{"id":28694,"date":"2017-01-13T12:00:32","date_gmt":"2017-01-13T11:00:32","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28694"},"modified":"2017-12-29T21:34:31","modified_gmt":"2017-12-29T20:34:31","slug":"365-razones-para-amar-el-jazz-la-integral-de-discos-con-sus-libros-fotograficos-de-romano-sclavis-texier-y-le-querrec-13","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-la-integral-de-discos-con-sus-libros-fotograficos-de-romano-sclavis-texier-y-le-querrec-13\/","title":{"rendered":"365 razones para amar el jazz: la integral de discos con sus libros fotogr\u00e1ficos de Romano-Sclavis-Texier y Le Querrec [13]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-28695 size-large\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/02_365-razones_Integral-Rmn-Sclvs-Txr_Gy-L-Qrrc-401x600.jpg\" width=\"401\" height=\"600\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/02_365-razones_Integral-Rmn-Sclvs-Txr_Gy-L-Qrrc.jpg 401w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/02_365-razones_Integral-Rmn-Sclvs-Txr_Gy-L-Qrrc-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/02_365-razones_Integral-Rmn-Sclvs-Txr_Gy-L-Qrrc-37x55.jpg 37w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/>La integral de tres discos con sus tres libros fotogr\u00e1ficos, en blanco y negro, de <strong>Aldo Romano<\/strong>&#8211;<strong>Louis<\/strong> <strong>Sclavis<\/strong>&#8211;<strong>Henri<\/strong> <strong>Texier<\/strong> con el fot\u00f3grafo <strong>Guy Le Querrec<\/strong>, <em>Carnet de routes<\/em>\u00a0(Label Blue\/1995), \u201c<em>Suite africaine<\/em>\u00a0(Label Blue\/1999) y <em>African Flashback<\/em>\u00a0(Label Blue\/2005).<\/p>\n<p style=\"text-align: justify;\">Seleccionado por <strong>Joan Cort\u00e8s<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Con Aldo Romano, Louis Sclavis, Henri Texier, Guy Le Querrec.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La integral de tres discos con sus tres libros fotogr\u00e1ficos, en blanco y negro, de Aldo Romano&#8211;Louis Sclavis&#8211;Henri Texier con el fot\u00f3grafo Guy Le Querrec, Carnet de routes\u00a0(Label Blue\/1995), \u201cSuite africaine\u00a0(Label Blue\/1999) y African Flashback\u00a0(Label Blue\/2005). Seleccionado por Joan Cort\u00e8s. Con Aldo Romano, Louis Sclavis, Henri Texier, Guy Le Querrec.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-la-integral-de-discos-con-sus-libros-fotograficos-de-romano-sclavis-texier-y-le-querrec-13\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28695,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,18155,20689,15517,1038],"tags":[18715,18716,18165,5569,18583,18719,1186,477,13,12415,15295,18720,18717,1041,15710,18585,177,18718,18584,5568,16099,77,16100],"class_list":["entry","author-pachi","post-28694","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-aldo-romano","tag-aldo-romano-louis-sclavis-henri-texier","tag-cien-anos-de-grabaciones-de-jazz","tag-guy-le-querrec","tag-henri-texier","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz100","tag-jazzrecords100","tag-joan-cortes","tag-la-actualidad-del-jazz-en-espana","tag-label-blue","tag-louis-sclavis","tag-primer-centenario-de-las-grabaciones-de-jazz","tag-r","tag-romano-sclavis-texier","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/02_365-razones_Integral-Rmn-Sclvs-Txr_Gy-L-Qrrc.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32301,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-carnet-des-routes-romano-sclavis-texier-le-querrec-263\/","url_meta":{"origin":28694,"position":0},"title":"365 razones para amar el jazz: un disco. Carnet des routes (Romano, Sclavis, Texier, Le Querrec) [263]","author":"Tomajazz","date":"20 septiembre, 2017","format":false,"excerpt":"Un disco.\u00a0Romano, Sclavis, Texier, Le Querrec:\u00a0Carnet Des Routes (Label Bleu, 1995) Seleccionado por Mart\u00ed Farr\u00e9 Con Louis Sclavis, Henri Texier, Aldo Romano, Guy Le Querrec\u00a0","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Romano-Sclavis-Texier-Le-Querrec_carnet-des-routes_Lable-Bleu_1995.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11490,"url":"https:\/\/tomajazz.com\/web\/romano-sclavis-texier-le-querrec-carnet-des-routes-suite-africaine-label-bleu-1999\/","url_meta":{"origin":28694,"position":1},"title":"Romano, Sclavis, Texier, Le Querrec: Carnet Des Routes. Suite Africaine (Label Bleu, 1999)","author":"Tomajazz","date":"11 abril, 2014","format":false,"excerpt":"El cuarteto Texier-Sclavis-Romano-Le Querrec public\u00f3 tres obras: Carnet Des Routes, Carnet Des Routes. Suite Africane y African Flashback.\u00a0 En todas ellas el amplio libreto (que bien se podr\u00eda calificar como libro) ilustraba con las fotograf\u00edas de Guy Le Querrec distintos periplos de Henri Texier, Louis Sclavis y Aldo Romano por\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"aldo-romano-suite-africaine","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/aldo-romano-suite-africaine-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":57288,"url":"https:\/\/tomajazz.com\/web\/jazzx5283-romano-sclavis-texier-les-petits-lits-blancs-carnet-des-routes-label-bleu-1995-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":28694,"position":2},"title":"JazzX5#283. Romano, Sclavis, Texier: \u00abLes petits lits blancs\u00bb [carnet des routes (Label Bleu, 1995)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"25 septiembre, 2021","format":false,"excerpt":"El enorme \"Les petits lits blancs\" de Aldo Romano, Louis Sclavis y Henri Texier, del disco Carnet des routes (Lable Bleu, 1995) en el minipodcast JazzX5 de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_283.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_283.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_283.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_283.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1871,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-les-petits-lits-blancs-aldo-romano-louis-sclavis-henri-texier-guy-le-querrec-1995\/","url_meta":{"origin":28694,"position":3},"title":"Tomajazz recomienda&#8230; un tema: \u00abLes petits lits blancs\u00bb (Aldo Romano &#8211; Louis Sclavis &#8211; Henri Texier &#8211; Guy Le Querrec, 1995)","author":"Adolphus van Tenzing","date":"22 febrero, 2010","format":false,"excerpt":"En 1995 el tr\u00edo formado por Aldo Romano, Louis Sclavis y Henri Texier grababa Carnet des routes, la primera de las tres grabaciones inspiradas por sus visitas a \u00c1frica en compa\u00f1\u00eda del fot\u00f3grafo Guy Le Querrec, cuyo trabajo se pod\u00eda disfrutar en los extensos libretos que acompa\u00f1aban a estos tres\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"aldo-romano-suite-africaine","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/aldo-romano-suite-africaine-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30321,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-espectaculo-loeil-de-lelephant-114\/","url_meta":{"origin":28694,"position":4},"title":"365 razones para amar el jazz: un espect\u00e1culo, \u201cL\u2019\u0152il De L\u2019El\u00e9phant\u201d [114]","author":"Tomajazz","date":"24 abril, 2017","format":false,"excerpt":"Un espect\u00e1culo: \u201cL\u2019\u0152il De L\u2019El\u00e9phant\u201d. Seleccionado por\u00a0Joan Cort\u00e8s Un fotoconcierto con proyecciones de im\u00e1genes de Guy Le Querrec y la m\u00fasica en directo de Michel Portal \u2013clarinete y bandone\u00f3n-, Louis Sclavis -clarinete, clarinete bajo y saxo soprano-, Henri Texier \u2013contrabajo- y Christophe Marguet -bater\u00eda y percusi\u00f3n-. Un proyecto disfrutado, por\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Joan-Cort%C3%A8s_09_365-razones_Una-actuaci%C3%B3n_LOLEIL-DE-LELEPHANT-%C2%A9Joan-Cort%C3%A8s_29nov12.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Joan-Cort%C3%A8s_09_365-razones_Una-actuaci%C3%B3n_LOLEIL-DE-LELEPHANT-%C2%A9Joan-Cort%C3%A8s_29nov12.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Joan-Cort%C3%A8s_09_365-razones_Una-actuaci%C3%B3n_LOLEIL-DE-LELEPHANT-%C2%A9Joan-Cort%C3%A8s_29nov12.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":39517,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-021-2018-10-30-jpt-t2-05-podcast\/","url_meta":{"origin":28694,"position":5},"title":"Jazz Para Ti. Programa 021 (2018-10-30) JPT.T2.05 [Podcast]","author":"Tomajazz","date":"7 noviembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En el quinto programa de la segunda temporada de Jazz Para Ti\u00a0suenan de nuevo novedades discogr\u00e1ficas publicadas en los \u00faltimos meses, algunas de las cuales ya han sonado con anterioridad. En el programa tiene un hueco destacado el sello Blue Asteroid que abre el programa con tres novedades:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/JazzParaTi_programa021_Collage_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/JazzParaTi_programa021_Collage_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/JazzParaTi_programa021_Collage_1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/JazzParaTi_programa021_Collage_1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=28694"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28694\/revisions"}],"predecessor-version":[{"id":28696,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28694\/revisions\/28696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/28695"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=28694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=28694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=28694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}