%ADnez-Grupo_Vientos-Cruzados_Karonte_2016-e1476711176893.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Baldo-Mart%C3%ADnez-Grupo_Vientos-Cruzados_Karonte_2016-e1476711176893.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29916,"url":"https:\/\/tomajazz.com\/web\/hdo-253-perico-sambeat-sus-palabras-y-su-revision-de-la-musica-de-frank-zappa-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28187,"position":1},"title":"HDO 253. Perico Sambeat: sus palabras y su revisi\u00f3n de la m\u00fasica de Frank Zappa. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"28 marzo, 2017","format":false,"excerpt":"En el final del a\u00f1o 2016, el saxofonista\u00a0Perico Sambeat publicaba en Karonte el CD\u00a0Perico Sambeat Ensemble Plays Zappa. Esta es la grabaci\u00f3n de un proyecto nacido como iniciativa del Jimmy Glass Jazz Bar (incansable local con una sobresaliente programaci\u00f3n de jazz en directo en Valencia).\u00a0Sambeat\u00a0charl\u00f3 con\u00a0Pachi Tapiz sobre esta grabaci\u00f3n,\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/01_Prc-Snbt-nsmbl-Plys-Zpp-%C2%A9Joan-Cort%C3%A8s_04feb17_Jmbr_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/01_Prc-Snbt-nsmbl-Plys-Zpp-%C2%A9Joan-Cort%C3%A8s_04feb17_Jmbr_Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/01_Prc-Snbt-nsmbl-Plys-Zpp-%C2%A9Joan-Cort%C3%A8s_04feb17_Jmbr_Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":25085,"url":"https:\/\/tomajazz.com\/web\/hdo-134-quinito-mourelle-sus-palabras-y-su-musica-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28187,"position":2},"title":"HDO 134. Quinito Mourelle: sus palabras y su m\u00fasica.  Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"21 junio, 2016","format":false,"excerpt":"Quinito Mourelle es m\u00fasico (pianista) y compositor, adem\u00e1s de novelista (acaba de publicar su quinta novela -Mi \u00faltima reencarnaci\u00f3n), doctor en periodismo, periodista en activo y cr\u00edtico de jazz en la reserva. En 2016 ha autoeditado\u00a0Lontananza, una grabaci\u00f3n en un formato de tr\u00edo no muy habitual en estos tiempos\u00a0que incorpora\u00a0piano,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Quinito-Mourelle-Tr%C3%ADo-Lontananza-autoeditado_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Quinito-Mourelle-Tr%C3%ADo-Lontananza-autoeditado_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Quinito-Mourelle-Tr%C3%ADo-Lontananza-autoeditado_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Quinito-Mourelle-Tr%C3%ADo-Lontananza-autoeditado_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26769,"url":"https:\/\/tomajazz.com\/web\/hdo-174-noa-lur-troublemaker-sus-palabras-y-su-musica-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28187,"position":3},"title":"HDO 174. Noa Lur \u201cTroublemaker\u201d\u2026 sus palabras y su m\u00fasica. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"7 octubre, 2016","format":false,"excerpt":"\u00a0 El viernes 7 de octubre (de 2016) se publica -distribuida por Warner-, Troublemaker, la segunda grabaci\u00f3n de Noa Lur. Tres d\u00edas despu\u00e9s, el lunes 10 de octubre, esta cantante presentar\u00e1 en directo en el Teatro Lara esta grabaci\u00f3n. Para esa ocasi\u00f3n, adem\u00e1s de contar con alguna sorpresa, estar\u00e1 arropada\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Troublemaker_portada-e1475747696466.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Troublemaker_portada-e1475747696466.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Troublemaker_portada-e1475747696466.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":27452,"url":"https:\/\/tomajazz.com\/web\/hdo-194-ximo-tebar-y-su-son-mediterraneo-sus-palabras-y-sus-musicas-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28187,"position":4},"title":"HDO 194. Ximo T\u00e9bar y su Son Mediterr\u00e1neo: sus palabras y sus m\u00fasicas. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"12 noviembre, 2016","format":false,"excerpt":"El guitarrista Ximo T\u00e9bar es el protagonista de la entrega 194 de\u00a0HDO. El\u00a0motivo es su actuaci\u00f3n en el Festival de Jazz de Madrid el jueves 17 de noviembre (de 2016), en el que presentar\u00e1 Soleo, una grabaci\u00f3n que le sirve para conmemorar y poner al d\u00eda -25 a\u00f1os despu\u00e9s-,\u00a0Son Mediterr\u00e1neo.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/ximo-tebar_Fotograf%C3%ADa-por-Rafa-M%C3%A1rquez.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28803,"url":"https:\/\/tomajazz.com\/web\/hdo-221-irene-aranda-sus-palabras-y-las-musicas-de-phonophobia-y-tribus-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28187,"position":5},"title":"HDO 221. Irene Aranda: sus palabras y las m\u00fasicas de Phonophobia y Tribus. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"18 enero, 2017","format":false,"excerpt":"A la tercera va la vencida. En HDO 159 son\u00f3 Tribus (Producciones Ef\u00edmeras, 2016) de Irene Aranda - Germ\u00e1n D\u00edaz - Luc\u00eda Mart\u00ednez, y en HDO 217 fue el turno del disco en solitario de Irene Aranda titulado Phonophobia (Vector Sounds, 2016). En HDO 221 escuchamos la voz de esta\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Irene-Aranda_foto-promocional-phnophobia.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Irene-Aranda_foto-promocional-phnophobia.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Irene-Aranda_foto-promocional-phnophobia.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Irene-Aranda_foto-promocional-phnophobia.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=28187"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28187\/revisions"}],"predecessor-version":[{"id":28195,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28187\/revisions\/28195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/28193"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=28187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=28187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=28187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}