{"id":28640,"date":"2017-01-12T12:00:40","date_gmt":"2017-01-12T11:00:40","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28640"},"modified":"2017-12-29T21:34:32","modified_gmt":"2017-12-29T20:34:32","slug":"365-razones-para-amar-el-jazz-un-disco-brilliant-corners-thelonious-monk-1956-12","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-brilliant-corners-thelonious-monk-1956-12\/","title":{"rendered":"365 razones para amar el jazz: un disco. Brilliant Corners (Thelonious Monk, 1956) [12]"},"content":{"rendered":"

\"\"Un disco.\u00a0Brilliant Corners<\/em>. Thelonious Monk<\/strong> (Riverside, 1956).<\/p>\n

Seleccionado por Juanma Castro Medina<\/strong>.<\/p>\n

Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul Chambers<\/p>\n","protected":false},"excerpt":{"rendered":"

Un disco.\u00a0Brilliant Corners. Thelonious Monk (Riverside, 1956). Seleccionado por Juanma Castro Medina. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul ChambersContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28641,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17859,18155,20689,15517,1038],"tags":[18715,18716,18165,12651,15698,18719,6845,12676,18553,12696,16012,13,15699,12415,15295,18720,18717,7636,15710,1978,8244,2083,18718,2225,5083,16099,77,16100],"class_list":["entry","author-pachi","post-28640","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juanma-castro-medina","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cd","tag-cd-de-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-clark-terry","tag-critica","tag-ernie-henry","tag-grabaciones","tag-grabaciones-de-jazz","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-juanma-castro-medina","tag-la-actualidad-del-jazz-en-espana","tag-max-roach","tag-oscar-pettiford","tag-paul-chambers","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-sonny-rollins","tag-thelonious-monk","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30526,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-brilliant-corners-thelonious-monk-130-a-new-perspective-09\/","url_meta":{"origin":28640,"position":0},"title":"365 razones para amar el jazz: una portada. Brilliant Corners (Thelonious Monk) [131] [A New Perspective 09]","author":"Tomajazz","date":"11 mayo, 2017","format":false,"excerpt":"Una portada.\u00a0Brilliant Corners\u00a0(Thelonious Monk. Riverside, 1957). Fotograf\u00eda de Paul Weller. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Novena\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":16368,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-sonny-rollins-complete-recordings-essential-jazz-classics-2014\/","url_meta":{"origin":28640,"position":1},"title":"Thelonious Monk & Sonny Rollins: Complete Recordings (Essential Jazz Classics, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"14 enero, 2015","format":false,"excerpt":"Much\u00edsimo se ha escrito en los libros de historia en relaci\u00f3n a los dos m\u00fasicos que hoy nos acompa\u00f1an. Y es que son dos de los grandes. Posiblemente haya alg\u00fan que otro detractor, pero creo que en un porcentaje muy elevado, pr\u00e1cticamente todas las personas a las que nos gusta\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/Monk-Rollins_complete-recordings-e1421176101624.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30897,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-volume-2-sonny-rollins-161-a-new-perspective-13\/","url_meta":{"origin":28640,"position":2},"title":"365 razones para amar el jazz: una portada. Volume 2 (Sonny Rollins) [161] [A New Perspective 13]","author":"Tomajazz","date":"10 junio, 2017","format":false,"excerpt":"Una portada. 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Seleccionado por\u00a0Joan Cort\u00e8s. Los nombres de todos los cap\u00edtulos corresponden a diferentes t\u00edtulos jazz\u00edsticos; en Dulce veneno del jazz (Rhode Island Red,\u00a01997), a composiciones de Thelonious Monk;\u00a0en Negra melod\u00eda de blues\u00a0(Coq au Vin,\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30976,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-las-tres-novelas-policiacas-escritas-por-charlotte-carter-y-protagonizadas-por-la-saxofonista-y-detective-nanette-hayes-164\/","url_meta":{"origin":28640,"position":5},"title":"365 razones para amar el jazz: las tres novelas polic\u00edacas escritas por Charlotte Carter y protagonizadas por la saxofonista y detective Nanette Hayes [165]","author":"Tomajazz","date":"14 junio, 2017","format":false,"excerpt":"Las tres novelas policiacas escritas por Charlotte Carter y protagonizadas por la saxofonista y detective Nanette Hayes. Seleccionado por\u00a0Joan Cort\u00e8s Los nombres de todos los cap\u00edtulos corresponden diferentes t\u00edtulos jazz\u00edsticos, en Dulce veneno del jazz -Rhode Island Red\u00a0\/ 1997-, a composiciones de Thelonious Monk; en Negra melod\u00eda de blues\u00a0-Coq au\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Joan-Cortes_03_365-razones_3-novelas-de-Charlotte-Carter-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=28640"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28640\/revisions"}],"predecessor-version":[{"id":28642,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28640\/revisions\/28642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/28641"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=28640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=28640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=28640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}