{"id":28515,"date":"2017-01-05T10:59:56","date_gmt":"2017-01-05T09:59:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28515"},"modified":"2017-01-05T00:10:10","modified_gmt":"2017-01-04T23:10:10","slug":"nani-garcia-trio-cinematojazzia-xingra-2016-cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/nani-garcia-trio-cinematojazzia-xingra-2016-cd\/","title":{"rendered":"Nani Garc\u00eda Tr\u00edo: Cinematojazz\u00eda (Xingra, 2016) [CD]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-26839 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799-200x201.jpg\" width=\"200\" height=\"201\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799-200x201.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799-768x771.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799-598x600.jpg 598w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799.jpg 980w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><a href=\"http:\/\/www.tomajazz.com\/web\/?p=26837\" target=\"_blank\">Cinematojazz\u00eda<\/a><\/em><a href=\"http:\/\/www.tomajazz.com\/web\/?p=26837\" target=\"_blank\"> se basa en la exploraci\u00f3n de bandas sonoras para series de televisi\u00f3n, pel\u00edculas de animaci\u00f3n o teatro<\/a>. Compuesto por nueve temas interpretados fundamentalmente en clave de jazz y cuya autor\u00eda corresponde en su totalidad a <strong>Nani Garc\u00eda<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Abre el disco \u201cDe profundis\u201d una pieza para tr\u00edo y cuarteto de cuerda y perteneciente a la pel\u00edcula espa\u00f1ola de animaci\u00f3n del a\u00f1o 2007 (Miguelanxo Prado) y que desde aqu\u00ed recomiendo vivamente. Dicha pieza resume el sentir de la obra con un sonido delicado y bello donde el cuarteto de cuerdas tiene un rol preponderante, a excepci\u00f3n hecha de \u201cPratos combinados para trio\u201d, que recuerda a Keith Jarrett Tr\u00edo, y \u201cQuen me dera na casi\u00f1a\u201d, pieza din\u00e1mica y el\u00e9ctrica con la que cierra el disco.<\/p>\n<p style=\"text-align: justify;\"><em>Cinematojazz\u00eda<\/em> posee una l\u00ednea argumental coherente basada en la sensibilidad intimista que nos acerca a paisajes visuales e imaginativos que producen estados emocionales de paz y tranquilidad y que invitan a la reflexi\u00f3n serena. Casi podr\u00edamos hablar de un acercamiento al jazz <em>naif<\/em> de c\u00e1mara o al jazz de la <em>Third Stream<\/em> (\u201cVals de Celavella\u201d y \u201cPreludio n\u00ba1 para cuarteto de cuerda e percusi\u00f3n\u201d) e incluso al minimalismo y el tango en \u201cBosquexos sobre el ni\u00f1o de barro\u201d.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2017<\/p>\n<p style=\"text-align: justify;\">Nani Garc\u00eda Tr\u00edo: <em>Cinematojazz\u00eda <\/em><\/p>\n<p style=\"text-align: justify;\">M\u00fasicos: Nani Garc\u00eda (piano y <em>samplers<\/em>), Miguel Cabana (bater\u00eda) y Sim\u00f3n Garc\u00eda (contrabajo) m\u00e1s Eduardo Coma (viol\u00edn), L\u00e1zaro Wilmam Gonz\u00e1lez (viol\u00edn), Raymond Arteaga (viola) y Luis Enrique Caballero (cello).<\/p>\n<p style=\"text-align: justify;\">Composiciones: \u201cDe profundis\u201d, \u201cGrande sole\u201d, \u201cLimpeza de sangue\u201d, \u201cAgoiro do mar ferido\u201d, \u201cVals de Celavella\u201d, \u201cPratos combinados para trio\u201d, \u201cPreludio n\u00ba1 para cuarteto de cuerda e percusi\u00f3n\u201d, \u201cBosquexos sobre el ni\u00f1o de barro\u201d y \u201cQuen me dera na casi\u00f1a\u201d<br \/>\nTodas las composiciones de Nani Garc\u00eda.<\/p>\n<p style=\"text-align: justify;\">Grabado el 9 y 10 de mayo de 2015, el 27 y 28 de diciembre 2015 y el 2 y 3 de abril 2016 en estudios Bruar (A Coru\u00f1a)<\/p>\n<p style=\"text-align: justify;\">Publicado en 2016 por Xingra<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cinematojazz\u00eda se basa en la exploraci\u00f3n de bandas sonoras para series de televisi\u00f3n, pel\u00edculas de animaci\u00f3n o teatro. Compuesto por nueve temas interpretados fundamentalmente en clave de jazz y cuya autor\u00eda corresponde en su totalidad a Nani Garc\u00eda. Abre el disco \u201cDe profundis\u201d una pieza para tr\u00edo y cuarteto de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/nani-garcia-trio-cinematojazzia-xingra-2016-cd\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":26839,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,15517,1038],"tags":[12651,15698,12676,18514,304,12696,16012,13,15699,12415,15295,15710,18515,17527,6326,893,6087,15307,15308,15309,17526,15306,6090,16099,77,16100,11311],"class_list":["entry","author-pachi","post-28515","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-cd","tag-cd-de-jazz","tag-critica","tag-eduardo-coma","tag-enrique-farelo","tag-grabaciones","tag-grabaciones-de-jazz","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-la-actualidad-del-jazz-en-espana","tag-lazaro-wilmam-gonzalez","tag-luis-enrique-caballero","tag-miguel-cabana","tag-nani-garcia","tag-nani-garcia-trio","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-raymond-arteaga","tag-resenas","tag-simon-garcia","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-xingra"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc\u00eda-Tr\u00edo_Cinematojazz\u00eda_Xingra-distr.-Karonte_2016-e1476124034799.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26837,"url":"https:\/\/tomajazz.com\/web\/hdo-175-nani-garcia-cinematojazzia-sus-palabras-y-su-musica-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28515,"position":0},"title":"HDO 175. Nani Garc\u00eda Cinematojazz\u00eda. Sus palabras y su m\u00fasica. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"11 octubre, 2016","format":false,"excerpt":"El pianista y compositor Nani Garc\u00eda ha publicado Cinematojazz\u00eda (Xingra; distr. Karonte). Un CD en el que junto a su tr\u00edo y un cuarteto de cuerda recupera para los terrenos de la improvisaci\u00f3n jazz\u00edstica composiciones suyas que han aparecido en distintas pel\u00edculas, series de televisi\u00f3n y obras de teatro. El\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc%C3%ADa-Tr%C3%ADo_Cinematojazz%C3%ADa_Xingra-distr.-Karonte_2016-e1476124034799.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc%C3%ADa-Tr%C3%ADo_Cinematojazz%C3%ADa_Xingra-distr.-Karonte_2016-e1476124034799.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc%C3%ADa-Tr%C3%ADo_Cinematojazz%C3%ADa_Xingra-distr.-Karonte_2016-e1476124034799.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nani-Garc%C3%ADa-Tr%C3%ADo_Cinematojazz%C3%ADa_Xingra-distr.-Karonte_2016-e1476124034799.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5827,"url":"https:\/\/tomajazz.com\/web\/nani-garcia-trio-renaissance-xingra-records-2012\/","url_meta":{"origin":28515,"position":1},"title":"Nani Garc\u00eda Tr\u00edo: Renaissance (Xingra Records, 2012)","author":"Tomajazz","date":"10 abril, 2013","format":false,"excerpt":"Nani Garc\u00eda Tr\u00edo: Renaissance Composiciones: \u201cNenos Nas Rochas (malo ser\u00e1)\u201d, \u201cArrolo De Toques\u201d, \u201cQu\u00e9 Te Piensas?\u201d, \u201cL\u00faa De Abril\u201d, \u201cArlecchino\u201d, \u201cComo B\u00e1goas De Todo\u201d, \u201cNovembro De Jacarand\u00e1s\u201d, \u201cEsse Est Percipi\u201d. Todas las composiciones de Nani Garc\u00eda, excepto \u201cArrolo De Toques\u201d de Alfonso Mor\u00e1n M\u00fasicos: Nani Garc\u00eda (piano), Sim\u00f3n Garc\u00eda (contrabajo),\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/nani-garcia-trio-renaissance.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":62369,"url":"https:\/\/tomajazz.com\/web\/r-i-v-regresion-inversa-viciosa-nani-garcia-trio-hai-un-desequilibrio-autoeditado-2022-por-pachi-tapiz-jazzx5466-minipodcast-de-jazz\/","url_meta":{"origin":28515,"position":2},"title":"\u00abR.I.V. (Regresi\u00f3n Inversa Viciosa)\u00bb [Nani Garc\u00eda Tr\u00edo Hai un desequilibrio (Xingra, 2022)] Por Pachi Tapiz. JazzX5#466 [Minipodcast de jazz]","author":"Tomajazz","date":"28 marzo, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"R.I.V. (Regresi\u00f3n Inversa Viciosa)\" del Nani Garc\u00eda Tr\u00edo que aparece publicado en Hai un desequilibrio (Xingra, 2022). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"\"R.I.V. (Regresi\u00f3n Inversa Viciosa)\" [Nani Garc\u00eda Tr\u00edo Hai un desequilibrio (Autoeditado, 2022)] Por Pachi Tapiz. JazzX5#466 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0466.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0466.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0466.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0466.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":17001,"url":"https:\/\/tomajazz.com\/web\/nani-garcia-trio-serendipia-xingra-karonte-2014\/","url_meta":{"origin":28515,"position":3},"title":"Nani Garc\u00eda Tr\u00edo: Serendipia (Xingra &#8211; Karonte, 2014)","author":"Tomajazz","date":"16 febrero, 2015","format":false,"excerpt":"Como m\u00fasica de fusi\u00f3n, el jazz ha sido un campo en el que se han dado (entre otros) los dos movimientos que Stuart Nicholson mencionaba en su imprescindible Is Jazz Dead? (or has it moved to a new address) (Routledge, 2005): la globalizaci\u00f3n y la glocalizaci\u00f3n. El resultado: que en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/portada-300ppp-180x180mm-e1415884166955.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":15410,"url":"https:\/\/tomajazz.com\/web\/nani-garcia-un-secreto-muy-bien-guardado-entrevista-por-pachi-tapiz\/","url_meta":{"origin":28515,"position":4},"title":"Nani Garc\u00eda: un secreto muy bien guardado. Entrevista por Pachi Tapiz","author":"Tomajazz","date":"17 noviembre, 2014","format":false,"excerpt":"El pianista gallego Nani Garc\u00eda es un m\u00fasico polifac\u00e9tico, como m\u00ednimo. En su historial est\u00e1 su participaci\u00f3n en el m\u00edtico grupo Clunia (junto a Baldo Mart\u00ednez y Fernando Llorca en sus inicios), ganador del segundo premio en el concurso internacional del Festival de Jazz de San Sebastian en 1983. En\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Nani-solo-e1415884077325.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24809,"url":"https:\/\/tomajazz.com\/web\/imaxinasons-2016-vigo-del-1-al-9-de-julio-de-2016\/","url_meta":{"origin":28515,"position":5},"title":"Imaxinasons 2016 (Vigo, del 1 al 9 de julio de 2016)","author":"Tomajazz","date":"6 junio, 2016","format":false,"excerpt":"Entre el 1 y el 9 de julio de 2016 tendr\u00e1 lugar en Vigo la edici\u00f3n n\u00famero 12 del festival Imaxina Sons, Festival de Jazz de Vigo. Programaci\u00f3n: Hermeto Pascoal e Grupo. Viernes 1 de julio. Auditorio Municipal Julia H\u00fclsmann. S\u00e1bado 2 de julio. Auditorio Municipal Masaa (voz: Rabih Lahoud).\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Imaxinasons-2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Imaxinasons-2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Imaxinasons-2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=28515"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28515\/revisions"}],"predecessor-version":[{"id":28519,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28515\/revisions\/28519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/26839"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=28515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=28515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=28515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}