{"id":28883,"date":"2017-01-30T12:00:06","date_gmt":"2017-01-30T11:00:06","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28883"},"modified":"2017-12-29T21:34:24","modified_gmt":"2017-12-29T20:34:24","slug":"365-razones-para-amar-el-jazz-una-version-lush-life-phineas-newborn-jr-1961-30","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-lush-life-phineas-newborn-jr-1961-30\/","title":{"rendered":"365 razones para amar el jazz: una versi\u00f3n. \u00abLush Life\u00bb (Phineas Newborn Jr., 1961) [30]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-28884 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Phineas-Newborn-Jr._A-World-Of-Piano_Contemporary-Records_1962-200x196.jpg\" width=\"200\" height=\"196\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Phineas-Newborn-Jr._A-World-Of-Piano_Contemporary-Records_1962-200x196.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Phineas-Newborn-Jr._A-World-Of-Piano_Contemporary-Records_1962.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Phineas-Newborn-Jr._A-World-Of-Piano_Contemporary-Records_1962-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Phineas-Newborn-Jr._A-World-Of-Piano_Contemporary-Records_1962-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una versi\u00f3n.\u00a0\u00abLush Life\u00bb por\u00a0Phineas Newborn Jr.<\/p>\n<p>Seleccionado por <strong>Diego S\u00e1nchez Cascado<\/strong>.<\/p>\n<p>Inclu\u00eddo en <em>A World of Piano!\u00a0<\/em>(Contemporary, 1961). Con\u00a0<strong>Paul Chambers<\/strong>,\u00a0<strong>Philly Joe Jones<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una versi\u00f3n.\u00a0\u00abLush Life\u00bb por\u00a0Phineas Newborn Jr. Seleccionado por Diego S\u00e1nchez Cascado. Inclu\u00eddo en A World of Piano!\u00a0(Contemporary, 1961). Con\u00a0Paul Chambers,\u00a0Philly Joe Jones.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-lush-life-phineas-newborn-jr-1961-30\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28884,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17862,18155,20689,15517,1038],"tags":[18715,18716,18165,18719,18697,963,18720,18717,2083,2097,18696,18718],"class_list":["entry","author-pachi","post-28883","post","type-post","status-publish","format-standard","has-post-thumbnail","category-diego-sanchez-cascado","category-365-razones-para-amar-el-jazz","category-razones-para-el-jazz","category-textos","category-contenidos","tag-100-anos-de-jazz","tag-100-anos-de-la-primera-grabacion-de-jazz","tag-365-razones-para-amar-el-jazz","tag-cien-anos-de-grabaciones-de-jazz","tag-contemporary-records","tag-diego-sanchez-cascado","tag-jazz100","tag-jazzrecords100","tag-paul-chambers","tag-philly-joe-jones","tag-phineas-newborn-jr","tag-primer-centenario-de-las-grabaciones-de-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Phineas-Newborn-Jr._A-World-Of-Piano_Contemporary-Records_1962.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31210,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-bye-bye-blackbird-henderson-dixon-183\/","url_meta":{"origin":28883,"position":0},"title":"365 razones para amar el jazz: un tema. 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Con John Coltrane, Lee Morgan, Curtis Fuller, Paul Chambers, Kenny Drew, Philly Joe Jones.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31005,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cd-round-about-midnight-miles-davis-169\/","url_meta":{"origin":28883,"position":2},"title":"365 razones para amar el jazz: un CD. &#8216;Round About Midnight (Miles Davis) [169]","author":"Tomajazz","date":"18 junio, 2017","format":false,"excerpt":"Un CD. Miles Davis:\u00a0'Round About Midnight (Columbia, 1957) Seleccionado por Juan Antonio Serrano Cervantes Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31033,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171\/","url_meta":{"origin":28883,"position":3},"title":"365 razones para amar el jazz: un disco. Workin\u2019 (Miles Davis) [171]","author":"Tomajazz","date":"20 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis: Workin' With The Miles Davis Quintet (Prestige, 1959). Seleccionado por\u00a0Arturo Mora Rioja Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28894,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-im-old-fashioned-33\/","url_meta":{"origin":28883,"position":4},"title":"365 razones para amar el jazz: un tema. \u00abI&#8217;m Old Fashioned\u00bb [33]","author":"Tomajazz","date":"2 febrero, 2017","format":false,"excerpt":"Un tema.\u00a0\"I'm Old Fashioned\". M\u00fasica: Jerome Kern. Letra: Johnny Mercer. Seleccionado por Luis Escalante Ozalla. John Coltrane:\u00a0Blue Train\u00a0(Blue Note, 1957) John Coltrane, Kenny Drew, Paul Chambers, Philly Joe Jones, Lee Morgan, Curtis Fuller.\u00a0Grabaci\u00f3n septiembre de 1957","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30131,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-cool-struttin-sonny-clark-105-a-new-perspective-05\/","url_meta":{"origin":28883,"position":5},"title":"365 razones para amar el jazz: una portada. 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