{"id":29105,"date":"2017-02-03T11:00:13","date_gmt":"2017-02-03T10:00:13","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=29105"},"modified":"2017-02-02T23:47:07","modified_gmt":"2017-02-02T22:47:07","slug":"hdo-232-toultoutima-colin-vallon-trio-michel-edelins-flute-fever-orchestra-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-232-toultoutima-colin-vallon-trio-michel-edelins-flute-fever-orchestra-podcast\/","title":{"rendered":"HDO 232. Toultoutima &#8211; Colin Vallon Trio &#8211; Michel Edelin&#8217;s Flute Fever Orchestra [Podcast]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29108 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Colin-Vallon-Trio_Danse_ECM_2017-200x200.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Colin-Vallon-Trio_Danse_ECM_2017-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Colin-Vallon-Trio_Danse_ECM_2017-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Colin-Vallon-Trio_Danse_ECM_2017-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Colin-Vallon-Trio_Danse_ECM_2017-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Colin-Vallon-Trio_Danse_ECM_2017.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29107 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Michel-Edelin_Kalamania_Rogue-Art_2016_2CD-200x220.jpg\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Michel-Edelin_Kalamania_Rogue-Art_2016_2CD-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Michel-Edelin_Kalamania_Rogue-Art_2016_2CD-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29106 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Toultoutima_A-lest_Autoeditado_2016-200x181.png\" width=\"200\" height=\"200\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Toultoutima_A-lest_Autoeditado_2016-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Toultoutima_A-lest_Autoeditado_2016-50x50.png 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: justify;\">Tres grabaciones en formato tres por tres en HDO 232 para el viernes 2 de febrero de 2017. En el programa suena m\u00fasica de cuatro CD. En primer lugar\u00a0<em>A l&#8217;est<\/em> (autoeditado, 2016) del cuarteto\u00a0<strong>Toultoutim\u00a0<\/strong>(<strong>Alain Angeli<\/strong>, <strong>Xavier<\/strong> <strong>Faro<\/strong>, <strong>Alain<\/strong> <strong>Laspeyres<\/strong>, <strong>Laurent<\/strong> <strong>Gutton<\/strong>). La segunda elecci\u00f3n es el doble CD\u00a0<em>Kalamania\u00a0<\/em>(RogueArt, 2016) del flautista\u00a0<strong>Michel Edelin\u00a0<\/strong>que nos muestra su trabajo en dos formaciones bien distintas:\u00a0<strong>Michael Edelin&#8217;s Flute Fever Orchestra with Special Guest N. Mitchell\u00a0<\/strong>con los flautistas <strong>Sylvaine H\u00e9lary<\/strong>, <strong>Ludivine Issambourg<\/strong>, <strong>Nicole Mitchell<\/strong> y <strong>Michel Edelin<\/strong>, m\u00e1s <strong>Peter Giron<\/strong> y <strong>John Bestsch<\/strong> en el primer CD titulado <em>The Song Of The Mad Faun<\/em>; y el CD titulado\u00a0<em>Domus<\/em>, grabaci\u00f3n en solitario del titular del grupo. El tercer CD que suena es\u00a0<em>Danse<\/em> (ECM, 2017) del\u00a0<strong>Colin Vallon Trio\u00a0<\/strong>con\u00a0<strong>Colin Vallon<\/strong>,\u00a0<strong>Patrice Moret<\/strong> y\u00a0<strong>Julian Sartorius<\/strong>.<\/p>\n<p style=\"text-align: right;\">Tomajazz:\u00a0\u00a9 Pachi Tapiz, 2017<\/p>\n<p style=\"text-align: justify;\"><strong>HDO\u00a0<\/strong>es un\u00a0<em>podcast\u00a0<\/em>editado, presentado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_16800415\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_16800415_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tres grabaciones en formato tres por tres en HDO 232 para el viernes 2 de febrero de 2017. En el programa suena m\u00fasica de cuatro CD. En primer lugar\u00a0A l&#8217;est (autoeditado, 2016) del cuarteto\u00a0Toultoutim\u00a0(Alain Angeli, Xavier Faro, Alain Laspeyres, Laurent Gutton). La segunda elecci\u00f3n es el doble CD\u00a0Kalamania\u00a0(RogueArt, 2016) del<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-232-toultoutima-colin-vallon-trio-michel-edelins-flute-fever-orchestra-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29106,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,17151,12814,15518,1038],"tags":[16087,18826,13370,12651,15698,9153,9152,12696,16012,13300,13299,15712,15713,15714,13,15699,12415,15295,15278,18832,960,9154,15710,18827,18829,18828,18830,7387,15307,15308,15309,31,9155,18831,12818,15310,15709,15711,8318,17090,16099,77,16100,18824,18825],"class_list":["entry","author-pachi","post-29105","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t03-2016-17","category-podcast","category-sonidos","category-contenidos","tag-alain-angeli","tag-alain-laspeyres","tag-audioblog","tag-cd","tag-cd-de-jazz","tag-colin-vallon","tag-colin-vallon-trio","tag-grabaciones","tag-grabaciones-de-jazz","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-john-bestsch","tag-jose-francisco-tapiz","tag-julian-sartorius","tag-la-actualidad-del-jazz-en-espana","tag-laurent-gutton","tag-ludivine-issambourg","tag-michael-edelins-flute-fever-orchestra","tag-michel-edelin","tag-nicole-mitchell","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pachi-tapiz","tag-patrice-moret","tag-peter-giron","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-rogueart","tag-sylvaine-helary","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-toultoutim","tag-xavier-faro"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Toultoutima_A-lest_Autoeditado_2016.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":25759,"url":"https:\/\/tomajazz.com\/web\/hdo-150-tony-malaby-rotozaza-kthxbye-formas-de-improvisar-podcast\/","url_meta":{"origin":29105,"position":0},"title":"HDO 150. Tony Malaby &#8211; Rotozaza &#8211; KTHXBYE. Formas de improvisar [Podcast]","author":"Tomajazz","date":"27 julio, 2016","format":false,"excerpt":"Tres propuestas en HDO 150: Incantations (Clean Feed) de Tony Malaby (a quien acompa\u00f1an Ben Monder, Eivind Opsvik y Nasheet Waits); Zero (Leo Records) del cuarteto de improvisadores alemanes Rotozaza (con Rudi Mahall, Nicola L. Hein, Adam Pultz Melbye y Christian Lillinger); details (Raw Tonk) de KTHXBYE (con Stian Larsen,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Rotozaza_Zero_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":26316,"url":"https:\/\/tomajazz.com\/web\/hdo-162-tres-trios-de-piano-eo-simon-trio-mayan-mike-jones-trio-roaring-agnar-mar-magnusson-svif-3x3-011-podcast\/","url_meta":{"origin":29105,"position":1},"title":"HDO 162. Tres tr\u00edos de piano: Eo Simon Trio \u00abMayan\u00bb \/ Mike Jones Trio \u00abRoaring\u00bb \/ Agnar M\u00e1r Magn\u00fasson \u00abSvif\u00bb. 3X3 (011) [Podcast]","author":"Tomajazz","date":"14 septiembre, 2016","format":false,"excerpt":"Tres tr\u00edos de piano en la entrega 162 de HDO: Mayan (Youkali Music) de Eo Sim\u00f3n Trio; Roaring (Capri Records) de Mike Jones Trio; Svif (Dimma) de Agnar M\u00e1r Magn\u00fasson. \u00a9 Pachi Tapiz, 2016 HDO es un programa de radio que se emite por Internet presentado, editado y producido por\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_Mike-Jones-Trio_Roaring_Capri-Records_2016.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_Mike-Jones-Trio_Roaring_Capri-Records_2016.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_Mike-Jones-Trio_Roaring_Capri-Records_2016.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_Mike-Jones-Trio_Roaring_Capri-Records_2016.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25766,"url":"https:\/\/tomajazz.com\/web\/hdo-151-3-de-hubro-erlend-apneseth-trondheim-jazz-orchestra-stein-urheim-3x3-08-podcast\/","url_meta":{"origin":29105,"position":2},"title":"HDO 151. 3 de Hubro: Erlend Apneseth &#8211; Trondheim Jazz Orchestra &#8211; Stein Urheim. 3X3 (08) [Podcast]","author":"Tomajazz","date":"29 julio, 2016","format":false,"excerpt":"Hubro es un sello en el que sus propuestas se pueden orientar hacia distintas direcciones, pero la improvisaci\u00f3n siempre presente, hace que el nombre del sello sea una etiqueta definitoria en s\u00ed misma. Una buena muestra son las grabaciones del\u00a0Erlend Apneseth Trio\u00a0(Det Andre Rommet),\u00a0Kim Myhr y\u00a0Jenny Hval con la\u00a0Trondheim Jazz\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kim-Myhr-Jenny-Hval-Trondheim-Jazz-Orchestra_In-The-End-His-Voice-Will-Be-The-Sound-Of-Paper_Hubro_2016-e1469555544811.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kim-Myhr-Jenny-Hval-Trondheim-Jazz-Orchestra_In-The-End-His-Voice-Will-Be-The-Sound-Of-Paper_Hubro_2016-e1469555544811.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Kim-Myhr-Jenny-Hval-Trondheim-Jazz-Orchestra_In-The-End-His-Voice-Will-Be-The-Sound-Of-Paper_Hubro_2016-e1469555544811.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29468,"url":"https:\/\/tomajazz.com\/web\/hdo-242-canajazz-iii-brian-dickinson-kirk-mcdonald-jazz-orchestra-modus-factor-podcast\/","url_meta":{"origin":29105,"position":3},"title":"HDO 242. Canajazz III: Brian Dickinson, Kirk McDonald Jazz Orchestra, Modus Factor&#8230; [Podcast]","author":"Tomajazz","date":"22 febrero, 2017","format":false,"excerpt":"En la entrega de HDO del 22 de febrero de 2017, la n\u00famero 242, suenan media docena de grabaciones de grupos canadienses:\u00a0The Rhythm Method\u00a0(The Brian Dickinson Quintet),\u00a0Common Ground\u00a0(Kirk McDonald Jazz Orchestra),\u00a0The Picasso Zone\u00a0(Modus Factor),\u00a0Not This Time\u00a0(Dog Leg Dilemma),\u00a0The Twilight Fall\u00a0(Chelsea's McBride's Socialist Night School),\u00a0The Long Slog\u00a0(Snaggle). Tomajazz:\u00a0\u00a9 Pachi Tapiz, 2017\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Brian-Dickinson-Quintet-The-Rhythm-Method-Addo-Records_2017-200x200.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30215,"url":"https:\/\/tomajazz.com\/web\/hdo-0260-de-orquestas-de-jazz-y-de-grandes-formaciones-podcast\/","url_meta":{"origin":29105,"position":4},"title":"HDO 260. De Orquestas de Jazz y de grandes formaciones [Podcast]","author":"Tomajazz","date":"18 abril, 2017","format":false,"excerpt":"Cuatro propuestas discogr\u00e1ficas en HDO 260, dedicado a orquestas y grandes formaciones de jazz. Suenan Gil Evans Paris Workshop de Laurent Cugny (Spoonful\u00a0-Jazz & People, 2017, 2CD), Joshua Green & The Cyborg Orchestra (Telepathy & Bop\u00a0-National Sawdust, 2017), University Of Toronto Jazz Orchestra (Sweet Ruby Suite -UofT Jazz, 2017), y\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Laurent-Cugny-Gil-Evans-Paris-Workshop_Spoonful_Jazz-And-People_2017_2CD-e1492461034860.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Laurent-Cugny-Gil-Evans-Paris-Workshop_Spoonful_Jazz-And-People_2017_2CD-e1492461034860.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Laurent-Cugny-Gil-Evans-Paris-Workshop_Spoonful_Jazz-And-People_2017_2CD-e1492461034860.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30971,"url":"https:\/\/tomajazz.com\/web\/hdo-273-free-free-free-give-me-free-music-drobka-weller-carrier-mazur-lambert-amado-almeida-franco-podcast\/","url_meta":{"origin":29105,"position":5},"title":"HDO 273. Free, free, free&#8230; give me free music: Drobka &#8211; Weller, Carrier &#8211; Mazur &#8211; Lambert, Amado &#8211; Almeida &#8211; Franco. [Podcast]","author":"Tomajazz","date":"14 junio, 2017","format":false,"excerpt":"Tres propuestas que se mueven por los terrenos del\u00a0free y la improvisaci\u00f3n libre en\u00a0HDO 273:\u00a0Blues Town\u00a0(Shifting Paradigm Records, 2017) del\u00a0Drobka - Weller Duo;\u00a0Oneness\u00a0(FMR, 2017) de\u00a0Fran\u00e7ois Carrier -\u00a0Rafal Mazur -\u00a0Michel Lambert; y\u00a0The Attic\u00a0(NoBusiness Records, 2017) de\u00a0Gon\u00e7alo Almeida - Rodrigo Amado - Marco Franco. Tomajazz: \u00a9 Pachi Tapiz, 2017 HDO es un\u2026","rel":"","context":"En \u00ab*_Pablo Sanz\u00bb","block_context":{"text":"*_Pablo Sanz","link":"https:\/\/tomajazz.com\/web\/category\/pablo-sanz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Drobka-Weller-Duo_Blues-Town_Shifting-Paradigm-Records_2017.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=29105"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29105\/revisions"}],"predecessor-version":[{"id":29113,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/29105\/revisions\/29113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29106"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=29105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=29105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=29105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}