{"id":28998,"date":"2017-01-30T10:40:22","date_gmt":"2017-01-30T09:40:22","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=28998"},"modified":"2021-07-18T14:19:18","modified_gmt":"2021-07-18T12:19:18","slug":"editorial-menos-cuarto-publica-la-novela-el-ultimo-solo-de-buddy-bolden-de-gabriel-jimenez-eman-noticias","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/editorial-menos-cuarto-publica-la-novela-el-ultimo-solo-de-buddy-bolden-de-gabriel-jimenez-eman-noticias\/","title":{"rendered":"Editorial Menos Cuarto publica la novela El \u00faltimo solo de Buddy Bolden de Gabriel Jim\u00e9nez Em\u00e1n [Noticias]"},"content":{"rendered":"

\"\"<\/p>\n

La editorial Menos Cuarto publica El \u00faltimo solo de Buddy Bolden<\/em> de Gabriel Jim\u00e9nez Em\u00e1n<\/strong>. La novela recrea la vida del trompetista Buddy Bolden<\/strong>, considerado como el primer m\u00fasico de jazz.<\/p>\n

Gabriel Jim\u00e9nez Em\u00e1n
\nEl \u00faltimo solo de Buddy Bolden<\/em>
\nCol. Cuadrante nueve. Editorial Menos Cuarto.
\nR\u00fastica
\n14 x 21 cm
\n80 p\u00e1ginas
\n11,90 \u20ac
\n978-84-15740-41-4
\nN\u00ba edici\u00f3n: 1<\/p>\n

Toda la informaci\u00f3n y las primeras p\u00e1ginas del libro disponibles en http:\/\/www.menoscuarto.es\/libro\/el-ultimo-solo-de-buddy-bolden\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

La editorial Menos Cuarto publica El \u00faltimo solo de Buddy Bolden de Gabriel Jim\u00e9nez Em\u00e1n. La novela recrea la vida del trompetista Buddy Bolden, considerado como el primer m\u00fasico de jazz. Gabriel Jim\u00e9nez Em\u00e1n El \u00faltimo solo de Buddy Bolden Col. Cuadrante nueve. Editorial Menos Cuarto. R\u00fastica 14 x 21Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":28999,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17858,15795,1038],"tags":[11377,18775,15299,18774,13,12415,15295,15297,15710,11856,15296,15298,16099,77,16100],"class_list":["entry","author-pachi","post-28998","post","type-post","status-publish","format-standard","has-post-thumbnail","category-redaccion","category-noticias-2","category-contenidos","tag-buddy-bolden","tag-editorial-menos-cuarto","tag-espana-en-jazz","tag-gabriel-jimenez-eman","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-news","tag-la-actualidad-del-jazz-en-espana","tag-noticias","tag-noticias-de-jazz","tag-noticias-de-jazz-en-espana","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Gabriel-Jim\u00e9nez-Em\u00e1n_El-\u00faltimo-solo-de-Buddy-Bolden_Menos-Cuarto_2017_Novela.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":45602,"url":"https:\/\/tomajazz.com\/web\/wynton-marsalis-bolden-blue-engine-records-2019-grabacion\/","url_meta":{"origin":28998,"position":0},"title":"Wynton Marsalis: Bolden (Blue Engine Records, 2019) [Grabaci\u00f3n de jazz] Por\u00a0Juli\u00e1n Ruesga Bono","author":"Tomajazz","date":"13 septiembre, 2019","format":false,"excerpt":"Buddy Bolden es una figura legendaria en el mundo del jazz. Se sabe muy poco de \u00e9l y de su m\u00fasica a\u00fan menos. No existe ninguna grabaci\u00f3n de su m\u00fasica y solo se conserva una fotograf\u00eda suya. Todo es informaci\u00f3n oral transmitida de quienes lo conocieron o de quienes oyeron\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"Wynton Marsalis: Bolden (Blue Engine Records, 2019)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":45596,"url":"https:\/\/tomajazz.com\/web\/buddy-bolden-por-marshall-w-stearns-articulo\/","url_meta":{"origin":28998,"position":1},"title":"Buddy Bolden. Por Marshall W. Stearns [Art\u00edculo]","author":"Tomajazz","date":"12 septiembre, 2019","format":false,"excerpt":"La primera leyenda arquet\u00edpica del jazz es la vida de Charles Buddy Bolden, el hombre que no perdi\u00f3 una sola carving contest. Ten\u00eda ocho a\u00f1os cuando se acabaron las danzas de Congo Square, y probablemente sab\u00eda todo lo que hab\u00eda saber del vud\u00fa y asist\u00eda a sus reuniones clandestinas. Creci\u00f3\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"Buddy Bolden. Por Marshall W. Stearns [Art\u00edculo] Buddy Bolden 001 Tomajazz 9.0 - La primera leyenda arquet\u00edpica del jazz es la vida de Charles Buddy Bolden, el hombre que no perdi\u00f3 una sola carving contest. Ten\u00eda ocho a\u00f1os cuando se acabaron las danzas de Congo Square, y probablemente sab\u00eda todo lo que hab\u00eda saber del vud\u00fa y asist\u00eda a sus reuniones clandestinas. Creci\u00f3 en medio del furor de las bandas y aprendi\u00f3 a dominar un instrumento europeo: la corneta. De ni\u00f1o form\u00f3 parte de una congregaci\u00f3n religiosa de shouting. Hab\u00eda heredado todas las influencias musicales que sobreviv\u00edan en Nueva Orle\u00e1ns y sus contornos, y los sonidos que sal\u00edan de su corneta sirvieron para establecer una m\u00fasica nueva.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Buddy_Bolden_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Buddy_Bolden_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Buddy_Bolden_001.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Buddy_Bolden_001.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":45627,"url":"https:\/\/tomajazz.com\/web\/jazzx5075-blind-lemon-jazz-buddy-boldens-song-minipodcast\/","url_meta":{"origin":28998,"position":2},"title":"JazzX5#075. 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En esta ocasi\u00f3n, Buddy Bolden y la actualidad se dan la mano.","rel":"","context":"En \u00abNotas de Humor\u00bb","block_context":{"text":"Notas de Humor","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/notas-de-humor\/"},"img":{"alt_text":"Notas de Humor by Kuto. 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Cuando los m\u00fasicos de Nueva Orleans emigraron a Chicago en 1917, Johnson se qued\u00f3 en\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Bunk-Johnson_Bunk-And-The-New-Orleans-Revival.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":19419,"url":"https:\/\/tomajazz.com\/web\/jazz-ii-la-odisea-de-la-musica-afroamericana-capitulo-013-podcast\/","url_meta":{"origin":28998,"position":5},"title":"Jazz II. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 013) [Podcast]","author":"Tomajazz","date":"31 agosto, 2015","format":"audio","excerpt":"El cap\u00edtulo 13 de La Odisea de la M\u00fasica Afroamericana (LODLMA) es el segundo de los dedicados al jazz. Luis Escalante Ozalla se centra en los inicios y los pioneros. En el programa hay referencias a Buddy Bolden y a The Original Dixieland Jazz Band, entre otros muchos m\u00fasicos y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=28998"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28998\/revisions"}],"predecessor-version":[{"id":55705,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/28998\/revisions\/55705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/28999"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=28998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=28998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=28998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}