{"id":2899,"date":"2010-04-19T20:36:00","date_gmt":"2010-04-19T18:36:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2899"},"modified":"2016-04-10T23:06:46","modified_gmt":"2016-04-10T21:06:46","slug":"steve-swells-slammin-the-infinite-5000-poems","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems\/","title":{"rendered":"Steve Swell&#8217;s Slammin&#8217; The Infinite: 5000 Poems"},"content":{"rendered":"<p><a href=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/S8ywcN3t2qI\/AAAAAAAABdQ\/sBSY3-1ZO08\/s1600\/swell_5000.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/S8ywcN3t2qI\/AAAAAAAABdQ\/sBSY3-1ZO08\/s320\/swell_5000.jpg\" alt=\"\" title=\"\"><\/a><\/p>\n<div>\n<i>5000 Poems<\/i>, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin&#8217; The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum.<br \/><a name=\"more\"><\/a>\n<\/div>\n<div>Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de <i>free jazz<\/i> a la cl\u00e1sica. Los siete temas, todos ellos compuestos por Swell, permiten el lucimiento de todos los m\u00fasicos, pero especialmente del propio Swell (magn\u00edfico al tromb\u00f3n), y tambi\u00e9n de Sabir Mateen. Este saxofonista, flautista y clarinetista toca un total de cinco instrumentos, lo que hace que la paleta sonora sea sumamente variada. El <i>swing <\/i>de \u00abWhere Are The Heartfelt?\u00bb, el inicio vibrante de \u00abNot Their Kind\u00bb o la abstracci\u00f3n de \u00abMy Myth Of Perfection\u00bb son una magn\u00edfica muestra de lo se\u00f1alado.<\/div>\n<div><\/div>\n<div>Pachi Tapiz<\/div>\n<div><\/div>\n<div>Steve Swell&#8217;s Slammin&#8217; The Infinite: <i>5000 Poems\u00a0<\/i>\n<\/div>\n<div><\/div>\n<div>Steve Swell (tromb\u00f3n y composiciones), Sabir Mateen (saxos alto y tenor, clarinete y clarinete bajo, flauta), John Blum (piano), Matthew Heyner (contrabajo), Klaus Kugel (bater\u00eda)<\/div>\n<div><\/div>\n<div>\u00abNot Their Kind\u00bb 8:32, \u00abSketch #1\u00bb 8:05, \u00abWhere Are The Heartfelt?\u00bb 12:28, \u00abMy Myth Of Perfection\u00bb 14:20, \u00abThe Only Way&#8230; Out\u00bb 15:33, \u00abSketch #2\u00bb 4:00, \u00abThe Darkness Afoot\u00bb 13:46<\/div>\n<div>Todas las composiciones por Steve Swell<\/div>\n<div><\/div>\n<div>Grabado en directo el 24 de enero de 2007 en Park West Studios, Nueva York. Publicado en 2010 por Not Two Records. MW 827-2<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>5000 Poems, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin&#8217; The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum. Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de free jazz a la cl\u00e1sica. Los<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2899","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1007,"url":"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems-park-west-studios-2007\/","url_meta":{"origin":2899,"position":0},"title":"Steve Swell&#8217;s Slammin&#8217; The Infinite &#8211; 5000 Poems (Not Two, 2010)","author":"Autor1","date":"15 mayo, 2010","format":false,"excerpt":"5000 Poems, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin' The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum. Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de free jazz a la cl\u00e1sica. Los\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/sssti_5p.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1135,"url":"https:\/\/tomajazz.com\/web\/the-ullmann-swell-4-news-no-news\/","url_meta":{"origin":2899,"position":1},"title":"The Ullmann &#8211; Swell 4 &#8211; News? No News!  (","author":"Autor1","date":"17 mayo, 2011","format":false,"excerpt":"Tras estrenarse en CIMP con la grabaci\u00f3n hom\u00f3nima, The Ullmann - Swell 4, el grupo liderado por el saxofonista alem\u00e1n Gebhard Ullmann y el trombonista americano Steve Swell publica su segunda grabaci\u00f3n titulada News? No News! en el sello alem\u00e1n Jazzwerkstatt. Acompa\u00f1ados por una r\u00edtmica de lujo (el contrabajista Hilliard\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/ullmann_swell_news.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2911,"url":"https:\/\/tomajazz.com\/web\/the-ullmann-swell-4-news-no-news-2\/","url_meta":{"origin":2899,"position":2},"title":"The Ullmann &#8211; Swell 4: News? No News!","author":"Tomajazz","date":"31 marzo, 2010","format":false,"excerpt":"Tras estrenarse en CIMP con la grabaci\u00f3n hom\u00f3nima, The Ullmann - Swell 4, el grupo liderado por el saxofonista alem\u00e1n Gebhard Ullmann y el trombonista americano Steve Swell publica su segunda grabaci\u00f3n titulada\u00a0News? No News! en el sello alem\u00e1n Jazzwerkstatt. Acompa\u00f1ados por una r\u00edtmica de lujo (el contrabajista Hilliard Greene\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":23990,"url":"https:\/\/tomajazz.com\/web\/peter-brotzmann-en-buena-compania-por-triplicado-en-not-two-cd\/","url_meta":{"origin":2899,"position":3},"title":"Peter Br\u00f6tzmann: en buena compa\u00f1\u00eda por triplicado en Not Two [CD]","author":"Tomajazz","date":"4 mayo, 2016","format":false,"excerpt":"A sus 75 primaveras, el tremendo soplador alem\u00e1n Peter Br\u00f6tzmann sigue mostrando una m\u00e1s que notable actividad tanto en directo como en forma de grabaciones discogr\u00e1ficas. El sello polaco Not Two pone en circulaci\u00f3n tres grabaciones del padre del seminal Machine Gun (Bro \u2013 FMP, 1968) en tres formatos distintos.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Br%C3%B6tzmann-Swell-Nilssen-Love_Krakow-Nights_Not-Two_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5884,"url":"https:\/\/tomajazz.com\/web\/live-at-the-vision-festival-jemeel-moondoc-tentet-2003\/","url_meta":{"origin":2899,"position":4},"title":"Tomajazz Recomienda&#8230; un CD: Live at the Vision Festival (Jemeel Moondoc Tentet, 2003)","author":"Tomajazz","date":"15 abril, 2013","format":false,"excerpt":"Nueva York. 1 de junio de 2001. Sexta edici\u00f3n del Vision Festival. Jemeel Moondoc al frente de la reencarnaci\u00f3n de la Jus Grew Orchestra.\u00a0En esta ocasi\u00f3n esta formaci\u00f3n que no pudo llegar a grabar en su momento, en plena efervescencia de la neoyorkina escena de los loft, es un tenteto.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Tomajazz Recomienda... un CD: Live at the Vision Festival (Jemeel Moondoc Tentet, 2003)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":16747,"url":"https:\/\/tomajazz.com\/web\/hat-and-shoes-50a-grabacion-de-gebhard-ullmann-noticias\/","url_meta":{"origin":2899,"position":5},"title":"Hat And Shoes: 50\u00aa grabaci\u00f3n de Gebhard Ullmann [Noticias]","author":"Tomajazz","date":"30 enero, 2015","format":false,"excerpt":"El pr\u00f3ximo 10 de febrero se publicar\u00e1 Hat And Shoes, la 50\u00aa grabaci\u00f3n de Gebhard Ullmann como l\u00edder o co-l\u00edder. La grabaci\u00f3n est\u00e1 publicada por el sello Between The Lines a nombre del grupo Basement Research, en el que participan el propio Ullmann (saxo tenor y clarinete bajo),\u00a0 Steve Swell\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/GEBHARD-ULLMANN-BASEMENT-RESEARCH-HAT-AND-SHOES.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/GEBHARD-ULLMANN-BASEMENT-RESEARCH-HAT-AND-SHOES.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/GEBHARD-ULLMANN-BASEMENT-RESEARCH-HAT-AND-SHOES.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2899"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2899\/revisions"}],"predecessor-version":[{"id":23108,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2899\/revisions\/23108"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}