{"id":28974,"date":"2017-01-27T11:00:34","date_gmt":"2017-01-27T10:00:34","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28974"},"modified":"2017-01-27T00:14:19","modified_gmt":"2017-01-26T23:14:19","slug":"hdo-227-en-concierto-con-ytre-suloens-jass-ensemble-triccia-boutte-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-227-en-concierto-con-ytre-suloens-jass-ensemble-triccia-boutte-podcast\/","title":{"rendered":"HDO 227. En concierto con&#8230; Ytre Sul\u00f8ens Jass-ensemble &#038; Triccia Boutt\u00e8 [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-28975 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ytre-Sul\u00f8ens-Jass-ensemble-gira-espa\u00f1ola-143x300.jpg\" width=\"143\" height=\"300\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ytre-Sul\u00f8ens-Jass-ensemble-gira-espa\u00f1ola-143x300.jpg 143w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ytre-Sul\u00f8ens-Jass-ensemble-gira-espa\u00f1ola-26x55.jpg 26w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ytre-Sul\u00f8ens-Jass-ensemble-gira-espa\u00f1ola.jpg 283w\" sizes=\"auto, (max-width: 143px) 100vw, 143px\" \/>La formaci\u00f3n noruega\u00a0<strong>Ytre Sul\u00f8ens Jass-ensemble<\/strong> lleva en activo desde 1973. Con su estilo, que remite al jazz cl\u00e1sico de New Orleans, y que incluyen elementos del blues y del gospel, ha grabado m\u00e1s de veinte discos y actuado en multitud de pa\u00edses, incluyendo la cuna del jazz. En 2017 han publicado junto a la cantante <strong>Tricia Boutt\u00e9<\/strong> su nueva grabaci\u00f3n\u00a0<em>Eternal Now\u00a0<\/em>(Herman Records, 2017). El grupo y esta artista -colaboradora habitual del combo noruego desde 2011- y van a protagonizar una gira por Espa\u00f1a entre el 28 de enero y el 3 de febrero de 2017, en la que recalar\u00e1n en <strong>Elche<\/strong> (s\u00e1bado 28), <strong>Villajoyosa<\/strong> (domingo 29), <strong>Torrevieja<\/strong> (martes 31), <strong>Nerja<\/strong> (mi\u00e9rcoles 1 de febrero), <strong>Marbella<\/strong> (jueves 2 de febrero), y <strong>Madrid<\/strong> (Bogui Jazz, viernes 3 de febrero).\u00a0En HDO 227 escuchamos cuatro temas de\u00a0<em>Eternal Now.<\/em><\/p>\n<p style=\"text-align: right;\">\u00a0Tomajazz: \u00a9 Pachi Tapiz, 2017<\/p>\n<p style=\"text-align: left;\"><strong>HDO\u00a0<\/strong>es un\u00a0<em>podcast\u00a0<\/em>editado, presentado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><iframe id='audio_16674050' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_16674050_4_1.html?c1=ff6600\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La formaci\u00f3n noruega\u00a0Ytre Sul\u00f8ens Jass-ensemble lleva en activo desde 1973. Con su estilo, que remite al jazz cl\u00e1sico de New Orleans, y que incluyen elementos del blues y del gospel, ha grabado m\u00e1s de veinte discos y actuado en multitud de pa\u00edses, incluyendo la cuna del jazz. En 2017 han<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-227-en-concierto-con-ytre-suloens-jass-ensemble-triccia-boutte-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28976,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,17151,12814,15518,1038],"tags":[13370,15138,12651,15698,12696,16012,13300,13299,15712,15713,15714,13,15699,12415,15295,15278,960,15710,15307,15308,15309,31,12818,15310,15709,15711,16099,77,16100,18760,18759,18758],"class_list":["entry","author-pachi","post-28974","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t03-2016-17","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-bogui-jazz-madrid","tag-cd","tag-cd-de-jazz","tag-grabaciones","tag-grabaciones-de-jazz","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jose-francisco-tapiz","tag-la-actualidad-del-jazz-en-espana","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-triccia-boutte","tag-ytre-suloens-jass-ensemble","tag-ytre-suloens-jass-ensemble-triccia-boutte"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ytre-Sul\u00f8ens-Jass-ensemble_foto.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29320,"url":"https:\/\/tomajazz.com\/web\/hdo-238-leo-records-las-dimensiones-de-la-improvisacion-con-loz-speyer-gratkowski-nabatov-ensemble-5-stuart-popejoy-podcast\/","url_meta":{"origin":28974,"position":0},"title":"HDO 238. Leo Records: las dimensiones de la improvisaci\u00f3n con Loz Speyer, Gratkowski &#8211; Nabatov, Ensemble 5, Stuart Popejoy [Podcast]","author":"Tomajazz","date":"15 febrero, 2017","format":false,"excerpt":"En HDO 238 (15 de febrero de 2017), catamos las cuatro \u00faltimas novedades del cat\u00e1logo de\u00a0Leo Records, en las que aparecen distintas visiones de la improvisaci\u00f3n, a saber, las de\u00a0Loz Speyer's Inner Space en Life On the Edge\u00a0(Chris Biscoe, Rachel Musson, Olie Brice, Gary Willcox, Loz Speyer);\u00a0Ensemble 5 en Live\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Loz-Speyers-Inner-Space_Life-On-the-Edge_Leo-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":26878,"url":"https:\/\/tomajazz.com\/web\/hdo-178-guy-crispell-lytton-nicole-mitchell-dominique-pifarely-podcast\/","url_meta":{"origin":28974,"position":1},"title":"HDO 178. Guy \u2013 Crispell \u2013 Lytton. Nicole Mitchell. Dominique Pifar\u00e9ly [Podcast]","author":"Tomajazz","date":"14 octubre, 2016","format":false,"excerpt":"Los m\u00e1s que recomendables Deep Memory (Intakt, 2016) del tr\u00edo formado por Barry Guy, Marilyn Crispell y Paul Lytton; Moments of Fatherhood (RogueArt, 2016) del Nicole Mitchell Black Earth Ensemble Ensemble Laborintus; y\u00a0Trac\u00e9 Provisoire (ECM, 2016) de Dominique Pifar\u00e9ly Quartet son las tres grabaciones protagonistas de HDO 178. \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"barry-guy-marilyn-crispell-paul-lytton_deep-memory_intakt_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy-Marilyn-Crispell-Paul-Lytton_Deep-Memory_Intakt_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28098,"url":"https:\/\/tomajazz.com\/web\/hdo-208-aeby-bassdrumbone-eskelin-y-cia-jass-webber-podcast\/","url_meta":{"origin":28974,"position":2},"title":"HDO 208. Aeby &#8211; BassDrumBone &#8211; Eskelin y cia &#8211; JASS &#8211; Webber [Podcast]","author":"Tomajazz","date":"14 diciembre, 2016","format":false,"excerpt":"Nada m\u00e1s descriptivo que titular un programa de HDO con los nombres de los m\u00fasicos y grupos que suenan en el programa... m\u00e1s o menos. En esta ocasi\u00f3n los protagonistas son Stefan Aeby Trio (Stefan Aeby, Andr\u00e9 Pousaz, Michi Stulz) y su to the light (Intakt, 2016); BassDrumBone (o lo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/BassDrumBone_The-Long-Road_Auricle-Records_2016-e1481744307738-200x201.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29916,"url":"https:\/\/tomajazz.com\/web\/hdo-253-perico-sambeat-sus-palabras-y-su-revision-de-la-musica-de-frank-zappa-entrevista-por-pachi-tapiz-podcast\/","url_meta":{"origin":28974,"position":3},"title":"HDO 253. Perico Sambeat: sus palabras y su revisi\u00f3n de la m\u00fasica de Frank Zappa. Entrevista por Pachi Tapiz [Podcast]","author":"Tomajazz","date":"28 marzo, 2017","format":false,"excerpt":"En el final del a\u00f1o 2016, el saxofonista\u00a0Perico Sambeat publicaba en Karonte el CD\u00a0Perico Sambeat Ensemble Plays Zappa. Esta es la grabaci\u00f3n de un proyecto nacido como iniciativa del Jimmy Glass Jazz Bar (incansable local con una sobresaliente programaci\u00f3n de jazz en directo en Valencia).\u00a0Sambeat\u00a0charl\u00f3 con\u00a0Pachi Tapiz sobre esta grabaci\u00f3n,\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/01_Prc-Snbt-nsmbl-Plys-Zpp-%C2%A9Joan-Cort%C3%A8s_04feb17_Jmbr_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/01_Prc-Snbt-nsmbl-Plys-Zpp-%C2%A9Joan-Cort%C3%A8s_04feb17_Jmbr_Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/01_Prc-Snbt-nsmbl-Plys-Zpp-%C2%A9Joan-Cort%C3%A8s_04feb17_Jmbr_Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24786,"url":"https:\/\/tomajazz.com\/web\/hdo-0123-konvoj-records-improvisando-libremente-podcast\/","url_meta":{"origin":28974,"position":4},"title":"HDO 0123: Konvoj Records, improvisando libremente [Podcast]","author":"Tomajazz","date":"2 junio, 2016","format":false,"excerpt":"Konvoj Records es un peque\u00f1o sello que con base en Suecia, lleva unos cuantos a\u00f1os publicando referencias (no demasiadas), que sirven para ilustrar las diferentes formas y maneras que la improvisaci\u00f3n y el jazz m\u00e1s libre pueden tomar, incluyendo nuevas formas de interpretaci\u00f3n como son las partituras gr\u00e1ficas. En la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"01_Konvoj Ensemble_Mira_Konvoj Records_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/01_Konvoj-Ensemble_Mira_Konvoj-Records_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25582,"url":"https:\/\/tomajazz.com\/web\/hdo-147-emanem-musicas-del-pasado-y-del-presente-que-miran-hacia-el-futuro-podcast\/","url_meta":{"origin":28974,"position":5},"title":"HDO 147. Emanem: m\u00fasicas del pasado y del presente que miran hacia el futuro [Podcast]","author":"Tomajazz","date":"20 julio, 2016","format":false,"excerpt":"Pachi Tapiz repasa brevemente y lleva al podcast HDO cuatro referencias publicadas por el sello Emanem de Kent Carter, Tony Marsh - Chefa Alonso, Duck Baker y el Spontaneous Music Ensemble de John Stevens con Evan Parker, Barry Guy, Derek Bailey, Trevor Watts, Kenny Wheeler...","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Duck Baker_Outside_Emanem_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Duck-Baker_Outside_Emanem_2016-200x200.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=28974"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28974\/revisions"}],"predecessor-version":[{"id":28978,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28974\/revisions\/28978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/28976"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=28974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=28974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=28974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}