{"id":28441,"date":"2017-01-06T12:00:48","date_gmt":"2017-01-06T11:00:48","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28441"},"modified":"2017-12-29T21:34:35","modified_gmt":"2017-12-29T20:34:35","slug":"365-razones-para-amar-el-jazz-un-tema-april-in-paris-1932-6","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-april-in-paris-1932-6\/","title":{"rendered":"365 razones para amar el jazz: un tema. \u00abApril in Paris\u00bb (1932) [6]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-28442 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956-200x195.jpg\" width=\"200\" height=\"195\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956-200x195.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956-768x751.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956-600x586.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg 1021w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un tema. \u00abApril in Paris\u00bb (1932) \u00a0M\u00fasica: Vernon Duke. Letra: E.Y. Harburg<\/p>\n<p style=\"text-align: justify;\">Seleccionado por <strong>Luis Escalante Ozalla<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Count Basie Orchestra<\/strong>. <em>April in Paris<\/em> (1956)<br \/>\nCount Basie, Reunald Jones, Thad Jones, Joe Newman, Wendell Culley, Benny Powell, Henry Coker, Matthew Gee, Marshal Royal, Bill Graham, Frank Wess, Frank Foster, Charlie Fowlkes, Freddie Green, Eddie Jones, Sonny Payne.<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wCmcoZktZG4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un tema. \u00abApril in Paris\u00bb (1932) \u00a0M\u00fasica: Vernon Duke. Letra: E.Y. Harburg Seleccionado por Luis Escalante Ozalla Count Basie Orchestra. April in Paris (1956) Count Basie, Reunald Jones, Thad Jones, Joe Newman, Wendell Culley, Benny Powell, Henry Coker, Matthew Gee, Marshal Royal, Bill Graham, Frank Wess, Frank Foster, Charlie Fowlkes,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-april-in-paris-1932-6\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28442,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,18155,20689,15517,1038],"tags":[18715,18716,18165,15181,18487,18488,18719,6639,18489,18490,15182,10105,7507,8964,15180,13,12415,15295,18720,18717,8531,15710,12816,18486,18485,18718,8950,15183,8635,16099,77,16100,8419,18484],"class_list":["entry","author-pachi","post-28441","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-benny-powell","tag-bill-graham","tag-charlie-fowlkes","tag-cien-anos-de-grabaciones-de-jazz","tag-count-basie","tag-count-basie-orchestra","tag-e-y-harburg","tag-eddie-jones","tag-frank-foster","tag-frank-wess","tag-freddie-green","tag-henry-coker","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-joe-newman","tag-la-actualidad-del-jazz-en-espana","tag-luis-escalante-ozalla","tag-marshal-royal","tag-matthew-gee","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-reunald-jones","tag-sonny-payne","tag-thad-jones","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vernon-duke","tag-wendell-culley"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31948,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-send-in-the-clowns-236\/","url_meta":{"origin":28441,"position":0},"title":"365 razones para amar el jazz: un tema. 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