{"id":28708,"date":"2017-01-13T22:44:42","date_gmt":"2017-01-13T21:44:42","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28708"},"modified":"2017-01-14T12:19:39","modified_gmt":"2017-01-14T11:19:39","slug":"hdo-219-madness-tenors-carrier-lambert-lapin-george-lewis-splitter-orchester-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-219-madness-tenors-carrier-lambert-lapin-george-lewis-splitter-orchester-podcast\/","title":{"rendered":"HDO 219. Madness Tenors, Carrier &#8211; Lambert &#8211; Lapin, George Lewis &#038; Splitter Orchester [Podcast]"},"content":{"rendered":"<p><center><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28709 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Carrier-Lambert-Lapin_Freedom-is-Space-for-the-Spirit_FMR-Records_2016-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Carrier-Lambert-Lapin_Freedom-is-Space-for-the-Spirit_FMR-Records_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Carrier-Lambert-Lapin_Freedom-is-Space-for-the-Spirit_FMR-Records_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Carrier-Lambert-Lapin_Freedom-is-Space-for-the-Spirit_FMR-Records_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Carrier-Lambert-Lapin_Freedom-is-Space-for-the-Spirit_FMR-Records_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Carrier-Lambert-Lapin_Freedom-is-Space-for-the-Spirit_FMR-Records_2016.jpg 360w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28712 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Madness-Tenors_Be-Jazz-For-Jazz_Cristal-Records_2016-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Madness-Tenors_Be-Jazz-For-Jazz_Cristal-Records_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Madness-Tenors_Be-Jazz-For-Jazz_Cristal-Records_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Madness-Tenors_Be-Jazz-For-Jazz_Cristal-Records_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Madness-Tenors_Be-Jazz-For-Jazz_Cristal-Records_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Madness-Tenors_Be-Jazz-For-Jazz_Cristal-Records_2016.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28711 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/George-Lewis-and-Splitter-Orchester_Creative-Construction-Set_Mikroton-Recordings_2016-200x181.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/George-Lewis-and-Splitter-Orchester_Creative-Construction-Set_Mikroton-Recordings_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/George-Lewis-and-Splitter-Orchester_Creative-Construction-Set_Mikroton-Recordings_2016-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/center><\/p>\n<p style=\"text-align: justify;\">En el programa 219 del\u00a0<em>podcast\u00a0<\/em>HDO del 13 de enero de 2017, tres grabaciones en torno a los gigantes del saxo, el <em>free<\/em> y la improvisaci\u00f3n libre.<\/p>\n<p style=\"text-align: justify;\"><em>B<\/em><em>e Jazz For Jazz\u00a0<\/em>(Cristal Records, 2016) del grupo <strong>Madness Tenors <\/strong>(1)\u00a0es una grabaci\u00f3n en la que participan <strong>Georges Garzone<\/strong>, <strong>Lionel Martin<\/strong>,\u00a0<strong>Mario Stantchev<\/strong>, <strong>Benoit Keller<\/strong> y <strong>Ram\u00f3n L\u00f3pez<\/strong>. El m\u00fasico participa en una propuesta que si bien se aleja de los derroteros estil\u00edsticos por los que se acostumbre a mover, no sirve sino para confirmar su enorme intuici\u00f3n musical y <a href=\"http:\/\/www.tomajazz.com\/web\/?p=28495\" target=\"_blank\">el amor por el jazz y la m\u00fasica creativa que comentaba en su reciente entrevista en Tomajazz<\/a>.<\/p>\n<p style=\"text-align: justify;\">La mejor manera de disfrutar de la forma de entender el jazz del baterista <strong>Michel Lambert<\/strong> y el saxofonista <strong>Fran\u00e7ois Carrier<\/strong>, es en directo, en buena compa\u00f1\u00eda. A lo largo de los \u00faltimos seis a\u00f1os, estos m\u00fasicos han visitado Rusia en cuatro ocasiones, que ha servido para publicar <a href=\"http:\/\/www.tomajazz.com\/web\/?s=lambert+carrier\" target=\"_blank\">un buen pu\u00f1ado de grabaciones en sellos como Leo Records y FMR Records<\/a>. Estos dos m\u00fasicos canadienses vuelven a publicar una grabaci\u00f3n en FMR Records, en esta ocasi\u00f3n registrada en directo en el Experimental Sound Gallery de San Petesburgo el 29 de mayo de 2014, en esta ocasi\u00f3n nuevamente con <strong>Alexey Lapin<\/strong>, pianista residente en esta ciudad. La estructura de la grabaci\u00f3n es la misma que las anteriores: improvisaciones extensas en las que son muy importantes la intensidad, la energ\u00eda\u00a0y la interacci\u00f3n. A falta de que alguien se anime a traerlo de gira por nuestro pa\u00eds, grabaciones como\u00a0<em>Freedom is Space for the Spirit\u00a0<\/em>(FMR Records, 2016) son un magn\u00edfico sustituto sonoro.<\/p>\n<p style=\"text-align: justify;\">La\u00a0<strong>Splitter Orchester<\/strong>, formaci\u00f3n con seis a\u00f1os de antig\u00fcedad y compuesta por importantes improvisadores libres como <strong>Axel D\u00f6rner<\/strong>,\u00a0<strong>Andrea Neumann<\/strong>, <strong>Magda Mayas<\/strong>,\u00a0<strong>Werner Dafeldecker<\/strong>,\u00a0<strong>Clayton Thomas<\/strong> o\u00a0<strong>Michael Thieke <\/strong>(2), cont\u00f3 con la colaboraci\u00f3n del veterano trombonista, compositor e integrante esencial de la AACM\u00a0(3)\u00a0<strong>George Lewis<\/strong> para desarrollar su m\u00fasica. Este cre\u00f3 unas composiciones, que el grupo desarroll\u00f3 por medio de indicaciones textuales escritas entre sus integrantes en plena ejecuci\u00f3n de dichas composiciones. El resultado es <em>Creative Construction Set\u00a0<\/em>(Mikroton Recordings, 2016)\u00a0son los \u00abCreative Construction Set\u00bb n\u00fameros 1, 2 y 3: \u00bfcomposici\u00f3n?; \u00bfimprovisaci\u00f3n?; \u00bfcomprovisaci\u00f3n?; \u00bfimprocomposici\u00f3n? M\u00fasica, libertad, di\u00e1logo y creatividad en todo caso, empleando el espacio que la creatividad y la libertad requieren.<\/p>\n<p style=\"text-align: right;\">\u00a9 <strong>Pachi Tapiz<\/strong>, 2017<\/p>\n<p style=\"text-align: justify;\">\u00a0<strong>HDO<\/strong> es un\u00a0<em>podcast\u00a0<\/em>editado, presentado y producido por\u00a0<strong>Pachi Tapiz<\/strong>:<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_16243863\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_16243863_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Notas:<\/strong><\/p>\n<ol>\n<li style=\"text-align: justify;\">El nombre del grupo es toda una declaraci\u00f3n de intenciones&#8230; cambien el orden de las palabras y el resultado es&#8230;<\/li>\n<li style=\"text-align: justify;\">El listado completo de los integranes de Splitter Orchestra es:\u00a0Liz Allbee, Boris Baltschun, Burkhard Beins, Anthea Caddy, Anat Cohavi, Werner Dafeldecker, Mario de Vega, Axel D\u00f6rner, Kai Fagaschinski, Robin Hayward, Steve Heather, Chris Heenan, George Lewis, Matthias M\u00fcller, Magda Mayas, Andrea Neumann, Morten J. Olsen, Simon James Phillips, Julia Reidy, Ignaz Schick, Michael Thieke, Clayton Thomas, Sabine Vogel, Biliana Voutchkova, Marta Zapparoli.<\/li>\n<li style=\"text-align: justify;\">\u00abLa Association for the Advancement of Creative Musicians (AACM) es una asociaci\u00f3n creada en Chicago en 1965 para la ayuda material y defensa de los intereses profesionales de los m\u00fasicos de jazz de la ciudad, y a la vez crear foros de encuentro entre los compositores, instrumentistas y orquestas, as\u00ed como favorecer el surgimiento de nuevos m\u00fasicos creativos e innovadores.\u00bb<br \/>\nWikipedia:\u00a0<a href=\"https:\/\/es.wikipedia.org\/wiki\/Association_for_the_Advancement_of_Creative_Musicians\" target=\"_blank\" rel=\"noopener\">https:\/\/es.wikipedia.org\/wiki\/Association_for_the_Advancement_of_Creative_Musicians<br \/>\n<\/a>The Art Ensemble of Chicago, Muhal Richard Abrams, Anthony Braxton, Fred Anderson, Claudia Amine Myers, Henry Threadgill, Wadada Leo Smith, Fred Hopkins o Nicole Mitchell son algunos de los m\u00fasicos pertenecientes a esta asociaci\u00f3n.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>En el programa 219 del\u00a0podcast\u00a0HDO del 13 de enero de 2017, tres grabaciones en torno a los gigantes del saxo, el free y la improvisaci\u00f3n libre. Be Jazz For Jazz\u00a0(Cristal Records, 2016) del grupo Madness Tenors (1)\u00a0es una grabaci\u00f3n en la que participan Georges Garzone, Lionel Martin,\u00a0Mario Stantchev, Benoit Keller<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-219-madness-tenors-carrier-lambert-lapin-george-lewis-splitter-orchester-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28712,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,17151,12814,15518,1038],"tags":[10498,11876,11860,18603,13370,11131,14233,18615,18601,18602,12651,15698,18609,5126,18618,12676,18620,10496,5364,18616,12696,16012,13300,13299,15712,15713,15714,18614,13,15699,12415,15295,15278,960,18613,18606,15710,14230,5464,18619,18610,18605,18617,11877,16528,18350,10497,18621,18611,15307,15308,15309,31,12818,15310,15709,15711,284,15306,18607,11863,18612,18608,16099,77,16100,18604],"class_list":["entry","author-pachi","post-28708","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t03-2016-17","category-podcast","category-sonidos","category-contenidos","tag-alexey-lapin","tag-anat-cohavi","tag-andrea-neumann","tag-anthea-caddy","tag-audioblog","tag-axel-dorner","tag-benoit-keller","tag-biliana-voutchkova","tag-boris-baltschun","tag-burkhard-beins","tag-cd","tag-cd-de-jazz","tag-chris-heenan","tag-clayton-thomas","tag-cristal-records","tag-critica","tag-fmr-records","tag-francois-carrier","tag-george-lewis","tag-georges-garzone","tag-grabaciones","tag-grabaciones-de-jazz","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-ignaz-schick","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jose-francisco-tapiz","tag-julia-reidy","tag-kai-fagaschinski","tag-la-actualidad-del-jazz-en-espana","tag-lionel-martin","tag-liz-allbee","tag-madness-tenors","tag-magda-mayas","tag-mario-de-vega","tag-mario-stantchev","tag-marta-zapparoli","tag-matthias-muller","tag-michael-thieke","tag-michel-lambert","tag-mikroton-recordings","tag-morten-j-olsen","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-ramon-lopez","tag-resenas","tag-robin-hayward","tag-sabine-vogel","tag-simon-james-phillips","tag-steve-heather","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-werner-dafeldecker"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Madness-Tenors_Be-Jazz-For-Jazz_Cristal-Records_2016.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30971,"url":"https:\/\/tomajazz.com\/web\/hdo-273-free-free-free-give-me-free-music-drobka-weller-carrier-mazur-lambert-amado-almeida-franco-podcast\/","url_meta":{"origin":28708,"position":0},"title":"HDO 273. Free, free, free&#8230; give me free music: Drobka &#8211; Weller, Carrier &#8211; Mazur &#8211; Lambert, Amado &#8211; Almeida &#8211; Franco. [Podcast]","author":"Tomajazz","date":"14 junio, 2017","format":false,"excerpt":"Tres propuestas que se mueven por los terrenos del\u00a0free y la improvisaci\u00f3n libre en\u00a0HDO 273:\u00a0Blues Town\u00a0(Shifting Paradigm Records, 2017) del\u00a0Drobka - Weller Duo;\u00a0Oneness\u00a0(FMR, 2017) de\u00a0Fran\u00e7ois Carrier -\u00a0Rafal Mazur -\u00a0Michel Lambert; y\u00a0The Attic\u00a0(NoBusiness Records, 2017) de\u00a0Gon\u00e7alo Almeida - Rodrigo Amado - Marco Franco. Tomajazz: \u00a9 Pachi Tapiz, 2017 HDO es un\u2026","rel":"","context":"En \u00ab*_Pablo Sanz\u00bb","block_context":{"text":"*_Pablo Sanz","link":"https:\/\/tomajazz.com\/web\/category\/pablo-sanz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21272,"url":"https:\/\/tomajazz.com\/web\/francois-carrier-michel-lambert-improvisando-por-libre-hdo-0047-audioblog\/","url_meta":{"origin":28708,"position":1},"title":"Fran\u00e7ois Carrier &#8211; Michel Lambert: Outgoing \/ Unknowable \/ io (CD; 2015) AKA Improvisando por libre. HDO (0047) [Audioblog]","author":"Tomajazz","date":"11 diciembre, 2015","format":"audio","excerpt":"El saxofonista Fran\u00e7ois Carrier y al baterista Michel Lambert tienen una larga trayectoria conjunta que se mueve dentro de la improvisaci\u00f3n con una fuerte base en el free jazz. Seg\u00fan comenta el propio Carrier en las notas de OUTgoing (FMR), acostumbra a grabar todos sus conciertos. A partir de esos\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"OUTgoing","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/OUTgoing-200x200.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":27850,"url":"https:\/\/tomajazz.com\/web\/hdo-203-podcast\/","url_meta":{"origin":28708,"position":2},"title":"HDO 203. Albert Cirera Lisbon Trio + Agust\u00ed Fern\u00e1ndez, Rodrigo Amado Motion Trio, Clastrier &#8211; Kamperman, Mark Dresser&#8230; [Podcast]","author":"Tomajazz","date":"30 noviembre, 2016","format":false,"excerpt":"En la entrega 203 hincamos el diente, a tema por CD, a cinco novedades discogr\u00e1ficas: \"The\" de\u00a0Before The Silence\u00a0(del siempre interesante sello lituano\u00a0NoBusiness Records) del cuarteto formado por\u00a0Albert Cirera,\u00a0Hern\u00e2ni Faustino,\u00a0Gabriel Ferrandini, Agust\u00ed Fern\u00e1ndez -anunciado inicialmente como\u00a0Albert Cirera Lisbon Trio + Agust\u00ed Fern\u00e1ndez-, en una grabaci\u00f3n realizada en la Jazz Cava\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Mark-Dresser-Seven_Sedimental-You_Clean-Feed_2016.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Mark-Dresser-Seven_Sedimental-You_Clean-Feed_2016.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Mark-Dresser-Seven_Sedimental-You_Clean-Feed_2016.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Mark-Dresser-Seven_Sedimental-You_Clean-Feed_2016.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":27150,"url":"https:\/\/tomajazz.com\/web\/hdo-184-fred-hersch-y-hank-jones-dos-gigantes-del-piano-podcast\/","url_meta":{"origin":28708,"position":3},"title":"HDO 184. Fred Hersch y Hank Jones: dos gigantes del piano [Podcast]","author":"Tomajazz","date":"29 octubre, 2016","format":false,"excerpt":"Dos gigantes del piano \u2013uno es presente y el otro ya es historia- en la entrega 184 de HDO: Fred Hersch y Hank Jones en sendas grabaciones en directo publicadas en 2016. Sus t\u00edtulos The Fred Hersch Trio Sunday night at the vanguard (Palmetto Records, 2016) con Hersch, John H\u00e9bert\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Joe-Lovano-Quartet.-Classic-Live-at-Newport.-Blue-Note.-2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29828,"url":"https:\/\/tomajazz.com\/web\/hdo-252-university-of-toronto-jazz-orchestra-edward-maclean-jason-anick-jason-yeager-podcast\/","url_meta":{"origin":28708,"position":4},"title":"HDO 252. 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