{"id":2901,"date":"2010-04-15T22:20:00","date_gmt":"2010-04-15T20:20:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2901"},"modified":"2016-04-10T23:06:46","modified_gmt":"2016-04-10T21:06:46","slug":"zeitkratzer-y-la-vieja-escuela","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/zeitkratzer-y-la-vieja-escuela\/","title":{"rendered":"Zeitkratzer y la vieja escuela"},"content":{"rendered":"<p><a href=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/S8c57toFlII\/AAAAAAAABbU\/hUlksczuYwk\/s1600\/zkr0010front.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/1.bp.blogspot.com\/_huJnG8dEQz8\/S8c57toFlII\/AAAAAAAABbU\/hUlksczuYwk\/s320\/zkr0010front.gif\" alt=\"\" title=\"\"><\/a><\/p>\n<div>Resulta un extra\u00f1o placer seguir las evoluciones de Zeitkratzer, el grupo que form\u00f3 Reinhold Frield cre\u00f3 all\u00e1 por 1997. Aun perteneciendo su \u00e1mbito art\u00edstico a la m\u00fasica cl\u00e1sica contempor\u00e1nea, su falta de prejuicios (\u00bfc\u00f3mo si no se atrever\u00edan a reinterpretar, por ejemplo, una obra como\u00a0<i>Metal Machine Music<\/i> de Lou Reed?), hace que su carrera sea m\u00e1s que interesante.<\/div>\n<p><a name=\"more\"><\/a><\/p>\n<div><a href=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/S8c5vCCy-nI\/AAAAAAAABbE\/3mf81kC0Muc\/s1600\/zkr0009front.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"1\" src=\"http:\/\/4.bp.blogspot.com\/_huJnG8dEQz8\/S8c5vCCy-nI\/AAAAAAAABbE\/3mf81kC0Muc\/s320\/zkr0009front.gif\" alt=\"\" title=\"\"><\/a><\/div>\n<div>Tras lanzar el pasado a\u00f1o los tres primeros vol\u00famenes de <a href=\"http:\/\/bun.tomajazz.com\/2009\/02\/electronics-por-zeitkratzer.html\">electronics<\/a>, su \u00faltimo paso dado ha sido la puesta en marcha de la serie <i>Old School<\/i> en Zeitkratzer Records con la publicaci\u00f3n de sendos vol\u00famenes dedicados a John Cage y a James Tenney. Ambas obras son m\u00e1s interesantes, interpretadas por una formaci\u00f3n trufadas de nombres habituales en la libre improvisaci\u00f3n. Entre los dos \u00a0destaca especialmente el CD dedicado a las obras de James Tenney. El grupo resulta asombroso por su capacidad de lograr ampliar el rango del sonido (especialmente en \u00abCritical Band\u00bb), a partir de un material m\u00ednimo en apariencia.<\/div>\n<p>Pachi Tapiz<\/p>\n<p>Zeitkratzer: <i>James Tenney<\/i><br \/>\u00abCritical Band\u00bb (1988) 17:14, \u00abHarmonium #2\u00bb (1976) 19:44, \u00abKoan: Having Never A Note For Percussion\u00bb (1971) 10:22<br \/>Grabado en directo el 3 de octubre de 2009 en Philarmonie Luxembourg. Publicado en 2010 en Old School. Zeitkratzer Records. zkr 010<\/p>\n<p>Zeitkratzer: <i>John Cage<\/i><br \/>\u00abFour (6)\u00bb (1992) 30:00, \u00abFive\u00bb (1988) 5:00, \u00abHymnkus\u00bb (1986) 30:00<br \/>Grabado en directo el 24 de noviembre de 2006 en Huddersfield Contemporary Music Festival, Reino Unido. Publicado en 2010 en Old School. Zeitkratzer Records. zkr 009<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resulta un extra\u00f1o placer seguir las evoluciones de Zeitkratzer, el grupo que form\u00f3 Reinhold Frield cre\u00f3 all\u00e1 por 1997. Aun perteneciendo su \u00e1mbito art\u00edstico a la m\u00fasica cl\u00e1sica contempor\u00e1nea, su falta de prejuicios (\u00bfc\u00f3mo si no se atrever\u00edan a reinterpretar, por ejemplo, una obra como\u00a0Metal Machine Music de Lou Reed?),<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/zeitkratzer-y-la-vieja-escuela\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,77],"class_list":["entry","author-pachi","post-2901","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22436,"url":"https:\/\/tomajazz.com\/web\/22436\/","url_meta":{"origin":2901,"position":0},"title":"Zeitkratzer: Stockhausen y Xennakis en clave de noise cl\u00e1sico contempor\u00e1neo. HDO 0078 [Podcast]","author":"Tomajazz","date":"26 febrero, 2016","format":false,"excerpt":"El grupo Zeitkratzer, creado y dirigido por el pianista Reinhold Friedl, contin\u00faa con su labor musical que lo mismo se basa en el trabajo de compositores de m\u00fasica cl\u00e1sica contempor\u00e1nea, que revisita el legado de grupos y m\u00fasicos transgresores del pop y rock como Whitehouse o Lou Reed. En febrero\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Zeitkratzer + Keiji Haino_Stockhausen Aus Den Sieben Tagen_Zeitkratzer Records_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Zeitkratzer-Keiji-Haino_Stockhausen-Aus-Den-Sieben-Tagen_Zeitkratzer-Records_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15099,"url":"https:\/\/tomajazz.com\/web\/zeitkratzermetal-machine-music-zeitkratzer-productions-2014\/","url_meta":{"origin":2901,"position":1},"title":"Zeitkratzer:Metal Machine Music (Zeitkratzer Productions, 2014)","author":"Tomajazz","date":"30 octubre, 2014","format":false,"excerpt":"Metal Machine Music de Lou Reed: \u00bfvenganza contra RCA?; \u00bfamasijo de ruidos? Defendido por su autor, un disco calificado como el peor de la historia del rock, ha sido reivindicado entre otros por Sonic Youth. M\u00e1s all\u00e1 del rock Reinhold Friedl, pianista creador del heterodoxo grupo de cl\u00e1sica Zeitkratzer, se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Zeitkratzer-Metal-Machine-Music-2014-e1414620538744.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Zeitkratzer-Metal-Machine-Music-2014-e1414620538744.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Zeitkratzer-Metal-Machine-Music-2014-e1414620538744.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18778,"url":"https:\/\/tomajazz.com\/web\/zeitkratzer-whitehouse-keiji-haino-live-at-jahrhunderthalle-bochum-zeitkratzer-productions-2014-cd\/","url_meta":{"origin":2901,"position":2},"title":"Zeitkratzer: Whitehouse \/ (+ Keiji Haino) Live At Jahrhunderthalle Bochum (Zeitkratzer Productions, 2014; CD)","author":"Tomajazz","date":"17 junio, 2015","format":false,"excerpt":"La formaci\u00f3n Zeitkratzer, dirigida por el pianista Reinhold Friedl, con su propuesta de noise de c\u00e1mara, de m\u00fasica industrial a la cl\u00e1sica, son una de las propuestas m\u00e1s sorprendentes de la m\u00fasica actual, si se me permite, de vanguardia. Rompedores en cuanto a sus planteamientos, su sello Zeitkratzer Productions les\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Zeitkratzer-Whitehouse.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Zeitkratzer-Whitehouse.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Zeitkratzer-Whitehouse.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Zeitkratzer-Whitehouse.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Zeitkratzer-Whitehouse.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":29950,"url":"https:\/\/tomajazz.com\/web\/hdo-255-inspiraciones-podcast\/","url_meta":{"origin":2901,"position":3},"title":"HDO 255. Inspiraciones [Podcast]","author":"Tomajazz","date":"31 marzo, 2017","format":false,"excerpt":"Inspiraciones en la entrega 255 de HDO. Matt Mitchell sobre la m\u00fasica de Tim Berne\u00a0en\u00a0f\u00f8rage\u00a0(Screwgun Records, 2017); Zeitkratzer recreando la de Kraftwerk\u00a0en Zeitkratzer performs songs from \"Kraftwerk\" and \"Kraftwerk 2\"\u00a0(zeitkratzer productions); Ingrid Schmoliner - Elena Kakaliagou bas\u00e1ndose en la m\u00fasica tradicional de Grecia y Austria en Nabel\u00f3se\u00a0(Corvo Records, 2017). Tomajazz:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Matt-Mitchell_Forage_Screwgun-Records_2017-e1490890592738.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Matt-Mitchell_Forage_Screwgun-Records_2017-e1490890592738.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Matt-Mitchell_Forage_Screwgun-Records_2017-e1490890592738.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3116,"url":"https:\/\/tomajazz.com\/web\/electronics-por-zeitkratzer\/","url_meta":{"origin":2901,"position":4},"title":"electronics por Zeitkratzer","author":"Tomajazz","date":"17 febrero, 2009","format":false,"excerpt":"Creados en 1999 seg\u00fan la informaci\u00f3n incluida en su web, y en 1997 seg\u00fan lo que indican en sus tres \u00faltimas grabaciones, Zeitkratzer es un colectivo que aunque tiene su centro de trabajo Berl\u00edn, recoge a m\u00fasicos de diferentes partes del mundo que se re\u00fanen en la citada ciudad alemana\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2723,"url":"https:\/\/tomajazz.com\/web\/zeitkratzer-whitehouse-alvin-lucier-zeitkratzer-records-2010\/","url_meta":{"origin":2901,"position":5},"title":"Zeitkratzer: Whitehouse \/ Alvin Lucier (Zeitkratzer Records, 2010)","author":"Tomajazz","date":"29 diciembre, 2010","format":false,"excerpt":"ZeitkratzerAlvin Lucier [Old School]Zeitkratzer Records2010 Zeitkratzer contin\u00faa rindiendo homenaje a distintos compositores. En abril de 2010 publicaba sendas obras dedicadas a James Tenney y John Cage. Apenas unos meses m\u00e1s tarde es el turno de Alvin Lucier (1931) y William Bennett (integrante del grupo de Whitehouse). En estas dos entregas\u2026","rel":"","context":"Con 6 comentarios","block_context":{"text":"Con 6 comentarios","link":"https:\/\/tomajazz.com\/web\/zeitkratzer-whitehouse-alvin-lucier-zeitkratzer-records-2010\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2901"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2901\/revisions"}],"predecessor-version":[{"id":23109,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2901\/revisions\/23109"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}