{"id":2853,"date":"2010-06-30T22:10:00","date_gmt":"2010-06-30T20:10:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2853"},"modified":"2016-04-10T23:06:40","modified_gmt":"2016-04-10T21:06:40","slug":"red-trio-red-trio-2010","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/red-trio-red-trio-2010\/","title":{"rendered":"Red Trio: Red Trio (2010)"},"content":{"rendered":"<div>\n<div><a href=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TCuykd87ehI\/AAAAAAAABvk\/xTnnZeRyVz0\/s1600\/red+trio_red+trio.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/2.bp.blogspot.com\/_huJnG8dEQz8\/TCuykd87ehI\/AAAAAAAABvk\/xTnnZeRyVz0\/s320\/red+trio_red+trio.jpg\" alt=\"\" title=\"\"><\/a><\/div>\n<p>Red Trio se estrena discogr\u00e1ficamente con el CD hom\u00f3nimo. En la tradici\u00f3n <i>post-evansiana<\/i> de los tr\u00edos de piano en los que los tres instrumentistas est\u00e1n al mismo nivel, la m\u00fasica se trabaja y desarrolla a nivel colectivo.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<div><\/div>\n<div>El bater\u00eda Gabriel Ferrandini y el contrabajista Hernani Faustino ya dejaron hace unos meses una magn\u00edfica muestra de su capacidad para improvisar en grupo en el Nobuyasu Furuya Trio (<a href=\"http:\/\/bun.tomajazz.com\/2009\/11\/nobuyasu-furuya-trio-bendowa.html\" target=\"_blank\">Bendowa<\/a>, Clean Feed. CF159CD \u00a0\/ Nobuyasu Furuya Trio + Quintet: <a href=\"http:\/\/bun.tomajazz.com\/2010\/05\/nobuyasu-furuya-trio-quintet-stunde.html\" target=\"_blank\">Stunde Null<\/a>. Chitei Records. B45F). Rodrigo Pinheiro se destapa como un magn\u00edfico pianista, aunque en este caso el potencial del tr\u00edo es superior a la suma de sus partes. <\/div>\n<div><\/div>\n<div>Pachi Tapiz<\/div>\n<div><\/div>\n<div>Red Trio junto con John Butcher actuar\u00e1n el jueves 1 de julio en la sexta edici\u00f3n del Festival Internacional de Vigo Imaxinasons 2010<\/div>\n<div><\/div>\n<div>Rodrigo Pinheiro (piano), Hernani Faustino (contrabajo), Gabriel Ferrandini (bater\u00eda y percusi\u00f3n)<\/div>\n<div><\/div>\n<div>\u00abCore\u00bb, \u00abFlat\u00bb, \u00abSoda, Static\u00bb, \u00abQuick Sand\u00bb, \u00abTimewise\u00bb, \u00abBurning Light\u00bb<\/div>\n<div><\/div>\n<div>Grabado el 10 y el 11 de junio de 2008 en Moagem, Fundao. Publicado en 2010 por Clean Feed. CF168CD<\/div>\n<div><\/div>\n<div>Rese\u00f1a publicada en el n\u00famero de verano de 2010 de la revista M\u00e1s Jazz. Calificado con **** sobre *****<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Red Trio se estrena discogr\u00e1ficamente con el CD hom\u00f3nimo. En la tradici\u00f3n post-evansiana de los tr\u00edos de piano en los que los tres instrumentistas est\u00e1n al mismo nivel, la m\u00fasica se trabaja y desarrolla a nivel colectivo. El bater\u00eda Gabriel Ferrandini y el contrabajista Hernani Faustino ya dejaron hace unos<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/red-trio-red-trio-2010\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2853","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2874,"url":"https:\/\/tomajazz.com\/web\/nobuyasu-furuya-trio-quintet-stunde-null-2010\/","url_meta":{"origin":2853,"position":0},"title":"Nobuyasu Furuya Trio + Quintet: Stunde Null (2010)","author":"Tomajazz","date":"27 mayo, 2010","format":false,"excerpt":"Tras publicar el pasado a\u00f1o Bendowa\u00a0en Clean Feed, el japon\u00e9s Nobuyasu Furuya repite acompa\u00f1antes en Stunde Null para su nueva grabaci\u00f3n, que en esta ocasi\u00f3n aparece publicada en el sello japon\u00e9s Chitei Records. El CD incluye dos largas improvisaciones de aproximadamente media hora de duraci\u00f3n, que aparecen tituladas como \"Trio\"\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2985,"url":"https:\/\/tomajazz.com\/web\/nobuyasu-furuya-trio-bendowa\/","url_meta":{"origin":2853,"position":1},"title":"Nobuyasu Furuya Trio: Bendowa","author":"Tomajazz","date":"11 noviembre, 2009","format":false,"excerpt":"Los amantes del saxofonismo free, correoso y pele\u00f3n, no deber\u00edan perderse Bendowa del Nobuyasu Furuya Trio. Sin complejos, los temas creados por el tr\u00edo toman t\u00edtulos tan significativos como \"track 1\", \"track 2\" y as\u00ed hasta \"track 5\". Furuya (con su saxo tenor, clarinete bajo y flauta) es el encargado\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2425,"url":"https:\/\/tomajazz.com\/web\/nobuyasu-furuya-quintet-the-major-nobusiness-records-lp-2011\/","url_meta":{"origin":2853,"position":2},"title":"Nobuyasu Furuya Quintet: The Major (NoBusiness Records -LP-, 2011)","author":"Tomajazz","date":"27 enero, 2012","format":false,"excerpt":"Provocador en sus t\u00edtulos, el saxofonista japon\u00e9s Nobuyasu Furuya muestra en The Major algunas de las distintas caras del free jazz. Estas pasan por la espiritualidad heredera de la de Coltrane, el free-bop, el free a la cl\u00e1sica, las formas cercanas a la libre improvisaci\u00f3n e incluso las baladas \"a-la-free\".\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-UPcw5xa2LVs\/TyHJLwTixwI\/AAAAAAAAEAc\/VNpqXcXFoqk\/s200\/furuya_major.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2535,"url":"https:\/\/tomajazz.com\/web\/red-trio-john-butcher-empire-nobusiness-records-2011\/","url_meta":{"origin":2853,"position":3},"title":"RED Trio + John Butcher: Empire (NoBusiness Records, 2011)","author":"Tomajazz","date":"5 septiembre, 2011","format":false,"excerpt":"La formaci\u00f3n portuguesa RED Trio es una de las m\u00e1s interesantes y m\u00e1s en forma en los \u00faltimos tiempos de nuestro pa\u00eds vecino. Basta para sostener esa afirmaci\u00f3n echar un vistazo a los discos que sus integrantes han ido publicando \u00faltimamente. El contrabajista Hernani Faustino y el baterista Gabriel Ferrandini\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-_Cre9kGInrM\/TmUvY-Tl2VI\/AAAAAAAADV0\/nNijpgBlwBI\/s200\/redtrio_johnbutcher_empire.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2422,"url":"https:\/\/tomajazz.com\/web\/akira-sakata-nobuyasu-furuya-live-at-the-bitches-brew-solid-records-2011\/","url_meta":{"origin":2853,"position":4},"title":"Akira Sakata &#8211; Nobuyasu Furuya: Live At The Bitches Brew (Solid Records, 2011)","author":"Tomajazz","date":"31 enero, 2012","format":false,"excerpt":"Live At The Bitches Brew es el encuentro, mano a mano, entre los saxofonistas Akira Sakata y Nobuyasu Furuya. Dos primeras figuras del free jazz japones pertenecientes a dos generaciones muy diferentes: Sakata naci\u00f3 en 1945, mientras que Furuya lo hizo en 1978. En el directo grabado en el Bitches\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-0GyqOL91ZBY\/Tyccjrzqy3I\/AAAAAAAAEBU\/PCJoHkiHTDA\/s200\/sakata-furuya_live%2Bat%2Bbitches%2Bbrew.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":103883,"url":"https:\/\/tomajazz.com\/web\/simon-nabatov-trio-guilt-free-pleasures-2026\/","url_meta":{"origin":2853,"position":5},"title":"Simon Nabatov Trio: Guilt-free Pleasures (Simon Nabatov; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"3 febrero, 2026","format":false,"excerpt":"Guilt-free Pleasures (Simon Nabatov; 2026) es lo nuevo de Simon Nabatov Trio. Carlos Lara repasa la grabaci\u00f3n. Con Simon Nabatov, Roger Kintopf, Dominik Mahnig","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Simon Nabatov Trio: Guilt-free Pleasures (Simon Nabatov; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Guilt-free Pleasures (Simon Nabatov; 2026) es lo nuevo de Simon Nabatov Trio. Carlos Lara repasa la grabaci\u00f3n. Con Simon Nabatov, Roger Kintopf, Dominik Mahnig","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Guilt-free-Pleasures.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2853"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2853\/revisions"}],"predecessor-version":[{"id":23076,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2853\/revisions\/23076"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}